Alucarda

For the first ten minutes or so I thought 'Alucarda' was going to be a waste of time. It looked very cheap and mediocre. But boy, was I wrong! The movie very quickly kicked into gear and after that it was one fantastic scene after another! I suppose technically this movie could be classified as nunsploitation, as it is most definitely an exploitation movie and it DOES have nuns in it, and, like virtually all the movies in that fascinating subgenre I've seen, it draws a lot of inspiration from Ken Russell's 'The Devils', but I'd be a bit wary of giving it that slightly misleading description. The focus of the movie isn't on the nuns, but the girls they look after, "good" Justine (Susana Kamini) and "evil" Alucarda (Tina Romero), and their strange relationship, and that to me puts it closer to the witch tradition, or even to 70s erotic vampire movies like Hammer's 'The Vampire Lovers' and 'Twins Of Evil', or similar movies by Jess Franco and Jean Rollin. Anyway, this is my first experience with Moctezuma's movies, and if this is anything to go by, I hope it isn't my last! He was a friend of Jodorowsky and produced the cult classic 'El Topo'. 'Alucarda' isn't "just" a horror movie, like Jodorowsky and Ken Russell, Moctezuma creates some unforgettable surreal imagery and that combined with his strong anti-catholicism makes this a very striking movie that will appeal to Bunuel buffs as much as 'Carrie' fans. 'Alucarda' is a very underrated movie and not to be missed!

The movie is a little hard to follow, but that doesn't take away from the eerie creepiness of the whole film. The best and most memorable part of this movie was the costumes. The nuns were wearing what looks like white, layered cheesecloth or that material you wrap around your sprained wrist. They have it wrapped around their heads, necks and chest, while it flows out into a dress in three layers down below. Seems very course, tight and uncomfortable. Every nun has her own tinges of dirt and blood on her dress. Mostly blood has lightly gotten all over the dresses to give the convent a feel of filth, stench and poverty. Mystery, too, as you wonder why the dresses are so bloody in the first place. Is it their own blood? In the front/middle of the skirt, there is always a very high concentration of blood, as if the nuns wiped their hands on this apron or even menstruated on it! It's quite disturbing and odd. Do Mexican Catholic nuns wear uniforms like this?

The other very memorable part of this movie is the character Alucarda. This actress is amazingly good. She plays the devilish child role extremely well. Her eyes sparkle with dark evil glances and she moves and dances in a possessed and spooky way! Like a little girl who is totally absorbed in herself. This actress was really impressive and her long, dark, fluffy hair really added to her charm.

This movie is worth watching for these two reasons. You will never see such a good demon-child or such discomforting costumes in any movie. Recommended!

First things first: although the name 'Alucarda' spells 'a Dracula; backwards, this film has nothing to do with vampires—it's simply the name of one of the characters, whose parents obviously didn't consider the possibility of bullying at school (not that the young lady cursed with such a silly moniker would have have stood for any nonsense from her peers: like Stephen King's Carrie, Alucarda is able to deal with those who vex her in spectacularly fiery fashion).

What the film does offer is demonic possession, strict Catholicism, nudity, self-flagellation, lesbianism, torture, orgiastic sex, and more screaming, wailing, and fainting than in the front row at a Take That concert. In short, its a prime slice of 70s nunsploitation, served up Mexican style ie., it's surreal, bloody, and more than a little bit bonkers (not surprising, I suppose, since it was directed by Juan López Moctezuma, the man who produced Alejandro Jodorowsky's equally insane El Topo).

Mixing elements borrowed from The Exorcist, DeSade's Justine, Ken Russell's The Devil's and the aforementioned Carrie, Moctezuma's medley of Mexican madness sees the titular character (played by menacing brunette Tina Romero) seducing pretty young blonde Justine (Susana Kamini) after she joins the convent at which Alucarda is staying. The two girls form a close bond, making a blood pact to die together, and eventually allowing themselves to become host to a demon (or possibly the Devil himself). This obviously upsets the nuns, who call for an exorcism. which in turn, upsets Alucarda. Cue flaming nuns, a collapsing convent, and a whole lot of histrionics!

Amongst the general lunacy, and the incessant screaming, the film offers these particular delights to those with a taste for the truly bizarre: an old hag with more straw in her hair than Worzel Gummidge; a gypsy who is the dead ringer for TV's Catweazle; nuns wearing dirty ra-ra habits (which are like a ra-ra-skirt, only full length, with a cowl, and dirty); a knife made from the tear of a gypsy girl (?!); an orgy attended by women with more hair than Cher, Tina Turner and Amy Winehouse combined; the exchange of blood during a Satanic ceremony; a reanimated dead nun being beheaded; blasphemy during a bible class; death by holy water; and lots and lots of nekkidness.

If that sounds like your cup of tea, and you think you can endure the wall-to-wall cacophony of screams, I say 'go for it'; the film proved a little too avant garde (and noisy) for my taste, but if nothing else, it was certainly a unique experience.

You can have so much fun with this!

In this crazy exploitation movie, young nuns Alucarda (anagram for Dracula) and Justine strike a blood pact, summon demonic forces of some sort and wreak havoc in a small religious community in Mexico. That's it in a nutshell.

It isn't simply a bad film, though it is in conventional terms. It's so utterly nonsensical, so bizarre and hysteric it becomes much more than it is. And isn't the whole point with movies that we construct what they mean to us?

It falls somewhere between Jess Franco's lesbian vampire films, and unconsciously Arrabal's Panic Theater and the Pythons. The beauty of it is that you can read it any way you feel like, there is no logic which is something I seek in films. Or rather, the logic is so inane compared to the anarchic joy, it breaks. My preferred reading is that the whole cacophonous mess is something between Justine's fears of motherhood strangling her sexuality (viewed through a Catholic prism), a confessional of scandalous teenage thoughts, and mischief caused by two young nuns in the back benches during Sunday school, perhaps imaginary, perhaps blown up into 'possession' by the shrill teacher.

It is all entirely theatric, but unselfconscious which is why its chaos works. Everyone is acting crazy, nuns drop down out of the blue. A book (ostensibly on demonology) simply reads 'Satan'. It's all of it disconnected, we visit one place then another. There is a satanic ritual and orgy for no good reason.

There is so much screaming, there is screaming inside the screaming.

It's awesome.

...Moctezuma was heavily influenced by the Silent films of the teens and 20's and it shows in this film..for its strong points are clearly the beautiful eerie images throughout..THe abstract Convent set in dark creative lighting..the Nuns in their Mummy like shrouds (they are more disturbing than the blood and gore..of which there is plenty)...The Erotic scenes between Alucarda and Justine..beautiful Images of Alucarda in her funeral black Victorian dress.My favorite Image from this film..possibly.. is the initial introduction of Alucarda as she turns around from the shadows to greet her new friend Justine whos newly arrived to the Orphanage..Its a quick creative dreamlike tidbit..the likes I've never seen in film before..Alucarda and Justine's early scenes have a poignancy and loneliness not unlike Soledad Miranda and her playmates in Vampiros Lesbos....It can be touching..Tina Romero(Alucarda)..I'm happy to say is still quite attractive and can be frequently seen in the current Telenovelas(Spanish Soaps)...I say grab a copy of Alucarda from Mondo Macabro..for a little taste o 70's Mexico..its a good little collectors piece...Christopher,2006