Monster a Go-Go

"Monster A Go-Go" was supposed to be the first feature film for Bill Rebane, who started filming this thing in 1961. His monster flick, originally called "Terror At Halfday", had a budget of 80.000 dollars, which was pretty much gone after a couple of days of filming. After he ran out of funding the film lay on the shelf for about four years, unfinished and with no hope (or desire) of actually being released.

Cue Herschell Gordon Lewis (of "Blood Feast" fame), always on the look-out for the cheapest way he could get a film released. So he bought the abandoned footage from "Terror At Halfday" and 'finished' the movie. To cut costs, he decided to only ask a couple of performers back, which did not include Henry Hite. I should point out Henry Hite played the monster. He finished this monster flick ... without the monster. That's one of the main reasons why this movie feels like such a blatantly cynical cash grab.

So Lewis only had a tiny little bit of footage shot with Henry Hite, and none of that footage could be edited to look like an actual ending. Lewis 'solved' that problem by creating one of the saddest anti-climaxes in the history of filmmaking. I honestly can't imagine how the people that paid to see this left the theatre after this screening. To quote Rich Hall: "It was so bad I wanted everyone's money back!". That was about a Bob Dylan concert, but it works equally well for this movie.

For what it's worth: Rebane actually did try to shoot a big climax for this, that's actually the main reason the budget ran out so quickly. Some of the ending scenes feature dozens of extras, so that's clearly Rebane's footage. Lewis really wouldn't bother to do any of that. In later interviews Rebane has stated he hates this movie even more than the audience does, and I can't blame him. Lewis didn't even put his name on it, Rebane is the only credited director. Did I mention he only sold his "Terror At Halfday" footage for 8.000 dollars, while it cost ten times as much to film? I guess he got a really quick course on how film business worked.

Ask many people what the worst film ever made is, and they will probably respond with either "Ishtar" or "Manos, The Hands of Fate". I, on the other hand, have seen those two and this one, and I have to tell you, this is the low point in my book. Several key points using "Manos" for comparison:

--Manos was in color. --Manos has better costumes. --Manos is at least unintentionally funny. --Manos has more of a surreal approach.

MONSTER, on the other hand, is a black and white sleeper of a film (and I mean sleeper in the sense that you will probably fall asleep waiting for something to happen). The badly paced dialogue cuts present in "Manos" are here, but sadly, they aren't interspersed with freaky costumes (not counting the odd go-go outfit) or for that matter, memorable dialogue. As an example of exactly how dull this film is, I showed it (admittedly, the Mystery Science Theater 3000 version) to some MST3K friends of mine who are avid collectors of bad/tacky cinema. OK, they had been drinking...a little. But regardless, they were both out in the first 20 minutes and did not wake up at all for the rest of the film. I don't think _I_ have ever sat through a viewing and remained awake.

Therefore, I would like to recommend this film as a fine sleep aid to anyone suffering from recurring insomnia. If you do decide to watch the film, and manage to remain awake to the conclusion, please refrain from damaging your video equipment if you find the ending...perplexing.

Okay here is the scoop. This was an unfinished movie that a few added scenes and was edited together almost at random, so it could be used as part of a double feature. That is why everything is all screwed up, that and the initial inept directing, crappy acting and other such.

Monster A Go Go, it sound like the name of a bad camp movie, but it's really the name of a bad, bad, bad, bad, bad, bad horror movie. It is the worst movie ever made. The reason most MSTies say Manos is worst is because it's a more popular episode because Joel & the bots could make fun of it more. This however was too hard to make fun of. In the MST3K book (Amazing Colossal Episode Guide) they note this was the first time in a while that they didn't do any host segments related to the movie, because NOTHING happens. Manos, had intriguing characters like Torgo, The Master, and hell even Debbie. This has Henry Hite with some mud on his face for two shots.

Only see this movie on Mystery Science Theater 3000. Even then it isn't that good as they don't really have anything to work with.

OK, I lied to get your attention. This is the worst film ever made.

Now, I loved Manos: The Hands Of Fate, and I love Monster A Go-Go just as much. I really do. Why? Because films that are this bad, this...this STAGGERINGLY AWFUL...have a kind of transcendent Zen brilliance to them that I cannot put into words. I find myself wondering just what deep message the director was trying to express with movies this inept....something this strange HAS to have a meaning, I think to myself. No-one sets out to make a film this bad on purpose, do they?! In many ways, Z-graders are an insight into the drives and obsessions of their creators more than anything else.

I would rather watch this movie and Manos, and Red Zone Cuba 40 times than see True Lies twice - for the reason that there is nothing funny about a talented guy making a lousy picture, but there is something endlessly amusing and compelling about a determined bargain basement incompetent cranking out a 70-minute nightmare believing it to be a work of genius. And M.A.G-G is the king of those bombs.

