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The Doll Squad pre-dates the hugely successful television series Charlie's Angels (1976 - 1981), and it's intentions are similar. After a catastrophic space shuttle launch, the clandestine group of government agents, must form to conquer this criminal conspiracy. Sabrina Kincaid (Francine York) is called to gather the scattered doll squad, a group of female agents. Practically all American films and television in the 1970's that involved crime were embroiled in conspiracy, from Starsky and Hutch (1975 - 1979), Police Woman (1974 - 1978) to The Amazing Spider-Man (1977 - 1979), and this film seems to have paved the way. It's certainly true that the producer of Charlie's Angels (Aaron Spelling) did go to the premier of The Doll Squad.

The films production is obviously incredibly low budget. Ted V. Mikels was previously known for the grindhouse cheapie's The Corpse Grinders (1971) and Blood Orgy of the She-Devils (1972), but this film's production values certainly rise above the limitations, and also look a lot better than the horror films. Where the film really fails is in the pace. It struggles through several clunky dialogue scenes, and often uses a piece of funky, disco-esque soundtrack (which is used far too much throughout the film) seemingly to attempt to give a dull scene a bit of pep - such as what appears to be either a fast walk down a long corridor, or a slow walk in a short one.

However, when the action does heighten, and that same piece of music is used appropriately, the film does have its moments of fun. It's always good to see the heavily made-up, statuesque '70's women beating up the weak men, from the women in prison movies, to proto-punk Switchblade Sisters (1975) - and of course their raison-d'etre, seduction. The film also boasts an appearance by Tura Satana, who was electric in Russ Meyer's Faster Pussycat. Kill! Kill! (1965). Whilst the film has it's lagging moments, and tedious dialogue, it doesn't ever really become boring. All the limitations actually function well within the context of the ludicrous scenes, and gives the film humour. A lasting example would be, of course, the technical effects for explosions. Mikels's solution? Superimpose a flare of red over the exploded object, then cutting object out: ridiculous, cheap-as-chips, hilarious!

The only other Ted V. Mikels film I had seen before this is "Blood Orgy of the She-Devils". And the only thing I remember about it is that it was completely awful. Thankfully, "The Doll Squad" is considerably better. It is crudely directed, with often poor continuity and laughable "special effects" (low points: the fake explosions). But it is also ahead of its time: how many films do you suppose had been made before 1973 featuring female commandos using guns, explosives and martial arts to wipe out small armies of bad men? Not many, that's for sure. Whether dressed in their bikinis or in their tight, form-fitting uniforms, the women in this film look good, and handle their basic action scenes fairly well. So "The Doll Squad" may not be art (far from it, in fact), but from a female action cinema fan's perspective, it delivers where it counts. (**)

The Doll Squad was an Americanized spin on the James Bond film series. It could've been a cinematic inspiration for Charlie's Angels. Well received among movie goers in it's day, The Doll Squad was a popular movie. If you are unfamiliar with older films in you should try watching this one. Doll Squad is straight forward and fun. It's not an avant guard art film, it's an action spy movie from the 70's.

'The Doll Squad' is testimony to Ted V. Mikel's complete lack of talent, in that he can take the idea of a team of beautiful assassins who must save the world from an evil mastermind intent on infecting us all with bubonic plague, and make it COMPLETELY BORING. On paper this looks like it could be a wonderfully trashy and camp 1970s experience, the kind of movie parodied with such skill and fun in the Austin Powers series. Actually trying to sit through it and stay awake is another matter! Mikel's woeful direction, the no-budget special effects, and the awful acting throughout make it almost painful to endure. Even the semi-naked appearance of the legendary Tura Satana ( from Russ Meyer's classic 'Faster Pussycat!') can't save this turkey!

This highly entertaining action flick is from the legendary Ted V Mikels, director of The Astro-Zombies and The Corpse Grinders. The Doll Squad is a laugh-a-minute cheese-fest of the first order. Mikels apparently sued Aron Spelling for nicking his idea and creating Charlie's Angels. Well, I don't know about that, but what I do know is that I would've been perfectly happy if there had been a series based on this movie. The basic premise is one that really you cannot go wrong with – a group of sexy action chicks take on an evil genius and his army of boneheads and save the day. It's a perfect recipe. What makes it so much fun is that the cheese-factor is in hyper-drive.

The film is ram-packed with action from start to finish. Lots of machine-gun toting babes, girls high-kicking men in the face, amazingly fake looking explosions and an array of ludicrous gadgetry. We have bad guys who blow up after drinking explosive vodka, an evil character who has his face set on fire by a cigarette lighter flame thrower and an undercover agent with fake face who is unmasked in a hilarious Scooby Doo style fashion. And for some reason the bad guys travel around in cars sitting on the bonnets, while the Doll Squad navigate the rough terrain of the island in high-heeled boots. Everything is accompanied by the most 70's soundtrack ever recorded. The film is just an endless succession of seriously silly events.

The only member of the cast I recognized was Tura Satana from Faster Pussycat! Kill! Kill! fame. She is strangely subdued it has to be said but it's always nice to see her. The rest of the Dolls are completely unfamiliar to me but they all just get stuck in and kick butt at every opportunity. There is a perhaps surprising lack of nudity but it doesn't really matter. The Doll Squad is a blast from start to finish and I strongly disagree with the view held by some that it is boring at all. It's loads of fun.