Macbeth: Ambição e Guerra

This version of one of the greatest plays in the English language is worth seeing for the visuals alone. We're placed right into a medieval Scottish countryside with its strikingly beautiful landscapes, lochs, and mountains. That austere and foreboding setting underlies just about every scene. The three Weird Sisters (who look superficially like peasant women but convey a genuinely creepy otherness) stand in fog-shrouded fields as they utter their cryptic warnings and prophecies to Macbeth and lurk in the background off to the side of the battles. Hardscrabble peasants and soldiers dot the landscape, sometimes strangely motionless, sometimes lining the roads, but always enhancing an air of strangeness. Life is brutal, violent death is never far away, and the supernatural world is always just offstage.

I won't worry about giving away spoilers here because this is one of Shakespeare's best-known plays, but if you haven't seen it before, then this is maybe not the best place to start. Two reasons: first, a lot of the text has been cut (even though the complete play is not that long) and it will help a lot if you already know the plot and characters. Otherwise, you might be lost not knowing who's doing what and to whom. I got the feeling that the director Justin Kurzel essentially assumes that his viewers will already know the play and are deliberately looking for a different, postmodern take on it. Second, most of the dialog is (appropriately enough) in thick Scottish accents but often almost whispered, as if the characters are speaking only to themselves or someone right beside them. In places it's hard to pick up. But this too adds to the atmosphere, as if the actors are standing outside themselves both watching and taking part.

Michael Fassbender and Marion Cotillard make a first-rate pair of leads. David Thewlis (Duncan) and Elizabeth Debicki (Lady Macduff) are also notable, as are the three witches. The various captains and soldiers with speaking parts are hard to tell from each other, but that's another reason to know the play before going in. One added touch I thought was interesting came very early on where we see the Macbeths burying an infant daughter (who's only referred to obliquely in the play) and then losing a teenage son in battle. If they don't have their own children to live for, it maybe makes it easier to understand why they would go ahead and do what they do. Another effective touch, an interesting director's interpretation, is that Lady Macbeth slides over into madness specifically because of her husband's brutal murder of Macduff's family -- she was willing to push him into assassination as a career move but didn't bargain for what it led to, which was outright destruction even of women and children and a reign of blood. "What's done cannot be undone."

See the full play in a live theater, somewhere, and then see this movie for its distinctive ambience. It's an added-value experience.

For: Beautiful scenery, The actors were all terrific. Macbeth's descent into madness. The dark version of MacBeth.

Against: Maybe the actress playing Lady MacBeth could have been Scottish. The Shakespeare speak hard enough to understand usually, even more so here with the incoherence and muffled speak. Sometimes the movie drags like a go slow slug.

MVP: Michael Fassbender. ( He did a terrific job)

Elizabethan play-write William Shakespeare staged plays of great historical events. Necessarily limited by the stage-setting, these were the masterpieces of carefully crafted words and speeches that we now consider as Shakespearian English. Thus this reviewer considered the film version of Shakespeare's Scottish play as perhaps being too wordy and stagey to go and see. However, I was beguiled by the trailer, that seemed to suggest lots of action and battles. Alas, this was not to be. However, this dull, but worthy product, is a fine showcase for Shakespeare, Scotland, and the performing thespians of the film.

This Scottish-themed film does open up on the battlefield. There are some interesting scenes as the warriors prepare for battle and the battle itself is shown well. (A later battle also has some interesting two-sworded battle scenes). During the battle, witches appear, and make a prophecy about the King of Scotland. The film tells the story of an attempt to fulfil the prophecy and of the aftermath of that attempt.

The male lead is played by Michael Fassbender and the female lead playing opposite him is Marion Cottilard. They are superb in their roles and must have actually suffered hard for their craft. Location shooting for the film was in the Isle of Skye in Scotland. This reviewer has paddled in water there, and can assure readers that even in the height of summer, it is like putting your feet into buckets of ice. Yet, we have Mr Fassbender in water in a scene, and Miss Cottilard, far from her native France, is seen scampering about barefoot and lightly dressed. Bravo! it should be said that there is little sight of the summer in this story. There are many, many, scenes of bleak mountains and bogs and moorland. The climate is cold and wet, with swirling fogs often covering the rough terrain. The scenes are in fact very bleak and compare with those in the Viking film 'Valhalla Rising' (2009).

Elizabeth Debicki, who also appeared in this year of 2015 in 'Everest', here does a standout scene, as relevant to us now as it was in the era it was set in. Sean Harris, who like Michael Fassbender, also appeared in Prometheus (2012), here delivers a brilliant and powerful performance. There is a scene in the 1995 Scottish film 'Braveheart' where William Wallace is floored in shock when he encounters the English champion. Here, in this film, Sean Harris, similarly has his emotions plunged to the depths, more than once. His acting is superb throughout the film.

David Thewlis seems to have an ability to really inhabit his roles. The source material, (book), for the film 'Seven Years in Tibet' (1997) seems to show he got the part just right. So too, for his OTT role in the 2010 film 'Mr Nice' which again matched the source material in the book of the same name. In this year of 2015 though, his performances have seemed more subdued but still true to the source material. I found his portrayal in 'Legend' to be fascinating. Here, in this film, he takes a part and makes it very believable. The part he plays is very like one today and he seems to play it like that too. There are some obvious differences too in that role of course, but that is the essence of the plot of this Scottish film.

We also get good supporting roles from Paddy Considine, David Hayman and Jack Reynor.

Much of the location shooting is on the Isle of Skye in Scotland, though I did spot Bamburgh Castle too. Ely Cathedral is also featured. The cathedral scenes are spectacular as are the castle interiors, however the bulk of the film is shot in realistically grim surroundings. Our thespians spend most of their time wallowing in blood and mud, and the climate and terrain are both as gloomy and grim as the storyline. The use of hand-held cameras does detract though. As do some of the special-effects that take us out of the moment.

This film is a good introduction to Shakespeare and his Scottish play. Political students can learn lessons from this story today, just as they can from 'I Claudius'. For those interested in the subjects of assassination, conspiracy, politics and statecraft, then the writings of the Renaissance Florentine statesman and writer Niccolo Machiavelli may also be of interest.

This film of the Scottish play serves as a good way to engage a modern audience and as such has been a worthwhile project. 9/10.

William Shakespeare's famous tragedy is brought to the screen on a large scale. Full of his intricate and unique style of writing, this play focuses on Macbeth. .... What I did not expect to see is that the landscape of Scotland becomes not just the scenery background but one of the main storytelling streams. One sees too many modern adaptations of Japanese interpretation of Macbeth that one seems to forget where the story came from in the first place. Truly magnificent cinematography in this version of Macbeth and it really lives up to bloodbath on the battlefields as stated in the Bard' s words. One of the best movies in 2015

Fantastic adaptation of Shakespeare's iconic tragedy, Justin Kurzel's drama is a stunning and well-crafted epic, featuring some unforgettable performances from Marion Cotillard, Paddy Considine, Sean Harris and of course, Michael Fassbender in the role of the savage tyrant, Macbeth. Joining the other great Shakespearean masters such as Olivier and Branagh, Kurzel has created a brutal and ambitious depiction, caught by the awe-inspiring cinematography of Adam Arkapaw. Featuring glorious locations across the bleak and wintery Highlands of Scotland, 'Macbeth' is a film adaptation that even the great playwright himself would be proud of.