Victor/Victoria
- 1982
- Tous publics
- 2h 14m
IMDb RATING
7.6/10
25K
YOUR RATING
A struggling female soprano in 1934 Paris finally finds work after posing as a female impersonator, but it complicates her personal life when a visiting Chicago gangster finds himself inexpl... Read allA struggling female soprano in 1934 Paris finally finds work after posing as a female impersonator, but it complicates her personal life when a visiting Chicago gangster finds himself inexplicably attracted to the seemingly male performer.A struggling female soprano in 1934 Paris finally finds work after posing as a female impersonator, but it complicates her personal life when a visiting Chicago gangster finds himself inexplicably attracted to the seemingly male performer.
- Director
- Writers
- Stars
- Won 1 Oscar
- 11 wins & 18 nominations total
Herb Tanney
- Charles Bovin
- (as Sherloque Tanney)
Matyelok Gibbs
- Cassell's Receptionist
- (as Matyelock Gibbs)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Okay, well, its not really a classic love story, but its your classic boy meets girl pretending to be a boy pretending to be a girl story, and probably the best one of those thats ever been made. Julie Andrews plays Victoria(and Victor) quite well, but sometimes its hard believing that people would believe that she is a man. There are some great scenes in this movie that are derived from this concept though. James Garner and Robert Preston are both excellent in their roles, Preston as Andrews gay friend, and Garner, the manliest man around. Actually, all of the performances are excellent, but a lot of this movies success has to go to Blake Edwards. There is classic Edwards comedy in this movie, and a very intelligent script that never insults its audiences intelligence. I won't give specifics, but I will say the there is a show stopping number at the end of the movie that is hilarious. Most of the music is excellent, and if its bad, its intended to be that way. Really though, I only have one question. Having seen "The Party", and now this movie, one has to wonder, what does Blake Edwards have against waiters? 9 out of 10.
Paris in the '30s is the setting for this screwball sex comedy wherein JULIE ANDREWS, for the sake of being employed, takes a job as a woman pretending to be a man pretending to be a woman--figure that one out. Then we have a great moment when ROBERT PRESTON does an imitation of Julie singing "The Shady Dame from Seville" in drag--yes drag--the actor who played such sturdy romantic leads in the '40s and '50s is hilarious as a gay blade who hooks up with Julie during a restaurant scene in which she plants a cockroach in her plate to avoid paying for dinner.
That's the kind of romp this is. And it's extremely witty, with JAMES GARNER as Julie's romantic interest who hasn't figured out why he's so attracted to "the shady dame" when she's supposed to be a man.
First-rate sets and cinematography in color, and while none of it really makes any sense, the song and dance routines are fabulous with some great tunes by Henry Mancini. LESLEY ANN WARREN gives a priceless performance as a bird brained vamp in her Oscar nominated supporting role.
That's the kind of romp this is. And it's extremely witty, with JAMES GARNER as Julie's romantic interest who hasn't figured out why he's so attracted to "the shady dame" when she's supposed to be a man.
First-rate sets and cinematography in color, and while none of it really makes any sense, the song and dance routines are fabulous with some great tunes by Henry Mancini. LESLEY ANN WARREN gives a priceless performance as a bird brained vamp in her Oscar nominated supporting role.
Three of the stars of this movie all made their mark playing wholesome characters, (and all in musicals, ironically) but they certainly got rid of those personas in this film. Julie Andrews finally solved the problem of Maria by playing a woman pretending to be a man pretending to be a woman, Robert Preston's gay entertainer is a long, long way from Harold Hill, and Lesley Ann Warren... well, her floozy moll ("Ya mean you really aw... quee-uh?") basically erases all memories of Cinderella. All give excellent performances in this entertaining, funny film from director/co-writer Blake Edwards. And they all get to sing some great songs from Henry Mancini and Leslie Brucusse, among them "Le Jazz Hot," (in which Andrews sings in her lower range, and actually sizzles) "The Shady Dame From Seville," (first sung by Andrews, then hilariously reprised at the end by Preston) and "Chicago, Illinois." (Warren is great in that) Though there is a long stretch in the middle that either included jokes and/or subtleties that went over my head or just wasn't funny, though not bad, otherwise it's a great comedy. In addition to the three performers mentioned, James Garner is also good as the gangster who falls for Andrews but is unsure of her gender.
The first time I saw it, I thought it was "pretty good." Amusing, but I didn't expect to find myself watching it again.
It's unpretentious. It doesn't have Big Ideas or profound themes that you have to watch it twice to get.
But it's got lovable characters and a kickin' plot, and I happen to have a huge crush on the 1930s. I love the friendship between Victoria and Toddy because it feels so genuine and it's rare to see a friendship (particularly between men and women) portrayed so well in movies. I love the romance between Victoria and King, because they're well-matched, but at the same time the problems in their relationship are so realistic. Fundamental inability to compromise? I think everyone knows what that's like.
It's unpretentious. It doesn't have Big Ideas or profound themes that you have to watch it twice to get.
But it's got lovable characters and a kickin' plot, and I happen to have a huge crush on the 1930s. I love the friendship between Victoria and Toddy because it feels so genuine and it's rare to see a friendship (particularly between men and women) portrayed so well in movies. I love the romance between Victoria and King, because they're well-matched, but at the same time the problems in their relationship are so realistic. Fundamental inability to compromise? I think everyone knows what that's like.
My God, the reviewer before me MUST be mad!!! Either that, or he/she must be struggling with their own sexuality! THIS is one of my favorite movies of ALL time. Julie Andrews is in fine musical form; James Garner gives one of his greatest comedic performances since "The Americanization of Emily" (also with Julie Andrews) and Lesley Ann Warren just about steals the picture! This movie scores a solid "10" for comedy, a sterling "10" for music and a rousing "10" for romance! ANYONE that DOESN'T like this movie should suck an egg! HOW did Lesley Ann Warren NOT win an Oscar? Ditto, Robert Preston? I consider myself a guy's guy, but I confess I tear up every time I hear the opening refrains of Julie singing "Crazy World," the film's theme song. Bravo, Blake Edwards!!!
Did you know
- TriviaJulie Andrews' performance of "Le Jazz Hot," along with the verisimilitude of her performance generally, was made possible by her four octave vocal range, which allowed her to sing the low notes of a male tenor to the high notes of a female soprano with smooth transitions.
- GoofsWhen King turns on the radio, the sound comes on right away. In the old vacuum tube radios of the day, the filaments of the tubes would have to warm up before any sound emanates.
- Crazy creditsThe opening credits are a montage of Art Deco illustrations, with most of them reflecting the functions of the credited persons.
- How long is Victor/Victoria?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Віктор Вікторія
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $28,215,453
- Opening weekend US & Canada
- $139,634
- Mar 21, 1982
- Gross worldwide
- $28,229,440
- Runtime2 hours 14 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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