IMDb RATING
5.1/10
3.4K
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A woman trying to recover from a sexual attack is locked in a posh apartment with a corpse of the very man she's been dreaming would murder her. She tries to hang on to reality when objects ... Read allA woman trying to recover from a sexual attack is locked in a posh apartment with a corpse of the very man she's been dreaming would murder her. She tries to hang on to reality when objects around her seem to come to life.A woman trying to recover from a sexual attack is locked in a posh apartment with a corpse of the very man she's been dreaming would murder her. She tries to hang on to reality when objects around her seem to come to life.
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Laura Caulfield
- Actress on Soap Opera
- (as Laura Ann Caulfield)
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I first saw "Scissors" some ten years ago, and I had kept some memories of it when I saw it again on tv. It fulfilled my expectations, as I remembered it as rather interesting, though somewhat far-fetched.
Several reviewers have wondered about the necessity of showing Sharon Stone's beautiful bare breasts. I think it signifies that, though she reacts frigidly to men's advances, her sexuality is nevertheless present and no longer repressed when she is alone. Most writers rightly stress the excellency of the impersonation of Sharon Stone, on her (delayed)way to stardom. However I should like to point out that Steve Railsback, a very underrated actor, is quite remarkable too in the dual role of the neighboring twins. I think the film is worth a 8.
Several reviewers have wondered about the necessity of showing Sharon Stone's beautiful bare breasts. I think it signifies that, though she reacts frigidly to men's advances, her sexuality is nevertheless present and no longer repressed when she is alone. Most writers rightly stress the excellency of the impersonation of Sharon Stone, on her (delayed)way to stardom. However I should like to point out that Steve Railsback, a very underrated actor, is quite remarkable too in the dual role of the neighboring twins. I think the film is worth a 8.
This film was made in 1991, and it is sort of odd. Sharon Stone however, looks great (she is more understated, young and fresh). Steve Railsback ("Helter Skelter", and the more recent "Ed Gein") is strange and menacing.
The film itself has some odd cinematography and sets, including the apartment where Stone is abducted. Sort of a cold, Los Angeles modern look to it. It was marketed as suspense/horror. Probably more suspense/mystery.
Ronny Cox as Stone's psychotherapist and Michelle Phillips as his politician wife, so there is a message somewhere lost in the script. It is not the worst, and Stone looks beautiful, so it's worth a shot. 6/10
The film itself has some odd cinematography and sets, including the apartment where Stone is abducted. Sort of a cold, Los Angeles modern look to it. It was marketed as suspense/horror. Probably more suspense/mystery.
Ronny Cox as Stone's psychotherapist and Michelle Phillips as his politician wife, so there is a message somewhere lost in the script. It is not the worst, and Stone looks beautiful, so it's worth a shot. 6/10
After a young woman (Sharon Stone) is attacked in the elevator she meets her neighbors for the first time. One of them has a secret, the other has a crush on her. Her analyst tries to help her over the attack, but when she is invited to a mysterious apartment things get worse and worse.
Not even Ronny Cox could save this film. While Cox is an incredible actor and an amazing presence, this film has a few too many annoying aspects and tends to run a bit long. Sure, there is some suspense, and you need time to build that suspense, but there is a line that divides suspense and boredom, and I think the director may have crossed that line.
There are things to like about the film (besides Cox). The quirky characters, the menacing music... much of the architecture even makes of a good background. I do not happen to be a big fan of Sharon Stone (although Netflix seems to think so, because it has suggested her films more than once now). Some say this is among her best roles. Maybe, I do not know. A good editor good fix this one up nicely.
Not even Ronny Cox could save this film. While Cox is an incredible actor and an amazing presence, this film has a few too many annoying aspects and tends to run a bit long. Sure, there is some suspense, and you need time to build that suspense, but there is a line that divides suspense and boredom, and I think the director may have crossed that line.
There are things to like about the film (besides Cox). The quirky characters, the menacing music... much of the architecture even makes of a good background. I do not happen to be a big fan of Sharon Stone (although Netflix seems to think so, because it has suggested her films more than once now). Some say this is among her best roles. Maybe, I do not know. A good editor good fix this one up nicely.
The real masterpiece by Frank De Felitta is the excellent 1981 Telefilm 'DARK NIGHT OF THE SCARECROW' which next to the brilliant 1988 'SCARECROWS' is probably the 2nd best Killer Scarecrow movie of all time (you can see my review of that film here too if you wish)
But, back to this one... I'm glad he wrote and directed this movie, because in lesser hands it really would likely have been pretty lame. But, thanks to his engaging and creepy style, although somewhat flawed, it is a fun and entertaining film to some degree.
