In a futuristic society, a sword-wielding roller skater fights evil ninjas, punk roller skaters and is sent on an important rescue missionIn a futuristic society, a sword-wielding roller skater fights evil ninjas, punk roller skaters and is sent on an important rescue missionIn a futuristic society, a sword-wielding roller skater fights evil ninjas, punk roller skaters and is sent on an important rescue mission
Selina Jayne-Dornan
- Spirit Guide
- (as Selina Jayne)
Featured reviews
About 15 minutes into 'The Roller Blade Seven' I nearly gave up, but decided (masochist that I am!) to go all the way, baby! Because this is one movie you just gotta see ONCE, if only as a yardstick of sheer crapness.
This is without doubt one of the worst movies I've ever seen in my life. Now maybe you're thinking "goodie! I'm in for some 1990s version of 'Plan Nine From Outer Space', or 'The Incredibly Strange Creatures...' hilarious laugh-a-minute good times". NO!! When I say BAD I mean beyond entertainment. This movie is so awful in every way imaginable, and absolutely torturous to sit through, that you won't be able to think of ANY reason to continue watching it until the end.
The only movies off the top of my head that even come close to it are the unspeakably bad British vampire movie 'Razor Blade Smile', and the Godawful noir parody(??) 'Art Deco Detective'. At least the former had some unintentional laughs, and the latter featured a handful of funny lines from b-grade legend Brion James. 'The Roller Blade Seven' has no redeeming features whatsoever. What all three movies also share is that they were shot straight on video, making them all aesthetically unpleasant experiences. As well as cheaper than a pub crawl.
The guy responsible for this gem is Donald G. Jackson who is also the brains behind the moderately amusing 'Frogtown' movies, which I have seen, and works such as 'Mimes: Silent But Deadly' and 'Lingerie Kickboxer', which I haven't. He produces/directs and also co-writes with the movie's star Scott Shaw. Yeah I don't know him either but apparently he's some kinda martial arts expert and has appeared in movies with titles like 'Samurai Vampire Bikers From Hell' and 'Samurai Johnny Frankenstein', so you know he's class all the way. The Supporting cast includes Frank Stallone (Sly's brother) and Joe Estevez (Martin Sheen's brother and star of 'Motorcycle Cheerleading Mommas') (read that title again!!) , and somehow, cos I can't believe it myself, bona fide cult legends William Smith, Don Stroud and Karen Black. If you are a fan of any of those three all I can say is best stay away...
The "plot" concerns a Hawk (Shaw), a futuristic Ninja dude, who has to rescue his sister from evil baddies led by the crippled Pharoah (Smith), who is some kinda cult leader who invented a popular skateboard or something. Hawk meets up with all kinda weirdos, both good and bad, most of whom dress funny and use roller blades, and one of which continually plays the banjo. I say good and bad, because I honestly couldn't tell most of the time who was who, or what side they were on. Especially that banjo fella. And I suppose there was seven of them, but I wasn't counting, and who really cares? One of the roller bladers was Don Stroud but I never worked out which one, and eventually forgot he was even supposed to be in it. By the credits I didn't even care any more, and that says a lot because I LOVE Don Stroud and he was the main reason I watched this crap in the first place!
The plot, or lack of it, is only the half of it. Jackson directs like he has both eyes shut, and the editing was done (I believe) by someone with one hand tied behind their back, who insists on showing us every "action" sequence three or four times consecutively, for no apparent reason. There's about twenty minutes of (bad) dialogue spread throughout the ninety minutes of the movie, and the soundtrack, which includes everything from "moody" electronics to "smokin'" rawk to the banjo fellas limited repertoire of licks, is probably even worse.
The only thing that will amaze you after sitting through this offal is the fact that there was not only a sequel, but TWO!! Whether they are better than this or could even conceivably be WORSE I'll leave up to you because frankly, I value my sanity, and one 'Roller Blade Seven' flick is my absolute limit!
