La ronde des étoiles

During WWII, Warner Brothers made several films which were a combination of a showcase for the various talent at the studio as well as a chance to bolster the war effort. These films had very little in the way of plot and featured lots of cameos as well as singing and dancing. They were entertaining but rather shallow entertainment. Here with "Starlift", Warner has resurrected the old formula and updated it for the Korean War.

The film begins with two soldiers insinuating themselves into the lives of a couple famous Warner stars--Doris Day and Ruth Roman. The pushy soldier does this by pretending that his buddy is friends with Nell Wayne* and the two ladies offer to bring them back to their hotel to see Nell. There, the guys meet James Cagney and Nell--but Nell is confused--who are these guys? Well, by now, Ruth and Doris really like the two guys and although they DON'T know Nell, they agree to accompany them back to the base to meet the rest of the fellows. There, the stars agree to put on a USO-type show for the men. What follows are mostly song and dance routines as well as a disappointing plot involving Nell and one of the soldiers. I say disappointing because it went from kind of cute at first to strange and confusing--and unsatisfying. And, considering that the film is really just a showcase for their talent, this might explain the weakness of the plot.

By the way, among the man soldiers in the film you will probably notice Jack Larson. Jack played Jimmy Olsen in "The Adventures of Superman".

*I have no idea why Janice Rule is called 'Nell Wayne' in this film. Perhaps the studio was considering using this moniker for her but soon dropped it. However, apart from Miss Rule, the rest of the stars go by their own familiar names. I was a bit confused by this--especially since the film acted like 'Nell Wayne' was an established star and I'd never heard of her before this!

Starlift is a pleasant and interesting throwback to those all star musical pictures that every studio was putting out during the World War II years. When you've got such stars as Gary Cooper, James Cagney, Doris Day, Gordon MacRae, and Randolph Scott, etc., in the film and with such people as the Gershwin Brothers, Cole Porter, Jule Styne and Sammy Cahn supplying the music, it's an easy to take film. And the plot isn't even in the way.

What plot there is involves two Air Force enlisted men, Dick Wesson and Ron Hagerthy, trying to meet Warner Brothers starlet Janice Rule using as a gimmick the fact that both come from Youngstown, Ohio and Hagerthy's father was Rule's dentist as well as half of the town's. The scheme works too well as Louella Parsons is soon putting them as an item in her column. Yes, Louella's in the film as well. She must have liked Warner Brothers or Jack Warner catered to her more than the other studio bosses because she also used this studio to publicize her Hollywood Hotel radio program back in the day.

But the rest of the plot also touched on the real life efforts of Ruth Roman also playing herself to get her studio and others to do shows at the Air Force bases for the servicemen and women going to Korea. Some of the names I've mentioned and others sing and perform in a show at Travis Air Force Base where a lot of this film was shot.

One specialty number was shot for the talents of Phil Harris who sing/narrates a ballad Look Out Stranger, I'm A Texas Ranger aided and assisted by Virginia Gibson, Frank Lovejoy and Gary Cooper. Yup, Cooper looked like he was having a great old time kidding his image.

This is the oldest of clichés when you say they don't make them like this any more, but they really don't because you don't have a studio system that has all this talent under contract. That's one thing about the demise of the old studio system we can mourn.

I recommend this film despite the low rating. Though it is saddled with a simple story and it has a disjointed narrative, it features a plethora of stars and some memorable moments.

The story revolves around a base where military personnel wait for deployment in the Korean conflict. Some Warner Brothers stars (e.g. Doris Day, Ruth Roman, and Gordon MacRae) who play versions of themselves entertain the troops there. The story eventually settles into a plot about an Air Force crewman who is a hometown acquaintance of star Nell Wayne (Janice Rule). But just as that story becomes interesting, it shifts to another, unrelated musical performance.

But some of those vocal performances are very enjoyable, especially those by Day and MacRae. Jane Wyman also sings. Look for the dancing of Janice Rule. And Virginia Gibson, who performs as a saloon girl in a musical number featuring Gary Cooper and Phil Harris that is very entertaining.

Addendum 10/20/23: Among the many beauties in the film, watch for Patrice Wymore., a knockout who taps and sings with an all-girl band. Patrice was married to Errol Flynn until his death.

If you want to see all of the Warner Stars from 1950 - 1955, they're all here. It's fun to see so many famous faces like Doris Day and Gordon MacRae, but there is no real plot to this movie. Troops are sad, stars cheer them up, troops are happy. There are some cute tunes and it's actually a lot of fun to see just how many stars they can cram into this film - but only a few of them stick around for the whole movie. MGM did it so much better in the 40s with movies like TILL THE CLOUDS ROLL BY and THOUSANDS CHEER. Those films at least had a plot, with stars giving cameos - this seems to be a bad imitation of those films. It's still a worthwhile film, but don't spend an arm and a leg trying to find it, it's not THAT great.

The only time this movie ever really comes to life is when Doris Day is on screen. Sadly, she disappears after about 30 minutes. Her musical numbers, " 'S Wonderful" and "You Ought to Be in Pictures" are the film's high points, and she delivers them as only she can. Day just lights up the screen and proves once more how underrated she is as a vocalist. She's also charming in her small scene visiting Jack Larson, who plays a hospital patient.

As for the rest of the movie, the script is even more dreadful than the one for "Hollywood Canteen," of which this bears a resemblance. Janice Rule and Rick Hagerthy have zero chemistry as the romantic leads. The "comedy" routines by Peter Marshall and Tommy Noonan, and Phil Harris, Dick Wesson and the others, are cornier than an Iowa field. Virginia Mayo's South Seas number and Patrice Wymore doing "Liza" helped relieve the tedium, but Doris Day is clearly the standout. If only she'd been in more of the movie, it would have been so much better.