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There's an old expression in show business that advises entertainers not to work with children or animals because they'll upstage them every time. But, while that's often true, it's not always the case, as seen in the latest feature offering from director Peter Cattaneo. This charming comedy-drama tells the fact-based story of English teacher Tom Michell (Steve Coogan), who somewhat begrudgingly takes an instructor's job at St. George's College, a prestigious boarding school in Buenos Aires, just before the 1976 Argentine revolution. The cynical, curmudgeonly teacher has moved around a lot, and he's not particularly thrilled at this latest stop, as becomes apparent in his classroom demeanor and overarching attitude. Not long after his arrival, when a military coup d'etat hits that overthrows the government, he decides to get out of town until the dust settles. He embarks on an impromptu vacation to a Uruguayan resort town, where he meets a beautiful, flirtatious woman, Carina (Mica Breque), in a nightclub. That encounter subsequently leads to a late night walk along the beach, but, while on this stroll, they find a penguin that's barely alive and covered in oil, a victim of a recent spill. To impress his would-be one-nighter, Tom and Carina take the bird back to his hotel to clean it up. What Tom doesn't realize, however, is that the penguin, who would subsequently come to be named Juan Salvador, has made its unwitting rescuer its friend for life, despite his repeated efforts to return it to the wild. It's a prospect the professor doesn't especially relish, but, upon returning to Argentina with penguin in tow, man and bird become the unlikeliest of friends, under prevailing conditions both at the school and in the country at large that prove threatening (but unexpectedly beneficial) to both. At first glance, one might think this sounds like a cutesy, schmaltzy, manipulative tale a la Disney, but far from it. The picture tells a sincerely engaging story of personal growth and the emergence of personal courage, brought about by the influence of an improbable feathered mentor in a tense social and political environment that has both Tom and virtually the entire Argentine population on edge. It's also a tale the defies the timeless cautionary adage about casting decisions involving both man and beast, with Juan Salvador being just as much a member of the ensemble as his human counterparts. Admittedly, the film has a little trouble finding its footing in the opening act, but, once it does, it's a delightful and touching release that's moving without being drenched in saccharin. "The Penguin Lessons" is also one of those movies that needs to be seen to be believed, as the trailer truly doesn't do it justice. Indeed, this is one of those heartfelt, uplifting stories that the world needs more of at a time when we could all use a little inspiration to help see us through the tough times.

Steve Coogan plays a comically reprehensible and emotionally vacant man drifting through life. He lands in Argentina in 1976-just as the country edges into a military coup-and finds himself teaching English at a boys' school. Circumstances, both absurd and touching, lead him to reluctantly befriend a penguin.

This unlikely relationship sparks a journey of personal growth and rediscovery. Or at least, that's the idea.

Coogan's performance is both heartwarming and jarring, and I'm not sure if that tonal contradiction was intentional on director Peter Cattaneo's part or just the result of tonal whiplash. I wanted to like his character. I tried to root for him. But for some reason, I couldn't quite follow the arc of his redemption. While others in the film gradually warm to him, I remained stuck-still staring into the void of his character's emptiness.

Then there's the setting. Placing a penguin-centric personal redemption story in the middle of Argentina's 1976 coup feels... off. Historically accurate, yes. But I couldn't shake the sense that the filmmakers were using the backdrop of real political trauma as a kind of moral seasoning-maybe even a veiled commentary on today's geopolitical climate. Not inherently wrong, but the juxtaposition of soft-and-fuzzy personal growth with state-sponsored terror left me disoriented. In the end, I think the film's warm intentions got diluted by its ambitions.

