Comanche

The period is 1875. The War Between The States had ended. But South of the Rio Grande, another more ancient and cruel war continued. Peaceful Mexican villages were tragic victims...

Comanche is directed by George Sherman and stars Dana Andrews as frontier scout Jim Read, who is sent to hopefully broker peace between Mexicans and the Comanche. As usual conflict exists within the tribe {Quanah Parker and Black Cloud}, as it does within the cavalry. Thus peace will be very hard to establish after years of mistreatment and mistrust.

Filmed entirely in Durango, Old Mexico for authenticity and shot in deluxe colour for a Cinemascope production, Comanche is a very tidy B Western offering. The action scenes are well constructed, with the Blanco Canyon scenes particularly eye catching; as the cavalry and divided Comanche armies form. While the acting, although far from being great, is competent and never at any time hinders the movie. Some misplaced jauntiness and a shoe-horned in romantic arc {Linda Cristal} threaten to derail the piece, and no doubt about it the film has over familiarity issues with Delmer Daves' far better Broken Arrow from 1950. But it's an interesting story that offers up something different within the genre. And since we may never get a great film that deals with the Quanah Parker {played by Kent Smith here} story, Comanche at least made the effort, and made the effort to watch it worthwhile.

Solid, interesting and enjoyable. 6.5/10

It's 1875. The Comanche attacks a Mexican village and kidnaps many of the women including the daughter of an aristocrat as the latest in a back and forth battle between the two peoples. They escape into American territory. American scout Jim Read (Dana Andrews) tries to peacefully settle the centuries old feud. The new Mexican government agrees to stop buying Comanche scalps. Comanche chief Quanah agrees to negotiate while renegade Black Cloud leads his warriors to force a fight against the US Calvary.

The shooting location Durango, Mexico has the desert qualities although the Mexican filming looks a little inferior. This is a B-movie Western but it's a pretty good one. It tries to deal the complex relationships of the people in the area. It's interesting that the Comanche chief is so astute right away. I don't like the red-faced actors but it's not unusual for its time. The quality is second tier but it's at the top of that second tier.

Blasé outdoor yarn set in 1875 is based loosely on real events, with peaceful villagers near Durango, Mexico pitted against the Comanches. Linda Cristal plays the daughter of a Spanish aristocrat who's been kidnapped; frontier scout Dana Andrews (looking weary) is working with the Calvary to bring peace between the white man and the Indians until he and his partner are also captured. There's an amusingly upbeat theme song by The Lancers ("A man is as good as his word/as good as his word is he/and if he is as good as his word/he's good enough for me"), and the outdoor cinematography is inspiring, but this plot is so old it creaks. John Ford's "The Searchers", also from 1956, covered similar territory; "Comanche" isn't as pumped up with machismo as "The Searchers" is--but neither is it especially memorable. ** from ****

A powerful Comanche chief agrees to take part in peace talks with Washington after an encounter with a sympathetic scout. However, a group of renegade warriors are unwilling to surrender their arms and their actions prompt a bigoted government official to use brutal methods.

A decent western that might on the surface look routine with its cavalry vs Comanche story, however, there are some fresh touches such as when after the Indian attack on the Mexican village a curve ball is thrown when it's revealed that the Comanches are somewhat justified in their attack, plus Dana's character is the cousin of Quannah Parker. And though the action is lacking, the ending is quite tense when Quannah and his natives appear on the mountain, their vocalisation sounding eerie. Of course, what follows is a well structured action sequence.

The performances from the actors are good, but it's Harry Brandon as Black Cloud who steals the scene with his snarl. The dialogue is also intelligent, especially between Dana's character and Quannah.

I just had to look--- KENT SMITH as Quanah Parker???? I mean, the guy was always wooden, but jeeze! Utterly unconvincing in every way. And big Mike Mazurki as his right-hand goon--whew. Henry Brandon's Black Cloud, with his ice-blue eyes and bad wig, is another howler. You can even see the wig coming loose when he's struggling with Dana Andrews, himself looking seriously out of place. Diehard fans may or may not care to see him in this role. But at least Iron Eyes Cody is in there, though his presence only points up how fake those redface 'red men' look.

The script is well-meant, and deserved better. But this was the 50s, and the production decisions were what they were. As the gratuitous Girl, Linda Cristal contributes exactly what was intended-- and in a cantilevered bra, too. If you like shoot-'em-ups and can overlook the casting limitations and other snags, you might find this acceptable entertainment.