Girls are killed at a language-school in Spain.Girls are killed at a language-school in Spain.Girls are killed at a language-school in Spain.
Corinna Drews
- Laura
- (as Corinna Gillwald)
Jesús Franco
- Dr. Domingo Aundos
- (uncredited)
Otto Retzer
- Bueno
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This mediocre slasher packs thrills , chiller , extreme horror ,tension and lots of blood and gore for the grisly killings . It's on the aesthetic and body count of a psychotronic slasher, as the pic was extremely prohibited in some countries , in fact it was considered to be a Video Nasty in United Kingdom . The loathing gore and guts are astonishingly shown as mutilated human limbs , beaheading , slashing in cold blood and using all kinds of cutting instruments to carry out the horrible massacres , such as chainsaws , long knifes , electric cutting machines, among others . It deals with Miguel (Christoph Moosbrugger) , a young man with a horribly disfigured face, who is released from a mental asylum into the care of his sister, Manuela (Nadja Gerganoff) . Along with their wheelchair bound aunt (Maria Rubio) , they operate a boarding school for young woman, called Europe's International Youth-Club Boarding School of Languages, on the Spanish resort of Costa Del Sol. There arrives the young Angela (Olivia Pascal), but things go wrong when at the language-school some girls are being surprisingly killed.
The film stars un unknown cast , exception for Olivia Pascal who played some softcore movies ; it displays thrills , chills , cardboard horror , and lots of blood and gore for nauseating execution . Eerie Euro-horror to want in on the action and with a big influence in the Italian giallo if you put it in the hands of Jess Franco , you end up with this extreme Bloody Moon (1981) . The grisly , disturbing murders are extremely scary and really disgusting with abundant stabbing shots including beheading , slitting and mutilation in which a mysterious murderous makes an authentic slaughter with gruesome and bloody executions . At the end takes place an exciting denouement detailing the persona who exects the scary murders while the victims are massacred at the hands of the sinister and mysterious series killer . The film takes accent as suspense as well as terror with creepy use of images-shock and botcher edition.
This is a delirious motion picture made in the early 1980's , financed in little budget by Wolf C. Hartwig (who produced Sam Peckinpah's Cross of Iron) with nice cinematography by Juan Soler , lousily directed by Jess Frank without originality and following the ordinary Slasher trappings , being a flick attuned to mainstream audiences at the time . A disconcerting horror movie with no much interest and regularly made by Jesús Franco , including a lot of goofs , flaws , gaps and failures . He often used a lot of pseudonyms , among the aliases he used, apart from the names Jess Franco or Franco Manera, were Jess Frank, Robert Zimmerman, Frank Hollman, Clifford Brown, David Khune , Toni Falt, James P. Johnson, Charlie Christian, David Tough , among others. In many of the more than 180 films he's directed he has also worked as composer, writer, cinematographer and editor. Jesús's influence has been notable all over Europe . Jess was a Stajanovist, restless writer, producer, director who played and realized over 200 pictures. His career spans over 50 years with a few successes and lots of flops, making all . From his huge body of work we can deduce that Jesús Franco is one of the most restless directors of Spanish cinema and often releasing several titles at the same time. Many of his films have had problems in getting released, and others have been made directly for video. More than once his staunchest supporters have found his "new" films to contain much footage from one or more of his older films. Jesús Franco is a survivor in a time when most of his colleagues tried to please the government administration. He broke up with all that and got the independence he was seeking and getting , at times great eye for composition. He was a hard-working filmmaker, directing a lot of ridiculous movies. However, making some acceptable films , such as : ¨We are 18 years old¨, ¨Labios Rojos¨, ¨The awful Dr Orloff¨, ¨The Bloody Judge¨ , ¨Miss Muerte¨, ¨Eugénie¨ , ¨Count Dracula¨, ¨99 women¨, ¨Death Whistles the Blues¨, ¨Rififi in the City¨,¨Justine¨, ¨Paroxismus, ¨The Blood of Fumanchu¨, ¨Faceless¨ and a few others. This ¨Bloody Moon¨is only for Jess Frank enthusiasts and followers of banned films labeled as Video Nasties , resulting to be a grand stab fest that still ends up being closer to a giallo than intended.
