Visage pâle

I confess a weakness for the Bob Hope of the '40s - cute, funny, and guileless. His cowardly persona played well in many films.

"The Paleface" is the story of Calamity Jane (Jane Russell) being broken out of jail and offered a full pardon by the government if she can track down who is running guns to the Indians. Unfortunately, the man who is to accompany her on the wagon train to investigate is murdered.

While running from people out to get her, she ends up in the office of Painless Peter Potter, a dentist who has to use a manual when he's working on a patient. He has his own wagon; Jane recruits him to marry her and join the wagon train.

Hope and Russell are great together. She's gorgeous in color wearing a variety of costumes. Hope is very funny, and he gets to introduce the song "Buttons 'n' Bows." One of the best scenes is Painless Peter trying to pull a tooth; another is an Indian who inadvertently inhales Peter's laughing gas.

Not exactly politically correct by today's standards, but it's still fun and wonderful to see these classic film stars, whose number is dwindling with alarming speed.

The movie, as I recall, was a smash hit, along with the catchy "Buttons and Bows" musical number. It's also one of Hope's best roles. He's Painless Potter, dentist extraordinaire; just don't let him anywhere near your teeth, or anything else, for that matter.

As bumbler-in-chief of about everything, Painless muffs one funny challenge after another, as fashioned (in part) by the imaginative Frank Tashlin. There's also a couple of Bob's gag writers credited, so the one-liners fly as fast as Tashlin's sight gags (for example, the occasional comic strip blurbs cartoonist Tashlin was noted for). At the same time, the complicated plot is just a handy rack for Hope to hang his polished shtick on. And catch that final gag with Bob's breaking character with an aside to the audience that just about sums things up.

But instead of Crosby to pair up with, Bob has the luscious Jane Russell, and while she may not be as funny as Bing, I love it when Painless mistakes an Indian for her on their wedding night. (Note how the screenplay marries them early on, thereby avoiding censorship problems. Note too how her buxom measurements are downplayed, likely a concession to the expected family audiences.)

I don't know if there's a downside since it's a funnyman romp all the way. Maybe, for me, a downside is finding out from IMDb that Iron Eyes Cody, such a great Indian, is not an Indian at all, but was instead born in Italy. Oh well, it's all Hollywood make-believe anyway, so who cares since it's a darn amusing movie, Italian Indians or no.

*** out of ****

This is a comedy of endless gags and one-liners. You will either find them funny or you won't. I found most of them funny, so I liked it. The highlight is Bob Hope singing "Buttons and Bows".

The Paleface one of the funniest films Bob Hope ever did was a godsend to the career of Jane Russell. Take a look at her film credits and see how few there were during the Forties. She did The Outlaw which kept going in and out of release every time Howard Hughes re-edited it. She did a film called The Young Widow which she hated and was a box office flop and then The Paleface.

Although Howard Hughes kept messing around with The Outlaw and kept Russell off the screen for most of the Forties, the man did know about publicity and certainly kept her name before the public. But a movie star has to make movies. So even Hughes realized that and I'm sure he exacted a good price for Russell's services to Paramount for The Paleface.

Hope of course is his usual character. A recent graduate of a dentistry college, he's gone west to seek fame and fortune, Hope the schnook gets tangled up with the notorious Calamity Jane.

Of course Russell is Calamity Jane, she's being offered a pardon in order to trap some no good outlaws selling weapons to the Indians. When her contact is killed and she nearly is also, she picks up Hope and they get married and join a wagon train.

Of course the some of the funniest stuff in The Paleface when Russell does some fancy shooting and let's Hope take the credit for it, giving him an undeserved reputation for fearlessness. One of my favorite bits is when Iron Eyes Cody gets a hold of some of Hope's laughing gas and Hope thinks he's Russell behind a barrier.

Bob Hope got to introduce his second Oscar winning song in The Paleface, Buttons and Bows by the Paramount contract song writers, Jay Livingston and Ray Evans. He sold a few records of it, but the real big hit was done by Dinah Shore. It's now become identified with Russell as well, but she sings it in Son of Paleface, not here.

This was Bob Hope's first trip to the American west in search of laughs and it was a successful expedition.

Jane Russell plays Calamity Jane who is offered pardon on a ten year sentence if she tracks down the culprits who are selling weapons to the Indians. She hitches up with a dim-witted dentist, Bob Hope, so that she can trick the bad guys into thinking that he is the federal agent tracking them down, instead of her. Hope is conned into thinking that he has killed a dozen or so Indians, in one of the funnier scenes. Hope is extremely funny in this comedy western as he struts his stuff through the old west. Most jokes hit their mark, and Russell is as much fun as Calamity Jane as well. The catchy Oscar winning tune "Buttons and Bows" is given a voice by Hope early in the film.