En route pour le Maroc

It's amazing to me that Dorothy Lamour could keep a straight face during the shenanigans of Bing Crosby and Bob Hope while filming. Apparently she had a great time with them, which is no surprise.

The boys wind up in Morocco in this film, and as usual, Bing's character can't wait to throw poor Bob under the bus - or, in this case, caravan. This time, Bing gets money to pay a restaurant bill by selling Bob into slavery. It turns out Bob is to be the groom of the glamorous Lamour. He's having a blast, though he writes to Bing that he's being tortured daily. As usual, Dorothy falls for Bing.

People might think I'm crazy, but I just love the '40s Bob Hope. He was adorable and very funny. Crosby gets to sing the beautiful "Moonlight Becomes You," an added bonus.

The stories are always the same, set in different locales, and they're always funny. Just two guys ad-libbing and goofing around. Hope plays his own aunt, an apparition. Enjoy.

When the ocean liner carrying Jeff and Orville is sunk, they find themselves washed up and on the way to Morocco. In pay for food Jeff sells Orville to a man only to find that Orville has been sold on to Princess Shalmar and is now to marry her. However the princess is only marrying Orville as her first wed is cursed to die within a week – leaving her free to marry Mullay Kassim.

Like an old pair of shoes, the road to movies may not be fantastic but they're comfortable and safe. This is actually one of the better road movies, the plot, though silly, is quite focused and doesn't go off on flights of fancy like some others. The focus of the plot allows a safe environment for Hope and Crosby to do their double act within. The love interest is OK but really it slows the film down a bit.

Crosby is good as ever and gets to do his songs on a regular basis, but really the star is Hope. His Orville is cowardly, treacherous and selfish – but he manages to be sympathetic and funny. This is all down to Hope's wit, timing and deliver – he is a genuine showman. Stars in the shape of Lamour and Quinn are diverting – but this is a Crosby/Hope vehicle all the way.

One of the better Road movies this is funny in an old fashioned way.

You can't go into a viewing of any Hope and Crosby picture expecting a strong story or plot,nor should you expect the acting to be great.Bob Hope's true strength was stand up comedy,not acting,and I think he knew that.That's why we only saw him in roles where he could be pretty much rely on his stand up skills.Bing Crosby,on the other hand,had a knack for acting even though he was primarily a singer.In fact,his knack won him an Oscar two years after he did this film,so you know he took it seriously.Since Hope's acting skills were not strong,I thing that Bing saw these films they did together as a chance to relax and have a little fun,and to take a break from the seriousness of the acting profession.Despite their contrasting talents,there is no denying the great chemistry that existed between the pair,which makes Road to Morocco fun to watch.Also,if I may add,Dorothy Lamour and Dona Drake are also fun to watch,but for a different reason.I suppose that's just the typical male in me talking. ;-)

Bob Hope is a very underappreciated performer. Of course, he was better as a comedian than as a movie actor, but that's just because he resigned himself to making lightweight comedies like this one. This comedy is very funny; yes, it's pretty lightweight, but what did you expect?

I like all the "Road to" pictures, but this is the best that I've seen. Of course, you won't get any great plots or intricate character development with them, but they are highly entertaining. Likewise, "Road to Morocco" is a very funny movie, if not a bit uneven. See this movie for some good laughs.

P.S. This movie is definitely harmless, despite the comment written by someone who seems to think it's homophobic. I'm wondering if he watched the same movie that I did.

Typical Hope and Crosby nonsense. More of a "big budget home movie" than anything else, but funny and enjoyable anyhow.

By the Time "Morocco" was created, the Road Pictures had been embraced and enjoyed and the formula was set in stone: An exotic locale, Dorothy Lamour, a couple of songs and go easy on the script because Bob and Bing are gonna "jab-lib" their way through it regardless. The result here is a slick and entertaining yarn about absolutely nothing. Don't let the current climate of "Islam/Arab/Terrorism" mindset disturb you about the on screen antics because this was filmed in a different era and has nothing to do with the goings on in our world today.

Bing gets a chance to croon the very lovely Moonlight Becomes You, which to this day is still one of the most touching love songs ever written; Bob gets to do his "screen persona schtick" and it is hilarious; Dorothy has a forgettable song and a funny reprise of Moonlight Becomes You, sung in the desert accompanied by the boys and it is extremely funny. Anthony Quinn (who was a Road Picture Regular) returns in a typical villain role in which he does his best.

A couple of notes. Early in the picture Bob and Bing get involved with a camel who licks them. At the end of this routine as they prepare to ride away on the beast it spits at Bob. This was NOT in the script. The camel ad-libbed and the reactions of both Hope and Crosby are genuine. The director liked the take so much he used it in the final cut. Secondly, it took forever for the boys to sing the theme song, The Road to Morocco. It seems that every time they got to the lyric " . . . like Webster's Dictionary we're Morocco bound. . . " they'd break up over that lyric and would have to re-shoot the song.

It's a breezy, light-weight, fun evening with Der Bingle and Old Slope Nose. Make yourself a bowl of popcorn, grab a large soda and laugh away for 82 minutes. It'll do you good!