Les aventures amoureuses de Moll Flanders

It can be interesting to look at films from years ago and see how one's views have changed. I saw this when it came out in 1965, and again when it was revived a few years later. I quite enjoyed it then, although the critics were not impressed, however it must be fifty years since I last saw it, so when I saw that Talking Pictures TV were showing it, I set my TV to record it so that I could watch it at my leisure. Looked at today, my impression is that it has not aged at all well. There seems to be a lot of energy expended to little effect. At times, it resembles a Carry-on movie, and it hardly helps that Kim Novak seems to be miscast. However credit is due to Leo McKern playing Richard Johnson's sidekick, who adds some much needed fun to the proceedings. It has a good supporting cast, but I can't help but feel that with this cast, it really should have been a lot better.

Does the title leave us in any doubt? This is a film in which every man in Georgian England wants to get into bed with Kim Novak. Well - I can understand that.

As a matter of fact very few of the men succeed. Although Novak looks as gorgeous as ever, if you're expecting to see anything, uh, hot, you'll be disappointed. And you'll have every right to be. A film with so little else going for it really ought to make the most of its centrepiece.

All the same she's sufficiently charming to make the film sort of enjoyable to watch most of the time. Moll is not so innocent as she pretends but more innocent than she thinks - she's hard not to like (and, of course, lust after). Some of the other characters are surprisingly well played. Angela Lansbury and Vittorio di Sica are rather touching as the loving but worldly couple with a tenuous toehold on the aristocracy, and Leo McKern does the rogue's sidekick schtick better than anyone else.

The problem is the script. There's not enough wit or spirit to make a comedy, and it's not played seriously enough to make us care about Moll's plight - it doesn't seem important where or with whom she ends up. There's not even, to be honest, enough story to fill two hours.

Still, you may just get some pleasure out of this movie, if you're in a tolerant mood. The question is thus: is Kim Novak enough to put you in a tolerant mood? For me, the answer is yes.

Watchable, faintly amusing adaptation of Daniel Defoe's novel "Moll Flanders", chronicling the sexual misadventures of an orphan-turned-servant girl in the 18th century who marries her employer's foolish son and quickly becomes a widow. Working as a maid to a titled lady, she is determined to find a wealthy husband, but instead finds herself attracted to a suave highway robber. Director Terence Young and a solid assemblage of talents can't quite breathe life into this British-made comedy, much of it seeming like a distaff "Tom Jones". There are lively moments along the way, although Kim Novak just squeaks by as Moll (a good sport rather than a star performer, she's upstaged by the randy supporting cast). The production is meant to be plush and the screenplay is meant to be bawdy, yet both are disappointing. Novak and Richard Johnson were briefly married in real life. ** from ****

Kim Novak was at the height of her career fame and after filming Strangers When We Meet, The Notorious Landlady, Boys Night Out, Of Human Bondage, Kiss Me Stupid, Kim Novak starred and I mean starred in the film version of Defoe's class "Amorous Adventures of Moll Flanders. Kim Novak -in red hair in this movie- is sensational, sexy, a great star turn in this movie filmed entirely in England. It was supposed to be a riff on "Tom Jones" but instead became a fine film on its own right.

Terence Young -whom I read Kim Novak enjoyed working with- is a fine director and paced this comedy well with great support from a cast of pro's Angela Lansbury, Vittorio De Sica, Daniel Massey and a man Kim would marry Richard Johnson. (The marriage was a quick one and now Kim Novak has been happily married for nearly 40 years to Dr. Robert Molloy). Novak remains friends with Richard Johnson.

Back to Terence Young, Ms. Novak who had a unfair reputation of being difficult to work with proved far from the truth as Directors such as Alfred Hitcock, Billy Wilder, Otto Preminger, Joshua Logan, George Sidney, Delbert Mann all had high praise for the sleek Kim Novak's acting ability. One of Novak's great directors Richard Quine fell deeply in love with the star and his films especially 'Strangers When We Meet' reflect the deep love Quine had for the star.

Kim Novak- A real Movie Star!- made her most famous film Hitchcok's Vertigo with James Stewart at Paramount on loan out from Columbia and also this is a Paramount film. Two of Kim Novak's finest performances were in Paramount movies!

Kim Novak to me is one of the more under-appreciated stars in Hollywood. With a body of work that includes Picnic, Man With The Golden Arm, Vertigo, Bell Book and Candle, Strangers When We Meet, Kiss Me Stupid, Of Human Bondage, Moll Flanders, and later on her wicked star turn in The Mirror Crack'd Novak worked with the greatest of Hollywood stars: Elizabeth Taylor, James Stewart, Rita Hayworth, Fred Astaire, Roz Russell, William Holden, Judy Holiday, Jack Lemmon, Jane Wyman, Rock Hudson, Frank Sinatra, Peter Finch, and all had positive things to say about working with this fine actress.

I recommend this delightful film.

Williwaw

This movie has to be one that shows off Kim Novak at her most luscious. It's too bad there wasn't enough showcasing! It's also too bad that this movie was made as a COMEDY unlike the newer PBS version. The only consolation, once again, is the luscious Kim Novak.