El libro de piedra
- 1969
- 1h 39m
IMDb RATING
7.2/10
1.4K
YOUR RATING
Governess Julia discovers her young charge Sylvia's only friend is Hugo-a stone statue guarding an occult grimoire. As mysterious events escalate from cryptic symbols to voodoo dolls, the li... Read allGoverness Julia discovers her young charge Sylvia's only friend is Hugo-a stone statue guarding an occult grimoire. As mysterious events escalate from cryptic symbols to voodoo dolls, the line between stone and flesh grows ominously thin.Governess Julia discovers her young charge Sylvia's only friend is Hugo-a stone statue guarding an occult grimoire. As mysterious events escalate from cryptic symbols to voodoo dolls, the line between stone and flesh grows ominously thin.
Lilia Castillo
- Herminia
- (as Lilia Richars)
Eduardo MacGregor
- Fabián
- (as Eduardo Mc.Gregor)
Featured reviews
This might be the best of the few Mexican horror films. The story revolves about a statue of a boy which is found in the forest near the main character´s house. Legend says that the statue is not really what it seems to be. As with most horror films prior to the 70,s, this movie lacks gore or flashy fx but compensates it with solid acting from most part of the cast and a very creepy and uneasy atmosphere that leaves you looking twice over your shoulder or looking more carefully at the shadows in the corners even after repeated viewings.
I swear this has to be the scariest movie I´ve ever seen in my entire life, and I´ve seen plenty, but the whole aura that is involved in the facts that surrounds the goth horror in El libro de piedra (The stone book), it´s real frightening. Maybe I should say that I watched the movie on TV when I was nine or ten, and of course left me full of chills the whole evening; and in days after. I couldn´t look at the curtains in my room at night, or to a rear view mirror. If you can see the movie sometime, you´ll understand what I'm talkin' about. The fact is that I catched again the film like four years ago; I haven't seen it in a long time, and it happened the same: I was so thrilled about the experience, that I got scared again like the very first time, and maybe even more because I was chillin' on anticipation for what I knew it was coming. And I was already on my late 20's.
Director´s Taboada, as far as I know, it´s better known outside México for some of his horror movies. Hasta el viento tiene miedo (Even the wind's scared 1968) and Más negro que la noche (Blacker than the night 75-76), are some of his finest efforts in the horror ground. And I´ve seen those two -on tv also-, but it's El libro... the greatest of them all. Of course there are some flaws in the screenplay, in the acting and in direction matters, but on the other hand, it has some of the very best tricks to create fear without the effects that has been used and abused nowadays. This movie has the magic of the psychological tease that has inspired some of Guillermo del Toro works -just see the liquid footprints on El espinazo del diablo- and all around the ghost seeking revenge theme.
Another high point of El libro... i'ts that the ending it's not your cliché finale. It's so powerful and unexpected, that instead of getting a feel of relief -you may know what I mean-, it leaves you more than shocked and horrified. Taboada was a master on this matters, and if you're ever able to check his other works, you may enjoy it as well. The first half of Hasta el viento tiene miedo it's brilliant too, and Más negro... it's good just as reference. But if you can, try another mexican horror movies like Ladrón de cadáveres (Thief of corpses), and El escapulario.
Director´s Taboada, as far as I know, it´s better known outside México for some of his horror movies. Hasta el viento tiene miedo (Even the wind's scared 1968) and Más negro que la noche (Blacker than the night 75-76), are some of his finest efforts in the horror ground. And I´ve seen those two -on tv also-, but it's El libro... the greatest of them all. Of course there are some flaws in the screenplay, in the acting and in direction matters, but on the other hand, it has some of the very best tricks to create fear without the effects that has been used and abused nowadays. This movie has the magic of the psychological tease that has inspired some of Guillermo del Toro works -just see the liquid footprints on El espinazo del diablo- and all around the ghost seeking revenge theme.
Another high point of El libro... i'ts that the ending it's not your cliché finale. It's so powerful and unexpected, that instead of getting a feel of relief -you may know what I mean-, it leaves you more than shocked and horrified. Taboada was a master on this matters, and if you're ever able to check his other works, you may enjoy it as well. The first half of Hasta el viento tiene miedo it's brilliant too, and Más negro... it's good just as reference. But if you can, try another mexican horror movies like Ladrón de cadáveres (Thief of corpses), and El escapulario.
10robelor2
Growing up in Milwaukee in the early 80s meant one Spanish channels for my parents and every Friday night was our family night. Unlike your typical family night our idea of family night meant making popcorn and jumping into bed with mom to watch "Noche de pelicula". During Halloween they showed many scary movies and this one along with "Hasta el viento tiene miedo" are engraved in my mind like GEMS in a pile of dirt. This movie is a MUST SEE! I would put this and the before named movie up their with "The Exorcist" and "The Amityville Horror" just for its raw FEAR. Many new horror movies are based on visual effects to produce fear where these classics use plain atmosphere to create a natural fear.
After years of looking for this film that is recognized as a forgotten gem of mexican oldstyle horror cinema i found it in a place where i least expected it, now it´s part of my vast collection of hard to find horror and cult films.
This classic film tells the story about a little girl Silvya (Lucy Buj) that because of her behaviour is required to be nursed by a special teacher Julia (Marga López) at home,This teacher is experienced in the field and starts looking after the child´s behavior and her friendship with Hugo,a statue of a little boy with a book that dates 10,000 years old and supposedly talks to her and make her do things, Her wealthy father Eugenio Rubalcaba (Joaquin Cordero) is very disturbed about his daughters way´s and his new wife Mariana (Norma Lazareno) is trying to cope with her step daugters ideas but fears of the statue.
All this characters play their parts well and the atmosphere in this movie is so thick that you can cut it with a knife, locations are well used and the fright factor is there all the time, This is a timeless piece of art that should be taken seriously now a days for next wave horror movie creators. It´s a must see.
This classic film tells the story about a little girl Silvya (Lucy Buj) that because of her behaviour is required to be nursed by a special teacher Julia (Marga López) at home,This teacher is experienced in the field and starts looking after the child´s behavior and her friendship with Hugo,a statue of a little boy with a book that dates 10,000 years old and supposedly talks to her and make her do things, Her wealthy father Eugenio Rubalcaba (Joaquin Cordero) is very disturbed about his daughters way´s and his new wife Mariana (Norma Lazareno) is trying to cope with her step daugters ideas but fears of the statue.
All this characters play their parts well and the atmosphere in this movie is so thick that you can cut it with a knife, locations are well used and the fright factor is there all the time, This is a timeless piece of art that should be taken seriously now a days for next wave horror movie creators. It´s a must see.
OK,I went in with high hopes for this one ans I was mildly disappointed with it. First,I have to say that I watched on VHS and the picture/sound were not that good;I don't know even if this film has ever made it to DVD. The story is your typical Gothic supernatural horror,but not as great and eerie as the one that it often gets compared to,which is the British 'The Innocents' from 1961. It involves a little girl which seems to be having a strange relationship with a stone statue situated in the vast garden of her rich parent's suburban house. You know the typical ghost story; is she possessed,is it all in her mind and the viewer's,does the statue really have a life of its own? A couple genuine moments,but nothing that I/you haven't seen hundreds of times before,if you're a big fan of the genre. If you are interested in the director,watch his better film 'Even the Wind Is Scared'. I give this one, a 6 out of 10.
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Details
- Runtime1 hour 39 minutes
- Sound mix
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