Rio Hondo

Hilariously bad western with Shatner playing the dual "good twin/bad twin" roles. This was made in Spain during his Star Trek years (hey, it seemed to have worked for Eastwood before him!). The incomprehensible back story winds up with a gun battle between fractious factions in the town of Rio Hondo (does anyone know what they're fighting about?). It also supports some other characters running around trying to hang innocent people. But the main clash is between the two twins which proceeds to a mano-a-mano finale in which Shatner gets to bare both his chests. I personally found his characteristic staccato delivery perfect for the Comanche twin Notah (speaking sterotypically of course). And for Star Trek fans - only one of him gets the girl! The film also suffers from a jazz influenced musical score, but, hey, that's the least of its problems.

One thing you have to admit about Shatner: the guy is definitely an entertainer.

White Commanche is a strange hybrid of spaghetti western and the Twilight Zone. The story does not have much humor (except unintentional of course) and has a very dark mood. I have read that this was made during his break from Star Trek and, boy, does Bill have fun in this one! He does well at establishing the two different sides of Johnny Moon and Notah. Both are capable of killing, however, one does it at will and the other only when it is justified (self defense). This makes for some great tension as Moon takes the blame for actions he didn't commit. Joseph Cotten is good as the Sheriff and has good rapport with Shatner throughout the film. Add Rosanna Yanni as the damsel barmaid Kelly and WC is a hoot to watch. Highlights include action scenes, shoot em ups, and Bill showing that he is a seasoned equestrian. Check out the psychedelic bright colors on the sets.

My personal favorite is anytime someone in the movie says with a horrified look "White Commanche!"

MR. MIKE'S COUCH-TIME MOVIE REVIEW WHITE COMANCHE.

Yes, the line above is spoken in the context of some time-honored Native American fable. It's just one of the many nuggets that make this sofa-time well spent. White Comanche features William Shatner (Capt. Kirk)during a break from Star Trek starring in an Italian western. Now, hold on. Hindsight being 20-20 and all, this might not have been the disastrous career move we've come to expect from the strict method-acting thespian with Shat's pedigree.( wait, that 20-20 reference might be another native American truism ! Put yourself in Shatner's shoes, no small feet for a guy who stands 5-7 at best! Clint Eastwood was making a big splash in Italian Westerns. Of course, THOSE Italian westerns were shot with more than one camera. But hey, you get on a plane for Italy, you don't find out these things right away.

Summary: Shat plays half-breed, twin brothers. Johnny Moon the misunderstood cowpoke in the polycotton blend slacks, and Notah Moon, the bloody savage killer Comanche brother who wears his hair just like Johnny's and yes, Mom still lays Notah's polycotton blend slacks on the bed for him each night too. Notah eats peyote, sees visions (all off-camera) and believes he is a Comanche messiah, sent down to the reservation to get a lot of Italians dressed as Indians all hot and bothered ! There's a showdown in the street.

The reliable (but obviously down on his luck) Joseph Cotton wrestles with the script as the well-meaning sheriff who reaches out to Johnny. And Rossana Yani, one hot Italian actress, who of course plays Kelly, the whore with a heart of gold, the love interest.

The movie is godawful. Poor cinematography, obvious jump cutting, stilted script, misplaced period music. The director tries to update the Cowboys/Indians shoot 'em up with drug references and then throw in the old Prince/ Pauper routine. Tired. A better budget might have pulled it off, but would have probably meant a better, more expensive cast (like say, Vince Edwards, Lee J. Cobb and Connie Stevens as Kelly). If that were the case, NO ONE would remember this movie. Kelly is beautiful, but has no one idea what her lines mean in English. At one point, she sympathizes with Johnny's abuse by prejudice, "We're all outcasts in someway, I'm part French, English with a little German mixed in." Of course, there's NO IRISH connection, her name IS KELLY.

Points of interest: Visible telephone poles in the old west, Notah Moon's on-again, off-again saddle trick. He does this same magic with his warpaint. Shatner's use of Kirk-esque grappling moves in his far too-long fight scene. Kelly's quick leap in the sack with the twin brother of the man who raped her. This logic is rivaled only by her insistence on bathing alone in the middle of nowhere in a spicy scene guaranteed to save the special effects budget. With the money saved, the crew was able to construct a SIXTH building for the set!

Cotton is not bad in this picture. It's easy to pile on Shat, but he's not a bad actor either in the right role. But God can't help this production. The music is not to be missed. Pick up White Comanche today. But do it when the Video stores are bulk selling their VHS stock.

White Comanche gets 3 potatoes: 1 for the soundtrack 1 for Rosanna Yanni (no relation and that's why she gets a potato!) 1 for the incredible marksmanship. Everyone who dies in this picture, save Notah, all take a bullet right between the eyes.

Thats the same sensation you'll experience if you see White Comanche !

If the Italian made cowboy flicks were "Spaghetti Westerns", this must be an "Enchilada Western", and it suffers by comparison. If it weren't for the presence in the cast of Cotten and Shatner, I'm sure this would be considered a "Cowboy and Indians" farce. I don't know how the two of them got involved in this but it was so compelling to Shatner that he played two roles. From horses who prance and dance little jigs in otherwise serious scenes, to Notah leading his band of Comanches while continuing to ride a western saddle, to buzzards that sound suspiciously like amplified crows, this whole thing might be somewhat entertaining if only the actors didn't take themselves so seriously.

The motion picture industry has trained viewers to expect certain types of music for certain types of movies and individual scenes. Occasionally a film score breaks with tradition and is recognized for its brilliance. The opening music of White Comanche should be judged with an open mind because it is within reason to allow experimentation at times. It did not turn into a classic western theme, but it is not too far out of place. As the movie continues there are some musical passages that definitely should not have been used. One sequence uses music that invokes the image of a chase scene in an old comedy, and another would have been appropriate for late 60's crime drama set in a big city. The music itself was good, but its placement does not enhance the movie. Instead it is noticeable and distracting.

William Shatner gives two acting performances that are totally opposite. As Johnny Moon, Shatner really does give a good performance. The sophistication of Johnny's character comes through, and if this were Shatner's only role in White Comanche it would be regarded more highly. As Notah Moon, Shatner cannot be taken seriously. When acting as the domineering Notah, he does not convey an image of a leader. Instead, he looks like he is rehearsing his lines for the first time. In addition, Notah is the only "comanche" with short, perfectly combed hair at all times while the rest of the Indians all have long hair.

Joseph Cotten is flawless in his performance as Sheriff Logan, but it is sad to see him in a movie that did not capitalize on his talent. Cotten must have been hired to add a "name" to the cast, but there was little for him to work with in his role.

The remainder of the cast varied in their acting qualities. Kelly, The General, and the Mayor appear to give good performances, but the dubbed voices in the soundtrack are lifeless. All of the fight scenes look like the weekend performances from a cowboy theme park-- fun in the moment but not good on film.

The greatest problem that plagued White Comanche was probably the cheapest to fix, the script. Only one scene gives some history between Johnny and Notah, and it has little depth. There is no account of how the rift between Grimes and General Garcia began or escalated. Neither Sheriff Logan or the saloon girl, Kelly, have any history. A little more explanatory dialog could have made the characters more dynamic.

White Comanche is not well made, but do not avoid it if you have the time and desire to view it.