Crossing Guard

It has been five years since Freddie and Mary's young daughter was killed by a drunk driver and they have both been dealing with it in their own ways. Mary has moved on with a new husband and her other children, while Freddie has collapsed in on himself with a glut of drinks and strippers. However now that the killer, John Booth, has been released Freddie has focus and aims to kill him in revenge. However nothing is that simple.

Sean Penn, Jack Nicholson and David Morse are pretty much going to be worth a look as they are all pretty intense actors when given the material to work with. In this film Penn is the writer and director and, unfortunately, he is not as good as writing as he is the other facets of his job. Here the film is pretty good but has one massive problem that it cannot get over - the script. The film is based on clichés that you will have seen before. This itself is not a problem as, although the characters are familiar, it's what you do with them that counts - not their basic descriptions.

However the film doesn't actually do much with these basic characters and, what it does, is confused and clichéd as much as the basics are! The `message' of the film will be different for everyone so I won't go into that but suffice to say that the characters are never really explained and it is impossible to really feel for any of them. They drift aimlessly for an hour or so just `feeling' in a story that borders on the dull, before something happens that has any meaning - and even then you could see it coming. The script wants to be deep and meaningful, and it appears to have fooled several people on this site, but really it is hollow and really lacking in anything close to engagement.

It is even more tragic when you see the potential that the film had. As director, Penn does pretty well with good atmosphere and style. Likewise the cast could have been great but are mostly left to aimlessly drift with a script they can't work with. You can tell Penn is an actor by the way he seems to have been content to let the actor's `explore the space' or, in my terms, do what they want. Morse is a good actor but here he is lumbered with a man who has done all his suffering off camera resulting in him being a bland character with nothing left to explore in front of us. Huston is given nothing of value to do and the inclusion of Robin Wright Penn can surely be nothing but nepotism.

Overall there is a good film in here somewhere, but this is not it. The big names gather around a script that eventually lets them down by being far too dull and simplistic (and confused at the same time!) and never really engages.

This movie about a man revenge story. For six agonizing years, Freddy Gale(Jack) has waited for John Booth (David Morse), The man jailed for a crime that smashed Freddy's life. Now, Booth is out of prison and Freddy's giving him three days before he returns to even the score !

It was a good film. Sean Penn did a great movie since dead man walking ! I cannot take my eyes off Jack Nicholson !David Morse (The Rock , The good son & The Green mile) is a very underrated actor. I shall recommend this for everyone who is a fan of Jack Nicholson. At least watch it once :-)

I puzzle at those reviewers criticizing this film, which to my mind is a tour de force. Of course, I do volunteer work with dying folks and help train aspiring grief counselors to deal with the traumas that life all too often brings us. I can only assume that those who so quickly dismiss this powerful meditation on grief and remorse have yet to experience these real life emotions. Something by Schwarzenegger may be more to their taste, or one of the ubiquitous comic book recreations we encounter most summers with cardboard characters and pseudo emotions.

Sean Penn is plumbing much deeper regions of the human psyche, and doing so with actors of rare talent, fully capable of sharing with us their heart rending vulnerabilities. Few actors have the courage to go to the places these actors visit as they face suffering almost too great to bear. I'm reminded of the more recent Mystic River for which Sean Penn received an Academy award for best actor, a movie that explores equally traumatizing events. It was heartening to watch the joy with which this award was greeted by his fellow professionals who have long acknowledged this man's genius both in front of and behind the camera. This movie deserves a much wider audience of discriminating movie viewers.

David Morse was excellent in the movie. Whenever he's on screen, the movie is worth watching. Jack Nicholson is his usual competent crazy guy. The subject makes the movie a Serious Topic movie, but it often has trouble staying on topic.

The movie itself is mostly very slow going, aside from Morse's scenes and the scene where Nicholson talks to his ex-wife about a dream. How many times do we need to see Nicholson's character hanging out at the strip club? Yes, we get the idea, he's turned into a sleazebag with no direction in his life.

The ending is what really saves the movie. Beyond that, no spoilers from me. Once you get the idea of how Nicholson acts in the strip club, you might as well fast-forward through the strip club scenes (unless you want to see the strippers do their thing), because they're all pretty much the same. Still, that ending is just so good the movie ends up feeling pretty decent.

This film should have been good. It has a potentially great plot, and the first few scenes are very good. Then, it simply falls apart, and the main plot is basically ignored for much of the remainder of the movie. I also found the ending to be somewhat disappointing, although it was nice to see the focus back on the central storyline. The acting was certainly good, as you would expect in a Jack Nicholson movie, but the real tragedy is that David Morse was absolutely wasted. He was outstanding, but he rarely had anything to work with. What a disappointment.