This is without doubt one of the worst movies I've ever seen in my life. Now maybe you're thinking "goodie! I'm in for some 1990s version of 'Plan Nine From Outer Space', or 'The Incredibly Strange Creatures...' hilarious laugh-a-minute good times". NO!! When I say BAD I mean beyond entertainment. This movie is so awful in every way imaginable, and absolutely torturous to sit through, that you won't be able to think of ANY reason to continue watching it until the end.
The only movies off the top of my head that even come close to it are the unspeakably bad British vampire movie 'Razor Blade Smile', and the Godawful noir parody(??) 'Art Deco Detective'. At least the former had some unintentional laughs, and the latter featured a handful of funny lines from b-grade legend Brion James. 'The Roller Blade Seven' has no redeeming features whatsoever. What all three movies also share is that they were shot straight on video, making them all aesthetically unpleasant experiences. As well as cheaper than a pub crawl.
The guy responsible for this gem is Donald G. Jackson who is also the brains behind the moderately amusing 'Frogtown' movies, which I have seen, and works such as 'Mimes: Silent But Deadly' and 'Lingerie Kickboxer', which I haven't. He produces/directs and also co-writes with the movie's star Scott Shaw. Yeah I don't know him either but apparently he's some kinda martial arts expert and has appeared in movies with titles like 'Samurai Vampire Bikers From Hell' and 'Samurai Johnny Frankenstein', so you know he's class all the way. The Supporting cast includes Frank Stallone (Sly's brother) and Joe Estevez (Martin Sheen's brother and star of 'Motorcycle Cheerleading Mommas') (read that title again!!) , and somehow, cos I can't believe it myself, bona fide cult legends William Smith, Don Stroud and Karen Black. If you are a fan of any of those three all I can say is best stay away...
The "plot" concerns a Hawk (Shaw), a futuristic Ninja dude, who has to rescue his sister from evil baddies led by the crippled Pharoah (Smith), who is some kinda cult leader who invented a popular skateboard or something. Hawk meets up with all kinda weirdos, both good and bad, most of whom dress funny and use roller blades, and one of which continually plays the banjo. I say good and bad, because I honestly couldn't tell most of the time who was who, or what side they were on. Especially that banjo fella. And I suppose there was seven of them, but I wasn't counting, and who really cares? One of the roller bladers was Don Stroud but I never worked out which one, and eventually forgot he was even supposed to be in it. By the credits I didn't even care any more, and that says a lot because I LOVE Don Stroud and he was the main reason I watched this crap in the first place!
The plot, or lack of it, is only the half of it. Jackson directs like he has both eyes shut, and the editing was done (I believe) by someone with one hand tied behind their back, who insists on showing us every "action" sequence three or four times consecutively, for no apparent reason. There's about twenty minutes of (bad) dialogue spread throughout the ninety minutes of the movie, and the soundtrack, which includes everything from "moody" electronics to "smokin'" rawk to the banjo fellas limited repertoire of licks, is probably even worse.
The only thing that will amaze you after sitting through this offal is the fact that there was not only a sequel, but TWO!! Whether they are better than this or could even conceivably be WORSE I'll leave up to you because frankly, I value my sanity, and one 'Roller Blade Seven' flick is my absolute limit!
This has to be the greatest practical joke ever. I'm amazed that all the other actors kept a straight face. I might be wrong but the impression I get from this movie was that they duped Frank Stallone and Joe Estevez into acting in this movie that has a budget of just under $40, depending on how much those nerf bats and spray painted catcher's equipment cost, create the most incoherent movie ever created, and sit back and laugh at the fact that Joe Estevez and Frank Stallone weren't in on the joke.
If by some chance they weren't kidding and they legitimately tried to make a real movie then I feel sorry for everyone involved in the creation. I've had quite a love affair with cheesy movies, but this movie is so bad I can hardly watch it. They repeat pointless "special effects" so many times that it's obvious they were just trying to cover up the fact that they only shot 30 minutes of footage. If I were forced to watch this movie on repeat I would bludgeon myself unconscious with my own hands after about one and a half times through. No offense to the great Frank Stallone, but I would rather watch Sylvester teach a fingerpainting class for 10 hours than watch that movie ever again.