Having been a teacher of English language in a foreign country, I identified strongly with the protagonist, which may have colored my opinion of this film. That said, I found THE PENGUIN LESSONS an intelligent and charming film that accurately captured the experience of teaching a class of unruly and highly opinionated teenage boys of the privileged class. But this is not GOODBYE MISTER CHIPS. The story isn't really about the classroom, but about a man living a rootless expatriate life during his early middle age. He has no Significant Other and no real friends. His co-workers are other foreigners who are also escaping an unsatisfactory past. Shortly after his arrival in Argentina (which is undergoing a lot of political turmoil), he and a Finnish co-worker (who teaches history at the same school) take a night out in nearby Uruguay seeking drinks and female companionship. He meets an attractive woman near his own age. They take a quiet moonlit walk on the beach when they come upon a nasty oil slick which has left several dead penguins in its wake. One of the penguins is still alive and the woman insists that they try to help it. In order to impress her (and hopefully get her into bed), they take the penguin to his room and try clean it up. Its condition has already improved. The man and woman share a kiss and then she tells him that she's sorry but she can't go through with it. When he wants to know why, she confesses that she's married. She thought she could have an extramarital affair, but she simply can't go through with it. She leaves and he takes the penguin back to the beach. The penguin, however, will not leave him and refuses to go back into the sea even after he throws it back into the water. It's against the rules to have pets, but after the Uruguayan authorities will not keep the penguin, he reluctantly takes it back to Argentina and smuggles it into his room. The penguin then becomes an important part of his life when he befriends the cleaning lady and her political activist granddaughter (who have fallen in love with the penguin). The authorities snatch her granddaughter off the street and take her away. It happens all the time there and the kidnapped are usually never seen again. He wants to help, but he is afraid. And that is the basic situation. Although the movie is a comedy, there is a basic melancholy undertone. I found it consistently interesting and engrossing with lots to think about. Its comedy is gentle and more ironic than slapstick. The director is Peter Cattaneo, who previously directed the surprise hit, THE FULL MONTY. The cast are all top-notch, with Steve Coogan giving a beautifully underplayed performance as the teacher. Although the penguin is cute, I don't think that this is a movie for kids. I think teachers will love it, though.

8/10 STARS - The Penguin Lessons was AMC's Screen Unseen movie for March 18 and is based on a book of the same name by Tom Michell. Tom is an English teacher who takes a job at an all-boys boarding school in Argentina just as a military coup is beginning. At the start of the coup, he travels to Uruguay and comes upon a penguin that had been caught in a oil slick and washed ashore. He cleans up the penguin and then tries his hardest to get rid of it, even going so far as to throw it back in the ocean. But all to no avail. The penguin has decided that this human is its family and thus begins the sweet friendship between penguin and man. The backdrop of the story - the coup and resulting dictatorship in Argentina - adds a level of tension, but the heart of this film is about what the main character comes to understand about himself during his time with the penguin and how that journey of self-reflection helps him deal with his pain of past loss and his fear of speaking out on behalf of those in trouble. At the end of the movie, we see a short home video clip of the real penguin during its time there at the boarding school where Tom Michell taught. This is a sweet film with some underpinnings of darker themes, but nothing explicitly violent or sexual is shown. As a comedy drama, there isn't really any "action" to speak of, but that was okay because the story moved along well, the characters were interesting, and that darn penguin deserves an acting award for making me cry! It's a movie I wouldn't have gone to see on my own but I'm glad to have been able to watch it. Recommended. Short video review to come soon.

"I used to be young and idealistic," says Tom, a new teacher in 1976 at a boarding school in Buenos Aires, Argentina, "but I soon came to understand that reality is different." Blunt, hedonistic, and unsentimental, Tom is unmoved by any tales or facts of woe. He makes excuses for his shortcomings and inaction. Nevertheless, when penguins coated in industrial oil wash up on a beach and fascists seize power in a coup, Tom is in for a deep awakening despite himself.

Steve Coogan (Tom) and Jonathan Pryce star in this true story of wit, warmth, counterintuitive discoveries, humor, drama, and cute penguin antics. There is real depth to the dialogue, characters, story arc, and acting. The Penguin Lessons was filmed in Spain with an Argentine cast. Many of the actors lived through the recent dictatorship in Argentina and they add authenticity to the story. At the world premiere screening of the film at the Toronto International Film Festival I was deeply moved in the understanding that merely one person, or penguin, can make a big difference in the world in the face of such evil and tragedy.

Rise like lions after slumber In unvanquishable number Shake your chains to earth like dew Which in sleep had fallen on you Ye are many, they are few.

, - Shelley.