Brandon, um sujeito bem-sucedido em Nova York, tem uma vida quase perfeita, se não fossem seus problemas para se relacionar intimamente e seu vício em sexo. Sua vida fica mais conturbada qua... Ler tudoBrandon, um sujeito bem-sucedido em Nova York, tem uma vida quase perfeita, se não fossem seus problemas para se relacionar intimamente e seu vício em sexo. Sua vida fica mais conturbada quando a irmã Sissy chega à cidade de surpresa.Brandon, um sujeito bem-sucedido em Nova York, tem uma vida quase perfeita, se não fossem seus problemas para se relacionar intimamente e seu vício em sexo. Sua vida fica mais conturbada quando a irmã Sissy chega à cidade de surpresa.
- Direção
- Roteiristas
- Artistas
- Indicado para 2 prêmios BAFTA
- 51 vitórias e 94 indicações no total
Charisse Bellante
- Live Chat Woman
- (as Charisse Merman)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This film instantly drew me in. Fassbender's performance is complex and truly believable.I can honestly say that if you are not haunted by the torment of both Michael Fassbender's and Carey Mulligan's performance, then you are in denial. The pain is apparent, the intrigue of what happened to these siblings is staring you in the face throughout the film. The role's Fassbender has chosen lately have made me an ultimate fan! Another McQueen movie, HUNGER, also stars Fassbender as an Irishman in political protest against the corrupt government of the "80's. I tremendously enjoy watching him on the screen. Michael Fassbender relays raw emotion and true passion to create believable and relatable characters. Im looking forward to future projects.
Michael Fassbender's commitment is overwhelming. He must trust his director, implicitly. Good for him. Very rarely we've been exposed to so much sex without an ounce of erotic flavors. Well, that was not the intention, clearly. This is a remarkably serious film about addiction.To make matters even darker I had seen Michael Fassbender as Jung only a few days before. What an actor! Now I feel I'm as familiar with his anatomy as Mrs. Fassbender must be. I must admit the film stayed with me because within its mathematical coldness there is a palpable element of horror. Was it me or Fassbender shows the face of death in one of the many sexual occasions? Chilling really. I will take my chances and recommend it, as long as you don't take your children - I guess you can't NC17 - or your grandparents.
It is a gut-wrenching painful story of a brother and sister. Both are damaged individuals and both have complex and broken sex lives. One of the best work of Fassbender.
I am truly shocked by the people criticizing this film for lack of substance. I've seen comments about how there is limited dialogue, and therefore no character development, and hardly any story. Did we watch the same film? I'm thinking we must not have.
Shame dives into the life of a man living with an addiction to sex. The first 10 minutes of this movie effectively introduces him, his addiction, his relationship with humanity (sister included), and barely uses any words to do so. You shouldn't need a lot of dialogue when emotions are conveyed with facial expressions, effective cinematography, and great editing. This film is loaded with all of that.
Obviously films are subjective, but I feel those who say they didn't get to "know' the characters at all must always need everything spoon fed to them. I am not a sex addict, but still connected with both Fassbender and Mulligan. I found the development both subtle and extremely realistic. Does everything need to always have that Hollywood ending? Should everything get wrapped up nicely and leave you with a warm and fuzzy feeling when you walk out of the theater? I definitely don't think so.
Anybody who does need that probably shouldn't watch any Steve McQueen films. Anyone who can appreciate a raw, subtle, and beautifully made film should go watch Shame.
Shame dives into the life of a man living with an addiction to sex. The first 10 minutes of this movie effectively introduces him, his addiction, his relationship with humanity (sister included), and barely uses any words to do so. You shouldn't need a lot of dialogue when emotions are conveyed with facial expressions, effective cinematography, and great editing. This film is loaded with all of that.
Obviously films are subjective, but I feel those who say they didn't get to "know' the characters at all must always need everything spoon fed to them. I am not a sex addict, but still connected with both Fassbender and Mulligan. I found the development both subtle and extremely realistic. Does everything need to always have that Hollywood ending? Should everything get wrapped up nicely and leave you with a warm and fuzzy feeling when you walk out of the theater? I definitely don't think so.
Anybody who does need that probably shouldn't watch any Steve McQueen films. Anyone who can appreciate a raw, subtle, and beautifully made film should go watch Shame.
Steven McQueen's sophomore effort is a powerfully compelling, unflinchingly graphic & downright disturbing arthouse endeavour that shows that something even as coveted as sex can have destructive consequences if the need for it spirals out of control. Powered by sturdy performance from Michael Fassbender, Shame does to sex what Billy Wilder's The Lost Weekend did to alcohol and Darren Aronofsky's Requiem for a Dream did to drugs.
Você sabia?
- CuriosidadesThe first time Michael Fassbender saw the film was with his father Josef. Both were relieved that his mother Adele could not make the screening.
- Erros de gravaçãoWhen Brandon is on the subway looking at the woman we see Fulton behind him on the wall of the subway tunnel. The train moves and a few minutes have passed. Next, when the woman exists the train and he follows her, we see that they are again at Fulton station.
- Citações
Sissy Sullivan: We're not bad people. We just come from a bad place.
- Cenas durante ou pós-créditosNo opening credits apart from the movie's title.
- ConexõesFeatured in At the Movies: Venice Film Festival 2011 (2011)
- Trilhas sonorasAria from the Goldberg Variations
Written by Johann Sebastian Bach
Performed by Glenn Gould
Courtesy of Sony Masterworks and the Glenn Gould Estate
Licensed by Sony Music Entertainment UK Ltd
Principais escolhas
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- How long is Shame?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Shame: deseos culpables
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 6.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 3.909.002
- Fim de semana de estreia nos EUA e Canadá
- US$ 361.000
- 4 de dez. de 2011
- Faturamento bruto mundial
- US$ 19.126.823
- Tempo de duração1 hora 41 minutos
- Mixagem de som
- Proporção
- 2.35 : 1
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