Le cheval venu de la mer

This small-scale film focuses on Gypsy folklore and myth, reincarnation, nature, and childhood.

Early in the film two Irish boys are given a horse by their grandad, which they decide to keep hidden in their tenement flat. Their father is severely depressed after the death of his wife, and lets the boys run riot. When the children (and horse) go on the run, he comes to terms with his travelling past with the Gypsies again and seeks solace in their help, wisdom, and faith.

'Into the West' is a truly remarkable film. The actors playing the children are remarkable (especially Ciaran Fitzgerald as Ossie), while the adult cast are headed by Gabriel Byrne (as the former traveller father) and his then-wife Ellen Barkin (as the mystical gypsy Kathleen). Both are excellent, while the mystical thread of the story - against the odds - remains believable and leaves an ending of optimism and goodwill.

Mike Newell, the director, and Jim Sheridan, the writer, deserve high praise for this movie. I also need to mention the Celtic music which pushes the story along and does much to set the atmosphere. Superb.

I always remember this movie for the shock of seeing a horse trying to live an apartment. Now, there's an unusual sight! I revisited this film last week and for a second and an overdo "ride" with these mystical Irish gypsies and their strange. By the way, I hadn't realized how nicely filmed this was until I saw it on 1.85:1 widescreen DVD.

Also to my surprise was that it wasn't the happy, family film I had remembered. There are many moments of frustration, sadness, violence, injustice, ete. It's hardly a bunch of fun times. The language is such, too, that I wouldn't recommend this for little kids, unless perhaps in Ireland where everyone seems to use Jesus' name in vain frequently, even kids.

It's still a story, basically, about two kids trying to capture and then keep a white horse, which is taken away from them. The cops (some crooked, as filmmakers love to show), the crooks and family are all out over the countryside looking for the boys and the horse.

In between, their father slowly comes to grips with the death of his wife some seven years earlier, a tragedy he has never been able to deal with correctly.

The best character and the most fun to watch is little "Ossie," played by Ciaran Fitzgerald. He's the one most-attached to the horse and the wee one has some of the best lines in the film.

This excellent movie deals with issues of identity, death and family. It is also a very funny and gentle fantasy (set in contemporary times) about two Irish boys and their magical horse.

This may sound silly to many. I wouldn't even fault anyone for having passed on it during its initial theatrical release or for passing it by in the video store. The marketing of this movie made it seem like a wacky, silly movie about kids getting into and out of several situations with their horse. The only reason I even saw it was faith in the cast and crew. I feel I was well rewarded.

The performances are exceptional. The two boys behave in a completely natural way without resorting to traditional "cutesy" mannerisms and expressions (which isn't to say the movie does not have its cute moments. ..it's just that they don't seem forced when they happen). Gabriel Byrne's performance is absolutely beautiful. Even though the movie is about the kids and the horse (at first glance) it really is about him and his character's denial of what he really is and how he is set right again.

The cinematography, direction and music are all superb. You won't be disappointed if you just give it a chance.

Irish themes often end up cloying or playing to stereotype. This movie, with its "mystical" Celtish theme and its message of Irish pluck could easily have fall into either trap.

But the kids -- and the horse -- save the day. Great actors, those boys. Great choreography with a beautiful horse. Together, these elements make the story remarkably engaging -- keep the story itself from devolving into bathos, and make it impossible for you not to suspend disbelief and root for the horse! Great directing to bring this all together.

Example of how such a fantastical story is presented with some subtlety: in one almost inconsequential shot, the two boys are walking down a crowded Dublin sidewalk, leading the horse. A couple of kids pass them, and throw unprovoked verbal abuse at the boys, disparaging them for being travellers. The older boy quickly spits back a retort or two in kind and then returns seamlessly to his ongoing conversation with his brother -- but doesn't break his stride and doesn't show any signs that the abuse has even registered with him. It is as once heart-rending (what does it say about his life so far that such an attack barely registers, it must be so common), and a testament to the boy's courage.

In that one brief scene, the movie shows the depth of character the kid will draw on throughout the movie, and you can't help but root for him! And the acting makes you feel like this is really who the boy is, not that he's an actor playing a part. (It was such a better scene than the heavy-handed scenes with the requisite bad cop.)

This film's title is forgettable, though the film is not. It also is a film that defies categories. (i. e., adventure, family, etc.)

The cast is marvelous, including the children, and not least of all the beautiful horse. It is this ensemble of actors that endows the film with a legendary quality that is hard to forget.

The modern, harsh, and unadorned setting makes the story all the more poignant because it is not a fairytale. We can relate to these characters because their problems are problems that confront all of us. It is a story about underdogs we can root for, and about how animals and children enrich our lives by reminding us to set aside our cynicism, have faith, and be true to ourselves.

This is a great, highly underrated film that I'd recommend to anyone, anytime. I loved it!