So, why does Monster A Go-Go even exist? Well, it almost didn't. Bill Rebane, who would go on to pit Steve Brodie and Alan Hale Jr against a killer Muppet in The Giant Spider Invasion, started a sci fi horror flick called Terror At Halfday in the early 60s. The money ran out, and Rebane shelved the project. Then along came schlock legend Herschell Lewis, in need of a cheap B-picture to fill out the bottom half of a double bill deal. He snapped up Rebane's footage, shot some of his own, added a voice-over, changed the title, and BINGO thus was Monster A Go-Go unleashed on the filmgoing world in the space year 1965.

Just how much extra material Lewis filmed to 'complete' this cinematic train-wreck is open to dispute, though the addition of the almost totally pointless 'go-go dancing sequence' about halfway in (some groovy guys and gals lamely doing the Twist) and the irritatingly strident voice-over narration are dead certs. What is for certain here, though, is the released picture is about as incoherent and illogical as any film could ever be and still be called anything but 'rough cuts stuck together with sellotape'.

The plot? Oh Lordy, the plot. OK (deep breath) Astronaut Frank Douglas, who was apparently sent into space to investigate mysterious satellites, crash-lands in some woods and promptly goes on a homicidal rampage. Investigators from NASA or the Air Force or the Lions Club, I dunno, look into the mystery; and, as the movie progresses and the body count mounts we discover not just one but TWO conspiracies at work here! It is revealed that Frank has been mutated, increased to ten feet in height *and* sent into a murderous rage by an experimental radiation repellent given to him before the launch. Just as we are recovering from this JFK-like cover-up of the truth, the plot moves forward eight weeks - the murders have stopped. But where is Douglas? It turns out that the inventor of the mutagenic rad-repellent captured him and has been keeping him bundled up in his lab, feeding him over those weeks an antidote to the repellent to keep him docile. Then....boom, more plot twist action: the antidote wears off faster and faster every time it is applied, and each successive relapse into the killer rage is worse! Douglas finally murders his way to freedom, and heads for the big city to go hide in a disused sewer tunnel. The army and Civil Defence move in to tackle the shuffling radioactive lumpy-faced (and very tall) space-crazed giant, only to discover the film's third and final twist....

To list Monster A Go-Go's flaws would be to detail every second of the flick, so we'll go into specifics. My favourites are: the way half the cast vanish at the midpoint, only to be replaced by characters that are virtually identical. The incredibly muffled soundtrack. The bit where Dr Logan's glasses teleport onto his face in-between shots. The insanity of said Dr Logan's hiding of the Douglas monster, after it had killed at least six people, only to make it worse with an antidote that Logan already knew was harmful. The bafflingly surreal 'car breakdown/sweaty rude trucker kiss-seduction' sequence. The Fisher-Price Gemini space capsule Douglas came down in, which is about four feet high. The army goons who open fire at Douglas after the narration tells us the army has orders not to harm him. The absent music track when a character asks if his dining companion remembers 'that song'. The equally non-extant phone ring cue which is represented by someone going 'brrrr' off-screen. The house that has a front doorway but no door to go in it. The lack of any relevance to the 'Go-Go' part of the title. The thrilling monster attack on Logan's lab that we are...told about in narration. The way USAF colonels travel round in unmarked Buicks that go at 60 mph in reverse. The way the same black Plymouth shows up driven by four or five different characters. The opening line of the aforementioned narration that says that the events about to seen in the movie 'may not even be possible!'. The way the plot makes absolutely no sense at all. The almost total absence of the title's monster. And, of course...the ENDING. Or rather, the STOP. I cannot spoil this for you, folks, you have to experience the STOP yourself.

See this movie. You must, you must. If only to understand what Messrs Rebane and Lewis were trying to say...for my money, what they were trying to say was 'We have no idea what we're doing'. Gloriously, mind shatteringly awful. Absolute Z-grade gold. Worst movie of all time. Makes The Creeping Terror look...well, not as bad.

A space capsule crash-lands, and the astronaut aboard disappears. Is there a connection between the missing man and the monster roaming the area?

No bones about it, this is a terrible movie. Were it to be remade (heaven forbid) this might actually be alright, because the plot is not awful for a monster movie. But the execution! Oh, man! Poor editing, awful sound (many times conversations are hardly audible or are reverberating), nasty lighting that washes everything out (which is made worse by poor prints, no doubt). Widely considered one of the worst films ever made, it has earned that honor.

What makes it interesting, though, is that despite being a piece of garbage, it was actually made by two great independent filmmakers -- H. G. Lewis and Bill Rebane, the godfather of the Wisconsin film industry. Perhaps even more interesting is a man named Rick Paul who acts in a small role. After this, he apparently stayed out of movies for twenty years before resurfacing in "Henry: Portrait of a Serial Killer" as a victim and the film's art director. Odd! (Though not that odd given the Chicago connection.)

None of this makes up for it being a terrible movie, though. Watch it at your own risk.