The film stars un unknown cast , exception for Olivia Pascal who played some softcore movies ; it displays thrills , chills , cardboard horror , and lots of blood and gore for nauseating execution . Eerie Euro-horror to want in on the action and with a big influence in the Italian giallo if you put it in the hands of Jess Franco , you end up with this extreme Bloody Moon (1981) . The grisly , disturbing murders are extremely scary and really disgusting with abundant stabbing shots including beheading , slitting and mutilation in which a mysterious murderous makes an authentic slaughter with gruesome and bloody executions . At the end takes place an exciting denouement detailing the persona who exects the scary murders while the victims are massacred at the hands of the sinister and mysterious series killer . The film takes accent as suspense as well as terror with creepy use of images-shock and botcher edition.
This is a delirious motion picture made in the early 1980's , financed in little budget by Wolf C. Hartwig (who produced Sam Peckinpah's Cross of Iron) with nice cinematography by Juan Soler , lousily directed by Jess Frank without originality and following the ordinary Slasher trappings , being a flick attuned to mainstream audiences at the time . A disconcerting horror movie with no much interest and regularly made by Jesús Franco , including a lot of goofs , flaws , gaps and failures . He often used a lot of pseudonyms , among the aliases he used, apart from the names Jess Franco or Franco Manera, were Jess Frank, Robert Zimmerman, Frank Hollman, Clifford Brown, David Khune , Toni Falt, James P. Johnson, Charlie Christian, David Tough , among others. In many of the more than 180 films he's directed he has also worked as composer, writer, cinematographer and editor. Jesús's influence has been notable all over Europe . Jess was a Stajanovist, restless writer, producer, director who played and realized over 200 pictures. His career spans over 50 years with a few successes and lots of flops, making all . From his huge body of work we can deduce that Jesús Franco is one of the most restless directors of Spanish cinema and often releasing several titles at the same time. Many of his films have had problems in getting released, and others have been made directly for video. More than once his staunchest supporters have found his "new" films to contain much footage from one or more of his older films. Jesús Franco is a survivor in a time when most of his colleagues tried to please the government administration. He broke up with all that and got the independence he was seeking and getting , at times great eye for composition. He was a hard-working filmmaker, directing a lot of ridiculous movies. However, making some acceptable films , such as : ¨We are 18 years old¨, ¨Labios Rojos¨, ¨The awful Dr Orloff¨, ¨The Bloody Judge¨ , ¨Miss Muerte¨, ¨Eugénie¨ , ¨Count Dracula¨, ¨99 women¨, ¨Death Whistles the Blues¨, ¨Rififi in the City¨,¨Justine¨, ¨Paroxismus, ¨The Blood of Fumanchu¨, ¨Faceless¨ and a few others. This ¨Bloody Moon¨is only for Jess Frank enthusiasts and followers of banned films labeled as Video Nasties , resulting to be a grand stab fest that still ends up being closer to a giallo than intended.
Bloody Moon - 1981
(This Film Rates a D- )
This film opens with Miguel, a facially disfigured man, attempt to deceive and rape a young female only to brutally kill her with a pair of scissors in her boarding room. Five years later he is released from a mental institution in the care of his sister (Manuela) and two others (the bitchy aunt in a wheelchair and Maria, the countess). Manuela runs a boarding school for young women but also has an incestuous relationship with her brother. It also features Angela who is the student now occupying that same room of the murdered student. She starts having auditory and visual hallucinations and witnesses murders. She decides to pack her bags and leave but winds up barricading herself in the room. Angela is tormented and her friends are killed. Come to find out the brother Miguel isn't really the current killer after all. The ending sequence is just crap. Ufff, the dubbing is truly horrid, over dramatic and just full of so much nonsense dialog. The acting is bad and some scenes are just laughable even though not intended to be so. Cheap and poorly done scares that only prolong the agony between kills. Another horrible cat scare tactic at the 1 hour 3 minute mark. The gore effects are decent but not often enough. What was the fake looking boulder thing at the 46:40 minute mark? There are numerous boobie scenes. Great 80's disco style soundtrack that is one of the only highlights to this film.
okay, so this isn't as good as most Italian Gialli, but to be fair, it is head and shoulders above 90% of American slashers of the early-mid 80's.
