Wealthy wine dealer and failed family man Alex commits a robbery to make money for his fledgling business, but things become complicated when his wife Suzanne interferes.Wealthy wine dealer and failed family man Alex commits a robbery to make money for his fledgling business, but things become complicated when his wife Suzanne interferes.Wealthy wine dealer and failed family man Alex commits a robbery to make money for his fledgling business, but things become complicated when his wife Suzanne interferes.
- Awards
- 1 win & 1 nomination total
Harold Perrineau
- Henry
- (as Harold Perrineau Jr.)
Featured reviews
Another twist on the heist gone wrong movie. Alex (Nicholson) and Victor (Caine) plan to rob jewels from a house safe. The robbery goes off fine but Alex's wife leaves him and flees the abusive relationship with her son Jason (Dorff) accidentally taking the jewels. Alex and Victor give chase leading to a double-crossing finale of greed and deception.
This is not what it appears - to compare it to the many "heist gone wrong" movies around now is quite unfair. Rather, this is a character driven piece where the diamonds become the signpost to the characters' true form rather than the reason d'eitre for the whole film. Nicholson plays the main character who seems OK on the surface but is paranoid, greedy, abusive and frustrated underneath. Caine is more sleazy and obviously violent, while Lopez, Dorff and Davis all play supposed innocents sucked into the crime.
However the truth is that the film reveals the greed inside each of them, only Judy Davis as Nicholson's wife comes off as anyway sympathetic, but even she has a drinking problem. Lopez and Dorff display their greed gradually and their characters develop during the film to be as unpleasant as Nicholson. All the main performances are strong and the monstrous sides of their nature are easily believable. Any redemptions are tarnished with lingering greed, greed turns to suspicion turns to deception turns to murder. Human nature is an ugly thing and this element of it is played out at every level here.
As a crime thriller it doesn't work as well as it could have - it is often treated as a plot driver rather than the plot itself. However the characters and performances are all strong and it is this that drives the film. Depending on whether you want a crime thriller or a character piece with big names, you'll either be disappointed or pleasantly surprised.
This is not what it appears - to compare it to the many "heist gone wrong" movies around now is quite unfair. Rather, this is a character driven piece where the diamonds become the signpost to the characters' true form rather than the reason d'eitre for the whole film. Nicholson plays the main character who seems OK on the surface but is paranoid, greedy, abusive and frustrated underneath. Caine is more sleazy and obviously violent, while Lopez, Dorff and Davis all play supposed innocents sucked into the crime.
However the truth is that the film reveals the greed inside each of them, only Judy Davis as Nicholson's wife comes off as anyway sympathetic, but even she has a drinking problem. Lopez and Dorff display their greed gradually and their characters develop during the film to be as unpleasant as Nicholson. All the main performances are strong and the monstrous sides of their nature are easily believable. Any redemptions are tarnished with lingering greed, greed turns to suspicion turns to deception turns to murder. Human nature is an ugly thing and this element of it is played out at every level here.
As a crime thriller it doesn't work as well as it could have - it is often treated as a plot driver rather than the plot itself. However the characters and performances are all strong and it is this that drives the film. Depending on whether you want a crime thriller or a character piece with big names, you'll either be disappointed or pleasantly surprised.
Jack Nicholson is typically brilliant. Judy Davis is positively compelling. Michael Caine does what he does when given a great script: exceptional work. Stephen Dorff is a great young actor, and Jennifer Lopez is stunningly beautiful, if at times out of her league here.
The script is good, the direction is excellent, and the film, in total, is a solid 8.5 on the 10 scale. Those who complain that the film is too violent shouldn't watch movies about crime. Crime is typically violent. (Despite the way it's depicted in most films.)
See this movie. Ignore the idiots.
The script is good, the direction is excellent, and the film, in total, is a solid 8.5 on the 10 scale. Those who complain that the film is too violent shouldn't watch movies about crime. Crime is typically violent. (Despite the way it's depicted in most films.)
See this movie. Ignore the idiots.
BLOOD & WINE (1996) *** Jack Nicholson, Michael Caine, Stephen Dorff, Jennifer Lopez, Judy Davis, Harold Perrineau. Fine devious neo noir and serpentine twists along the way with slick wine salesman Nicholson partnering with chronic, oily Caine (gleefully enjoying his scumbag role) for a get rich quick diamond necklace heist that only gets botched (natch) when his stepson Dorff starts to add up the heinous acts they've committed. Nicholson's attack on Caine is scarily funny. Directed by long-time Jack Packer, Bob Rafelson.
Michael Caine gives one of his greatest performances, and that really is saying something. How many times have you seen someone overshadow CJck Nicholson? Well it happens here. Caine's character is at times pathetic, at others funny, and at others deeply nasty, and always believable.
Jennifer Lopez looks astonishing in this but her character is a cypher. The script is so-so, as is the direction, but it is worth watching once for the Caine masterclass.
Jennifer Lopez looks astonishing in this but her character is a cypher. The script is so-so, as is the direction, but it is worth watching once for the Caine masterclass.
"Five Easy Pieces" is closed to one of the best movies ever made. I never finished watching "The King of Marvin Gardens" (It got too ponderous and uninteresting)and "Blood and Wine" is no improvement. Rafelson was much better off when he didn't get influenced from other directors and just stuck to what he did best like in F.E.P., which was about genuine characters facing genuine problems.
The characters in Blood and Wine are not realistic. They're a cliche. They weren't interesting enough to be sympathied with, even Stephen Dorff, who is supposed to be portrayed as the film's hero. Charmless, humorless, and overall bleak movie lacking any style or substance.
The characters in Blood and Wine are not realistic. They're a cliche. They weren't interesting enough to be sympathied with, even Stephen Dorff, who is supposed to be portrayed as the film's hero. Charmless, humorless, and overall bleak movie lacking any style or substance.
Did you know
- TriviaSir Michael Caine had decided to quit acting after being greatly disappointed with the production of Bullet to Beijing (1995) and the sequel, Midnight in Saint Petersburg (1996). Jack Nicholson convinced Caine to come out of retirement to work on this movie. Caine had such a good time that he decided to continue acting.
- GoofsAlex's position on the dock at the end of the movie changes several times.
- How long is Blood and Wine?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Blood and Wine
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $22,000,000 (estimated)
- Gross US & Canada
- $1,094,668
- Opening weekend US & Canada
- $420,993
- Feb 23, 1997
- Gross worldwide
- $1,094,668
- Runtime
- 1h 41m(101 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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