In my lowly and wretched opinion, I thought Sharon Stone's performance was not really that great. I was quite surprised since she went on to become so famous that her acting in this one was pretty weak. However, I thought everyone else did a great job with their roles, especially Railsback and of course the always great Ronny Cox.
As I do in all my reviews, I'm not going to waste your time going over the somewhat complicated plot, since just about every other reviewer almost always goes all through that. But, as I always try to do with my reviews is simply give you my opinion as to whether I felt the movie was well done and/or entertaining.
So, what carries this film the most I feel is the style and mood, a truly disjointed and Surreal tone which greatly adds to the atmosphere of this kind of Psychological Thriller. And, of course like I mentioned whatever directorial flourishes that Felitta brought to the story.
If you can tolerate Sharon Stone's rather overdone performance (yes, I Know she is supposed to be somewhat unbalanced, but I just didn't personally really buy her rendition of it) the actual story, the performances of the other excellent actors, and especially the offbeat, Surreal touches do give this movie a nice off kilter vibe which lends itself to being a moderately entertaining Psychological Thriller. I gave it a solid '6'
I personally think that with a little better writing and a lot better performance by Sharon Stone, this could easily have been a strong '7'...
~~~~~~~~~~~~~~~~~~~~~~~~~~ My Particular Way of Rating:
5 - Flawed, but perhaps with a little entertainment value here and there for some.
6. A decently passable story maybe worth a watch.
7. A solid film, well made, effective, and entertaining.
And, obviously, you can probably figure out what above and below these would mean... : )
But, back to this one... I'm glad he wrote and directed this movie, because in lesser hands it really would likely have been pretty lame. But, thanks to his engaging and creepy style, although somewhat flawed, it is a fun and entertaining film to some degree.
In my lowly and wretched opinion, I thought Sharon Stone's performance was not really that great. I was quite surprised since she went on to become so famous that her acting in this one was pretty weak. However, I thought everyone else did a great job with their roles, especially Railsback and of course the always great Ronny Cox.
As I do in all my reviews, I'm not going to waste your time going over the somewhat complicated plot, since just about every other reviewer almost always goes all through that. But, as I always try to do with my reviews is simply give you my opinion as to whether I felt the movie was well done and/or entertaining.
So, what carries this film the most I feel is the style and mood, a truly disjointed and Surreal tone which greatly adds to the atmosphere of this kind of Psychological Thriller. And, of course like I mentioned whatever directorial flourishes that Felitta brought to the story.
If you can tolerate Sharon Stone's rather overdone performance (yes, I Know she is supposed to be somewhat unbalanced, but I just didn't personally really buy her rendition of it) the actual story, the performances of the other excellent actors, and especially the offbeat, Surreal touches do give this movie a nice off kilter vibe which lends itself to being a moderately entertaining Psychological Thriller. I gave it a solid '6'
I personally think that with a little better writing and a lot better performance by Sharon Stone, this could easily have been a strong '7'...
~~~~~~~~~~~~~~~~~~~~~~~~~~ My Particular Way of Rating:
5 - Flawed, but perhaps with a little entertainment value here and there for some.
6. A decently passable story maybe worth a watch.
7. A solid film, well made, effective, and entertaining.
And, obviously, you can probably figure out what above and below these would mean... : )
Scissors is a tense psychological thriller where a disturbed woman (Sharon Stone) is trapped in an apartment by an unseen intruder in an attempt to drive her crazy. This film relied heaveily on Stone's dramatic acting and honestly she created a very believable and sympathetic character. She had to carry this film by herself basically and she pulled it off well.
Did you know
- TriviaAfter the success of Sharon Stone's Basic Instinct (1992), this film was retitled in German as "Final Instinct".
- GoofsSupposedly taking place in Chicago (though there's no attempt to give even the barest hint of it being in Chicago -- the apartment building is very LA), but the sloppiness gets very evident when you see the (213) Los Angeles area code on the toy building across from the insane apartment she ends up in (Chicago's area code is 312).
- Alternate versionsIn Britain 11 seconds were cut from the video version by the British censors to edit shots of Angie being punched and her clothes torn during the elevator assault scene. The 2002 Hollywood DVD is uncut.
- ConnectionsFeatured in Bad Movie Beatdown: Scissors (2012)
- How long is Scissors?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Fenêtre sur crime
- Filming locations
- Los Angeles, California, USA(Filming city, as Chicago.)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,368
- Opening weekend US & Canada
- $2,368
- Mar 24, 1991
- Gross worldwide
- $2,368
- Runtime
- 1h 45m(105 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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