Jess Franco certainly delivers the goods with this one, with lots of bloody stabbings (including a girl stabbed in the back, the knife protruding through her nipple), strangulations, a hedge trimer attack, and an awesome band saw decapitation. the German title of this film is "die sage des todes" which translates into "the saw of death" so they must have been impressed too. it's not too original, the basic "girl stalked by a sex maniac" but, Franco filters the standard formula through his own twisted vision and throws in some incest to keep things lively. also, the film ends with a great twist,twist ending that wraps things up nicely, no sequal here! be on the look out for the Franco Cameo at the beginning of the film, he's the doctor.
Jess Franco certainly delivers the goods with this one, with lots of bloody stabbings (including a girl stabbed in the back, the knife protruding through her nipple), strangulations, a hedge trimer attack, and an awesome band saw decapitation. the German title of this film is "die sage des todes" which translates into "the saw of death" so they must have been impressed too. it's not too original, the basic "girl stalked by a sex maniac" but, Franco filters the standard formula through his own twisted vision and throws in some incest to keep things lively. also, the film ends with a great twist,twist ending that wraps things up nicely, no sequal here! be on the look out for the Franco Cameo at the beginning of the film, he's the doctor.
A derivative but strangely appealing slasher flick from that auteur of Spanish sleaze and zoom lens-inspired madness, Jess Franco, which opens with a masked killer murdering a young girl and being sent to an asylum for the crime - just to prove that Franco's copying HALLOWEEN a little bit too much, we even see POV shots from the killer looking through the eyeholes in his mask! From then on, BLOODY MOON a cheap and nasty swathe through a series of badly-acting young women, as a mysterious villain murders them off one by one. Despite being set in a language school, there are never more than four or five girls around at time, which somewhat betrays Franco's low budget roots. The plot is pretty ludicrous, with a really dumb script - the English dubbing reaches new levels of absurdity with some of the trite dialogue that the girls constantly spew.
The acting isn't much better, and it's obvious that Franco picks his actresses for their looks rather than their acting ability. The identity of the killer is pretty easy to guess, especially seeing that the red herring is so obvious in this case - could it be the mysteriously scarred man who was previously convicted of murder, who constantly lurks around the school watching the girls? I don't think so. Technically, the film is rather poorly made, with sloppy editing and a tendency to shoot scenes in the dark with little lighting, making the viewing experience sometimes a test of endurance rather than genuine entertainment.
So why did I enjoy this movie? Well, it's just plain trash for sure, but Franco never expects you to think it should be anything else. BLOODY MOON is just about a series of young, sometimes naked girls being offed gorily by a perverted murderer, and that's exactly what Franco delivers. His deaths are all mean-spirited and graphically gory, which earned the film some notoriety when released in the UK - in retrospect the effects are all so cheesily staged that the fuss over such "nasties" is simply ludicrous. This is a fun, barmy and genuinely amusing slasher that doesn't pull any punches.
The acting isn't much better, and it's obvious that Franco picks his actresses for their looks rather than their acting ability. The identity of the killer is pretty easy to guess, especially seeing that the red herring is so obvious in this case - could it be the mysteriously scarred man who was previously convicted of murder, who constantly lurks around the school watching the girls? I don't think so. Technically, the film is rather poorly made, with sloppy editing and a tendency to shoot scenes in the dark with little lighting, making the viewing experience sometimes a test of endurance rather than genuine entertainment.
