A brash young American aristocrat attending Oxford University gets a chance to prove himself and win the heart of his antagonist's sister.A brash young American aristocrat attending Oxford University gets a chance to prove himself and win the heart of his antagonist's sister.A brash young American aristocrat attending Oxford University gets a chance to prove himself and win the heart of his antagonist's sister.
- Awards
- 3 wins total
- Minor Role
- (uncredited)
- Racetrack Timekeeper
- (uncredited)
Featured reviews
Robert Taylor gets to show-off his athletic prowess (running, rowing) in this pleasant, lightweight film. Produced by MGM's British division, it is an enjoyable look at a privileged world about to be changed forever by World War Two.
Taylor does a fine job in the title role, but he is also aided immensely by excellent co-stars from both sides of the Atlantic: Lionel Barrymore, giving another acting lesson as Taylor's peppery, loyal father; lovable Edmund Gwenn, as the long-suffering Dean of (fictional) Cardinal College, Oxford; beautiful Maureen O'Sullivan, as Taylor's English girlfriend; and enchanting Vivien Leigh, one year before her tremendous success in GONE WITH THE WIND, as a philandering young wife with an eye for male students.
Equally impressive is a gaggle of less well known British actors: stalwart Griffith Jones, as Taylor's main college rival; Robert Coote, as a cheery student forever looking for new ways to get sent down; Walter Kingsford, as a benevolent dean; ancient C. V. France as a delightfully forgetful academician; and cuddly Edward Rigby as Taylor's elderly attendant.
Claude Gillingwater appears as Barrymore's caustic banker. Movie mavens will recognize Ethel Griffies as an Oxford proctor.
Vivien Leigh didn't seem to get the memo that she was in a different movie from Gone With the Wind. She played every line and expression as if she were Scarlett O'Hara, and her character wasn't much different, either. In this movie, she plays an unsatisfied wife who makes a sport out of seducing young college boys. She flirts constantly, and the only saving grace is that she's not the leading lady in this movie. Maureen O'Sullivan, who would have been equally as good - if not better - as Scarlett O'Hara, is Robert Taylor's real love interest.
I've never really been a Robert Taylor fan, but this was a fun movie of his to watch. He shows off his athletic prowess in running, rowing, and cycling. What an athlete! If you've got a crush on him, you've got to check him - I mean, this movie, out.
Robert Taylor is super-athlete Lee Sheridan from somewhere in quintessential, rah-rah, white America. His newspaper publisher dad, Lionel Barrymore, holds the presses so that his son's latest track and field victory can be bannered on the front page. Lee is the All-American collegiate sports hero.
Along comes an opportunity for Lee to go to Oxford and he's sent off with a parade, the first of several big processions in this film.
Lee is a boastful American but he's received with good humor and sharp pranks by the English students at the fictional Cardinal College. Conflict develops when Lee is attracted to Molly Beaumont, played by Maureen O'Sullivan. Molly is the sister of Paul, Griffith Jones, a fellow student whose rivalry with Lee is fueled by the latter's arrogant and, from an English viewpoint, unsportsmanlike behavior. The contretemps between the two handsome men is the center of the fable about competition and honor.
Complicating everything is Paul's relationship with pretty, flirtatious Mrs. Elsa Craddock, wife of a curmudgeonly and older bookshop proprietor. Elsa, clearly to our eyes an adulteress, may have been for original audiences little more than a simple charmer who professes love for serial college males but is never shown doing anything less chaste than planting quick kisses. Elsa is acted by Vivien Leigh who two years later had a starring role in some Hollywood spectacle about the Civil War.
"A Yank at Oxford" is a funny, light period piece most interesting for its reflection of a Hollywood that would soon shift gears as the world burned. It did allow Taylor to recast his image as a more manly character, his athleticism a change from the more effete roles for which he was better known. MGM had a plan here and it worked.
7/10 - worth renting.
This film surely had the women drooling in 1938 as Taylor uses his muscular arms to row, his strong legs to run, and his beautiful smile to charm. He glistens with youth and vitality, and there are plenty of shots of "the world's most perfect profile" to please his fans. Normally Taylor exhibits a very likable personality in films, but in this one, he comes off as too aggressive, finally becoming aggravating to this viewer. He was probably directed that way so that he would appear as a bull in a china shop among all the Oxford gents.
Taylor has fallen into disregard since declaring himself a good American and ratting out Howard da Silva and others during the '50s Communist witch hunts. No one came out a winner who was involved, not the victims nor the blabbermouths. The sad thing about Taylor is, he truly believed every word he said. If you can separate his politics from his career, he was a very good actor, a gorgeous man, and a very big star back in the day.
Maureen O'Sullivan is perky and pretty as Taylor's love interest - that same year, she and Taylor worked together in "The Crowd Roars." British actor Griffith Jones plays her brother and is not only excellent but very handsome. According to IMDb, he worked into the 1980s and is apparently still alive at 95.
The supporting cast is marvelous, including Edmund Gwenn as a professor and Lionel Barrymore as Lee's proud father. Vivien Leigh plays a flaky, flirty bookshop owner married to a much older man and not adverse to a little hanky-panky on the side. It's not much of a role, and though she was a natural beauty, no one would have considered her for Scarlett just watching this film. Her last line, however, given the character she portrays, is hilarious. She and Taylor would meet again for the classic "Waterloo Bridge."
"A Yank at Oxford" shows an England untouched by war and young men who worked at being superior athletes and gentlemen as they roamed the hallowed halls of Oxford. That would all end soon. It was a nice fairytale while it lasted.
Did you know
- TriviaIn a scene shortly after arriving at Oxford, Sheridan meets with his assigned tutor, who asks him, "What are you reading?" by which he means what is your field of study. Sheridan, confused, replies, "Well, I am reading 'Gone With The Wind', but I am only halfway through it." Vivien Leigh, also in this movie, would of course portray Scarlett in Autant en emporte le vent (1939) which was released the year after this movie. Reportedly, it was known as early as 1937 from a David O. Selznick memo that Leigh had secured the role.
- Quotes
Elsa Craddock: [In the Dean's office, confessing] Oh Marmaduke, how can you? We were foolish, but it was only a flirtation.
Wavertree: [confused] I'm awfully sorry sir, but I'm afraid this is all rather beyond me...
Dean of Cardinal: [impatiently] Now don't lie to me sir, Mrs. Craddock has freely confessed everything!
Wavertree: Everything?
Dean of Cardinal: Everything!
Elsa Craddock: Everything!
Wavertree: [catching on] Oh... oh, she has! Oh... heh heh... oh, whoo! What a relief, sir! Now I need lie no more!
Dean of Cardinal: Ah, then you admit it!
Wavertree: Yes, rah-ther sir! Every time! I'd have told you in the first place sir, but we Wavertrees always protect the lady in the case!
Elsa Craddock: [somewhat sarcastic] He has a natural power over women. Try to use it for good, Marmaduke.
- ConnectionsFeatured in Vivien Leigh: Scarlett and Beyond (1990)
- SoundtracksAcademic Festival Overture Op. 80
(1880) (uncredited)
Written by Johannes Brahms
Played as background for the first scene showing the college sign
- How long is A Yank at Oxford?Powered by Alexa
Details
- Runtime
- 1h 42m(102 min)
- Color
- Aspect ratio
- 1.37 : 1