Lady Hamilton

I have not seen this amazing film for many years, and then viewed it on a TV broadcast. It was sumptuously produced with first-class talents in front of and behind the (unfortunately not Technicolor) cameras, with production values that were absolutely prodigal in their opulence.

For today's audiences, Vivien Leigh is, of course, this film's main attraction, with her delicate beauty and expressive acting showcased as well as could be imagined. I note that no video version of this is currently offered for the American enthusiast and the Canadian VHS, possibly compatible with U.S. VCRs, is "Out of Stock" at present. (The U.K. VHS tape must be viewed via the PAL format, which most American video equipment cannot accommodate.) With so many films as good as this one in a kind of limbo, lovers of truly "classic" films can only hope that the keepers of this treasure will eventually favor us with the opportunity to enjoy it once again.

If nothing else, 'That Hamilton Woman' proved two things: Vivien Leigh is just as beautiful in black and white as she is in the glorious technicolor of 'GWTW'; and when it comes to the cinema, her acting technique on screen is every bit as expert as Laurence Olivier's. (In fact, Olivier himself admitted this when he saw a screening of her Scarlett O'Hara performance.)

At any rate, my main interest in seeing this film was that I learned it was Winston Churchill's favorite movie during World War II, dealing as it does with the British admiralty and the threat of war and domination. As Lady Hamilton, Vivien Leigh narrates the story and since it is told from her viewpoint, she manages to dominate with her beauty and acting prowess. How she rises from abject poverty to become Lord Nelson's mistress makes up the bulk of the story--which sometimes seems a bit unbelievable. However, since both stars were at the time married to others, one can easily see that these roles suited both of them to perfection. Surely, if anyone could identify with these characters, they could!

Slow moving in spots, handsomely photographed in black and white, it is interesting to note how very British Leigh actually was when not assuming a more American way of talking (as in 'GWTW') -- proof indeed that she was a good actress. Of all of her films after "Gone with the Wind", I prefer her in 'Waterloo Bridge' (with Robert Taylor). Following that, I would choose this one.

Some of the ships are obvious models--but other than that, the production is a handsome one. Worth seeing for the two stars alone.

In 1941,only England was still resisting Hitler.So the parallel was obvious and "that Lady Hamilton" is a propaganda work,which does not prevent if from being highly commendable,thanks to the two leads,mainly Leigh-this must have been her third best performance,in the movies,far behind "gone with the wind" and "a streetcar named desire",but her beauty shines in every scene.

The movie is a long flashback,sandwiched between two "present scenes " in a jail in France.Hamilton tells her story to her prison mate,an English good-time gal:the rise,decline and fall of a courtesan.There are some brilliant lines in the dialogue:Hamilton to her old soon-to-be hubby:"so your nephew sent me to you with his paintings and the bric-à-brac because he's broke!".Her last lines are touching .My mother saw the movie when it was released and how did she love them:"And then?" ,the hooker says " "there's no then" Hamilton replies"there's no after".When Hamilton understands she's lost everything,she draws the curtains and collapses,she seems to be on a stage and the play is over.

Vivien leigh did not make many movies.So it would be a pity to miss this one.

French remake by Christian-Jaque in 1968,with Michèle Mercier,John Mils and Richard Johnson as the leads ,known as "les amours de lady Hamilton."Despite a huge budget,much inferior to Korda's version" Jean Tulard.

This is a beautiful period piece with the incomparable Vivien Leigh at her peak, just after GWTW and Waterloo Bridge. For a 1940's era production, the sets and lighting are outstanding, and the remaining cast is credible. Laurence Olivier may have been the best actor in history, but I do not appreciate it here. Perhaps this was not his best role. Leigh runs circles around him.

This film is worth a look for Leigh fans and those liking British period work, along with war propaganda. Here the noble civilized Brits are threatened by Napoleon (which is easily drawn to comparison with Hitler, being 1941).

Certainly, this is worth a look. Jolly Good Show.

Laurence Olivier and Vivien Leigh when they were both young and desperately beautiful are a joy to watch in this film. He plays the great English naval hero, Nelson, and she, Lady Hamilton, the wife of the English ambassador. Another favorite movie moment of mine is after the opera given in his honor when they are in a bar, before they have actually declared their love for one another. They're talking about what they're not missing by having left the ball after the opera. She says, "This is where the real and exclusive party is." Then she tells him about himself: "Nelson in a good mood," and she makes a bored face. "Nelson in a bad mood," and makes the same face. "Nelson in an exuberant mood," with the same face a third time. He says, "Am I really such a dull fellow?" Her reply: "Only when you ask questions like that." His response is the beautiful part. He says something to the effect of, "Now I'll give my performance. What mood is this? One guess." And he leans his chin on his hand and gazes into her eyes. She guesses something like, "Nelson allowing himself to be just a little bit happy?" He shakes his head slowly and says, "Nelson in love." She leans forward and her chin touches his hand, and just then a group of soldiers, including his son, enter the bar. The moment is all the better because you're left wanting more!