So why did I enjoy this movie? Well, it's just plain trash for sure, but Franco never expects you to think it should be anything else. BLOODY MOON is just about a series of young, sometimes naked girls being offed gorily by a perverted murderer, and that's exactly what Franco delivers. His deaths are all mean-spirited and graphically gory, which earned the film some notoriety when released in the UK - in retrospect the effects are all so cheesily staged that the fuss over such "nasties" is simply ludicrous. This is a fun, barmy and genuinely amusing slasher that doesn't pull any punches.
This movie is basically the infamous Jess Franco having a go at the American-style slasher films that were big in the early 80's, and what's most remarkable about it is how unremarkable it is. It's pretty violent, but except for one nasty knife exit wound there's nothing here that hasn't been done in hundreds of American slasher movies. Why this movie got singled out for a banning in Britain is beyond me. The most lurid thing about it is the original (very misleading)Spanish title "Colegialas Violadas". If they had tried to market it in Britain or the US under a title like that (which literally translates to "Raped Schoolgirls") I could see them banning it, but as far as I know it's always gone under the pretty innocuous English-language title "Bloody Moon". Besides there are no schoolgirls here. It's set at an adult Spanish-language school which seems to cater exclusively to incredibly dumb and slutty German and Scandinavian women. And no one would need to violate these girls--they're more sex-obsessed than the horny male teenagers in "Porky's". Why they're learning Spanish god only knows (other than to pick-up Latin disco kings at the cheesy club next door), but these girls are so stupid it's a miracle they ever learned ANY language beyond primitive clicks and grunts. One of these geniuses actually lets a masked guy she has just met tie her to a log in a saw mill ("This is kind of perverted, isn't it?"). You can pretty much guess what happens (she isn't rescued at the last minute by Shaggy and Scooby).
The girls are being stalked by two of the reddest herrings imaginable. One is a burnt youth in a Mickey Mouse mask (Walt Disney must have rolled over in his cryogenic chamber)who killed a girl years back but has been released into the care of his sexy sister for whom he harbors strong incestual feelings (Franco himself plays the psychiatrist who releases him). The other is a gardener who is always laughing maniacally and coincidentally wielding the exact same implement that has just been used to kill the latest victim. The best thing I can say about this movie it is it is so over-the-top with its dumb victims, obvious red herrings, and ridiculously gory murders that it might have actually meant to be a parody of the slasher film. It also has some competent cinematography and is relatively zoom free. It's certainly not the WORST film Franco ever made.
The girls are being stalked by two of the reddest herrings imaginable. One is a burnt youth in a Mickey Mouse mask (Walt Disney must have rolled over in his cryogenic chamber)who killed a girl years back but has been released into the care of his sexy sister for whom he harbors strong incestual feelings (Franco himself plays the psychiatrist who releases him). The other is a gardener who is always laughing maniacally and coincidentally wielding the exact same implement that has just been used to kill the latest victim. The best thing I can say about this movie it is it is so over-the-top with its dumb victims, obvious red herrings, and ridiculously gory murders that it might have actually meant to be a parody of the slasher film. It also has some competent cinematography and is relatively zoom free. It's certainly not the WORST film Franco ever made.
Did you know
- TriviaThis movie was banned in the United Kingdom in the early 1980's after it was labeled a "Video Nasty."
- GoofsThe knife stabbed into Eva's back has its blade tip emerge through her left nipple. When Eva's corpse is later shown hanging in Inga's wardrobe, her left nipple is untouched and the blade tip is protruding from her lower sternum.
- Quotes
Manuela: No, Miguel. I'm your sister. We shouldn't start again. Don't you see that people wouldn't let us love each other. It's that... don't you see... it's everybody that's around us, staring at us and judging us.
[gasps]
Manuela: I'm so afraid. Miguel, I'm terribly frightened. If we could just get rid of everyone around us. Then things could be as they were.
- Alternate versionsDutch DVD is cut and at the gore scenes the picture goes from light to dark. The last available German censored master was used.
- ConnectionsFeatured in Matador (1986)
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