If by some chance they weren't kidding and they legitimately tried to make a real movie then I feel sorry for everyone involved in the creation. I've had quite a love affair with cheesy movies, but this movie is so bad I can hardly watch it. They repeat pointless "special effects" so many times that it's obvious they were just trying to cover up the fact that they only shot 30 minutes of footage. If I were forced to watch this movie on repeat I would bludgeon myself unconscious with my own hands after about one and a half times through. No offense to the great Frank Stallone, but I would rather watch Sylvester teach a fingerpainting class for 10 hours than watch that movie ever again.
I knew that I was not about to see a quality film when this title was included in a 'B-grade video night' at a friends place. Despite the warnings, I was still surprised at just how bad this film was. It was fortunate that there were a lot of us there to share the pain with each other... The film attempts to tell the story of a dark future, one in which Hawk (a Mad Max type of character) heads off to rescue a damsel in distress. In reality, the plot is a thinly disguised excuse for the producers to promote their own philosophies on life (watch the end credits and the 'these people are not real' disclaimer at the end for a real laugh). The movie is frequently lacking direction, and fails to develop its characters to any degree whatsoever. What's even worse though is the editing of this film. The film repeats scenes (often 10 to 20 seconds long) up to 4 or 5 times in a row. I think that this was an attempt to emulate things like Jean Claude Van-Damme fight sequences, but if it is it fails utterly. The film would probably be about 1/3 of its length if we weren't forced to watch the main character move his head in front of the setting sun half a dozen times (yes, that's all that happens in that repeated scene). I give this movie my 'worst film I've ever seen' award. I doubt that it will be topped any time soon.
1RN-1
okay, let's cut to the chase - there's no way i can give this anything other then 1 out of 10; and yet you have to see it! The acting is bad, but is nothing like as bad as the script, which itself pales before the production values. Cardboard axes? yup, we've got then. Car floor mats painted silver and used as armour? here it is!
The film itself pretends to be artistic, but is just cheap; the same shots are used repeatedly - especially in the drawn out fight scenes; there is (thankfully!) very little dialogue, and there is much 'artistic' music to ram home the horror!
And yet all this awfulness is compelling - you have to watch it through just so that you can say you've seen it. I've not even got onto the barren sets, the 'plot', or the risible special effects; this really is the 'how not to do it' school of filmmaking. This must be viewed - spread the word, and let the world all join together in puzzling over what on earth is happening at the end
The best thing, though, is that they made a sequel.
The film itself pretends to be artistic, but is just cheap; the same shots are used repeatedly - especially in the drawn out fight scenes; there is (thankfully!) very little dialogue, and there is much 'artistic' music to ram home the horror!
And yet all this awfulness is compelling - you have to watch it through just so that you can say you've seen it. I've not even got onto the barren sets, the 'plot', or the risible special effects; this really is the 'how not to do it' school of filmmaking. This must be viewed - spread the word, and let the world all join together in puzzling over what on earth is happening at the end
The best thing, though, is that they made a sequel.
It was (foolishly) with some degree of relish that I sat down to watch what a friend had promised would be the worst/best movie experience of my life, the mighty 'Roller blade 7'. 2 years on and I'm still in therapy. Oh yes my dear friends it REALLY IS THAT BAD. They obviously got about 40 minutes of footage in the can and then decided to use said footage endlessly and repeatedly to brain-numbing effect. My only fear of the kind of post-apocalyptic world featured in this turkey is that somehow, some way, a print of this abomination would survive. Truly the living would envy the dead.
Did you know
- TriviaNamed number 27 of the 100 Best B-Movies of All Time by Paste Magazine in 2014.
- ConnectionsEdited into Legend of the Roller Blade Seven (1992)
- How long is The Roller Blade Seven?Powered by Alexa
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- Семеро на дороге для роликов
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- See more company credits at IMDbPro
- Runtime
- 1h 36m(96 min)
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