Pickpocket Libby gets support from street performer Charles, and her dancing leads to her invitation to theater patron Harley's party, which launches Libby's stage career while Charles keeps... Read allPickpocket Libby gets support from street performer Charles, and her dancing leads to her invitation to theater patron Harley's party, which launches Libby's stage career while Charles keeps struggling in the streets.Pickpocket Libby gets support from street performer Charles, and her dancing leads to her invitation to theater patron Harley's party, which launches Libby's stage career while Charles keeps struggling in the streets.
- Awards
- 3 wins total
Featured reviews
Nevertheless it's a nice film. Charles Laughton is the head of a troop of buskers (British street entertainers)who inhabit and perform in and around the London theater district. The group takes in street waif Vivien Leigh and it's obvious she's got real talent. And theatrical composer Rex Harrison appreciates her charms even more than her talent.
Laughton is not a man who takes betrayal gladly as he sees it. The rest of the film you'll have to see for yourself.
It's nice to see both Harrison and Leigh in good parts before they became big stars. Laughton as always is fabulous, he's got the London cockney accent down pat.
After Vivien Leigh became a star with the release of Gone With the Wind, St. Martin's Lane made it to the states in a limited run. It was no big hit in Great Britain for Laughton who co-produced it with Erich Pommer, the second of three films they did. But Vivien Leigh's success helped them recoup a bit.
Laughton's performance should be studied by every acting student. He gives us a Charlie Staggers who is funny, resourceful, honest and pathetic and with a great capacity to love and do right by others. He is a simple and good man with a deep soul, and his audition in the theatre at the climax of the picture is both sad and uplifting.
Viven Leigh demonstrates a great talent and the characteristics that made her so successful the following year as Scarlett O'Hara in "Gone With the Wind." In this film she begins as a self righteous and petty thief and by the end she has grown to become a highly successful but humbled actress. Leigh carries this change superbly and makes it completely believable. By any measure it is a great performance.
"Sidewalks of London" is also very well written, directed and edited. I rank this as one of the best English language films of the 1930s.
In many ways the story resembles Harrison's later role as Professor Higgins in "My Fair Lady"(1964). Laughton and Leigh play buskers in the street, and Harrison plays a toff who gives Leigh a chance at stardom. Laughton plays quite a similar role to his later "Hunchback of Notre Dame" (1939) who falls in love with the girl but recognises he is too ugly for her, and eventually contents himself with her kindness towards him. You can see Laughton's superb acting skills, when she kisses him, and his eyes shine with satisfaction and pride, as they wave goodbye to each other. It is truly a precious moment in films, a moment to savour.
The following year saw the release of Leigh's "Gone With The Wind" and of course "The Wizard of Oz", two of the greatest films ever made, so minor films like this tended to be forgotten quickly. It's worth taking another look, though, at this film, which deserves far more recognition than it got.
Did you know
- TriviaMade in London just before England's entrance into World War II, this film was co-produced by a refugee from Adolf Hitler, the great German producer of Metropolis (1927) and many other classic UFA movies, Erich Pommer. It was directed by an American from Hollywood, Tim Whelan, and features another American, the great harmonica virtuoso, Larry Adler, who was to return to live in exile in England after the war after he was blacklisted in the U.S. Adler went on to compose and perform the score for the classic English comedy Geneviève (1953). The role of the tall busker Gentry was played by Tyrone Guthrie who would be knighted and would one day become Artistic Director of Canada's Stratford Festival and founder of the Guthrie Theater in Minneapolis. This movie was edited by Robert Hamer, who would go on to direct the Ealing Studio comedy Noblesse oblige (1949) and others.
- GoofsIn the scene where Libby wrecks Charlie's apartment and holds the sewing machine up to throw it, the figure who enters through the door with his back to the camera is clearly a body double for Charles Laughton.
- Quotes
Liberty 'Libby': Just a minute! Look here, mister, who does this lovely world belong to, eh? To the people who live on it, you say? Well, I'm one of them. And I've got just the same taste as all the rest. You should be surprised. I get hungry. I get thirsty. I get cold. I enjoy smoke and a permanent wave, and whatever I can get in the way of extras. And why shouldn't I have them?
- Crazy creditsOpening credits start as names on a City of Westminster street sign.
- ConnectionsFeatured in The Making of a Legend: Gone with the Wind (1988)
- How long is The Sidewalks of London?Powered by Alexa
Details
- Runtime1 hour 25 minutes
- Color
- Aspect ratio
- 1.37 : 1