Victor et Victoria

I saw this film a number of years ago at a gay film festival at the Tel-Aviv Cinemateque. I knew that it existed -- I think there must have been a credit for it at the end of the Julie Andrews film and just ran to see it while I had the opportunity. The audience seemed to be evenly divided between the gay lesbian community and German/Austrian old timers.

Everyone seemed to have a really good time, despite the poor quality of the copy and the lack of Hebrew subtitles. And, it was quite delightful to overhear two elderly ladies talking about how "Mama" wouldn't let them see the movie when it first came out, and here the were seeing it today!

Viktor Hempel (Hermann Thimig) has played many parts; one of which is of a woman. He crosses paths with Susanne Lohr (Renate Müller) at an opportune time when he has a cold and cannot go on. She goes on in his place and when she reveals herself to be a man by taking a wig off, is an instant success. The story gets complex when she falls for a man and cannot tell him that she is a woman. Little does she know he found out. So, he has fun leading her on. Will she ever find out that he knows?

The movie shows many interesting things about the Weimar era such as an automat. The singing is from the 30's so they have that warble that you heard in Disney's Snow White. And the movie has a lot of slapstick filler. Many times, Viktor is unnecessarily a dufus. I have a sparse German vocabulary and am lucky most of the characters spoke slowly or at least used basic statements. There is also a smidgen of English including a song about Spain. The film would have been easier to follow if Deutsch sub-titles were available.

The DVD I Watched is region 2 from Black Hill Pictures GmbH. You may need a multiregional player or do a little ripping and converting to play. I believe there is a region one available now.

What surprised me most about this film, since it's famously the inspiration for the 1982 Blake Edwards/Julie Andrews musical "Victor/Victoria," is that it's so CLEAN. The fact that its release date is 1933 may mean it was produced under Nazi censorship, or on the other hand it might be an example of how innocent and yet sophisticated filmmaking could be in Weimar Berlin. Notably, there's absolutely no homosexuality in it; the Robert Preston character (a wonderful piece of clowning by Hermann Thimig) is straight, and the James Garner guy (the incredibly sexy Anton Walbrook) suspects all along that Viktoria is really female, and his courtship of her consists of teasingly playing up to her pretensions of maleness while tweaking her feminine tendencies. The through-line of this version is the charming reactions of the skittish young Susanna-Viktoria (an endearing performance by Renate Mueller that's a poignant reminder that it's possible for actresses to be both beautiful AND skilled performers--a point usually lost on Hollywood) to the strange and excellent adventures of passing as a man, and then falling in love while trying to pass as a man with the man she loves.

Many are aware that Viktor and Viktoria was remade in the U.S. as Victor/Victoria, but an English-language remake was made the following year in the U.S. starring Jessie Matthews and Barry McKay. The film follows the German script closely including the scene with the geese, but allows McKay to be in on the impersonation much earlier. Intriguingly, neither the German nor UK version contain a single hint of homosexuality -- female and male impersonation were simply accepted theatrical forms. No nudge-nudge wink-wink. One of the more poignant and droll scenes in the German film is when the ambitious thespians descend several flights of stairs in a seedy theatrical booking building, singing to a joyous martial melody that they will climb ever higher and higher-- as they descend and descend.

Viktor und Viktoria is a witty musical comedy of errors: The core idea is that a girl plays a man who plays a girl. Aspiring actress Susanne Lohr (Renate Müller) meets out of work actor Viktor Hempel (Hermann Thimig) while queueing at an agency. Viktor initially boasts about his success on stage, but Susanne pretty quickly sees through him, and from then on they develop a more honest friendship. When Viktor develops a sore throat and can't do his drag act at a vaudeville, Susanne steps in and becomes a huge, international sucess. Complications ensue... 'Viktor und Viktoria' is perfectly charming. It gives us a glimpse of how German cinema might have developed if it had not been taken over by the Nazis - a process that began in the year when this film came out. No wonder it proved influential over decades, inspiring several remakes (none of which I have had a chance to see so far). The plot is fast paced and the gender bending issue is handled with a lot of charm. Dialogues are mostly sung; amazingly, this sounds perfectly natural after a few minutes. Acting is excellent; Müller and Thimig have great comic timing. So have the other actors, of whom Adolf Wohlbrück deserves special praise (he changed his name to Anton Walbrook a little later and emigrated to Britain, where he had a great career). Still, for me the discovery of this film was Renate Müller, whom I had not seen or heard of before. She is simply fantastic as 'Mr Viktoria'. I read up on her and found that while the Nazis courted her for her looks, she refused to seperate from her Jewish boyfriend and to appear in propaganda films. In 1937, she died under suspicious circumstances, falling from an upper floor window soon after the Gestapo had entered the building. I don't know why she did not leave the country like Walbrook did - perhaps she did not trust her English, perhaps she had family in Germany. If she had emigrated, I am sure today she would be as well-known as Marlene Dietrich.