Prazeres Mortais

I was pleasantly surprised by this film. The Leeds lasses on a jolly girls excursion made it seem quite parochial, to the extent that the Yanks will probably need subtitles, and there is a central moral vacuousness (in the deeds) which is nonetheless appropriately dealt with in terms of who gets what and how. Very often this kind of film leaves you frustrated in terms of dénouement, but I thought that comeuppance was most appropriately dealt out and the ending doesn't let you down, inasmuch as you can figure on how things might develop post-movie (imagine this going to court!). I thought the acting was really good, there was a good dose of (black) humour and the film could be read on many levels (as much as a class conflict as anything else). Great little film, hard to spot the low budget.

Donkey Punch is more than competently directed, almost every aspect of it is superbly executed - save for the tiny matter called screenplay. The plot is so tired words cannot begin to describe it. There is not one event that cannot be foreseen from miles ahead by anyone who has seen more than two thriller movies in recent years.

The director is obviously very talented, and even the acting is above average compared to this type of fare (I'm looking at you My Bloody Valentine 3D with your silent movie-type overacting) but the plot is such a bore and there is a distinct lack of suspense throughout that instead of generating thrills it almost put me to sleep.

Any real chance of characterization sinks as soon as the characters begin to do awfully predictable and silly things, just for the sake of packing a punch to the audience - which in turn fails because everyone can see them coming.

And to think that British public funding is going to such stinking waste of material and talent is beyond comprehension. I am all for subsidizing mainstream films but Donkey Punch is a knockoff of dozens of movies we have seen, most of them better written.

Just a touch of originality would have elevated Donkey Punch to at least an average level, as it is now it is just not worth the time and investment. On the plus side: the soundtrack is awesome.

The content of graphic sex, sexual violence, drug taking and murder are aimed at an audience that wants to be titillated, and in this modest aim "Donkey Punch" more or less succeeds.Yet somehow Director Oliver Blackburn squanders reliable staple teen horror fare into an indigestible mess which is difficult to stomach.

Four young men and three young women, party, have sex, and then become embroiled in a deathfest when one of the girls dies during a sex act.The acting is fairly good, the characters are fine and the girls, Sian Breckin,Nichola Burley and Jaime Winston (daughter of Ray) look good and are a teenage boys dream, well "up for it".

A setting on a boat always has dramatic potential, confined space, isolation, no escape. It also has some drawbacks, physically you are limited with what you can do.This is where Blackburn errs.The first half hour of scene setting as the characters get to know each other is fine, and the sex scene is convincing. But once the bloodletting starts everything spirals out of control.The actions of the characters are inconsistent at best, and unbelievable at worst.This is no psychological thriller, if you don't know what to do - kill someone,that appears to be the maxim.Each sequence is so episodic, so stand alone, that there appears to be little link with what else is going on.By the end the dramatic tension has evaporated and you just want EVERYONE to die, but quickly.

Apparently this was shot in 24 days, which is quick. But this is no excuse for an inadequate script and screenplay.

I can't understand why such an entertaining film is getting so many negative reviews. I found Donkey punch to be a good film on so many levels. It had an original story line. Strong parts for the female actors. A nice balanced build up to a crescendo of violence. Fab music and some nice photography.

It doesn't have any big name actors or any obvious lead, but that only makes it more refreshing. I have watched this film twice and while it may not be to everyones taste it is a piece work to be proud of. All in all a great job by Oliver Blackburn and the team. I will be looking out for more of his work, for sure.

This film has gotten some pretty low scores here on IMDB, and to be frank, I can definitely understand why this is the case. That said, I didn't think it was so bad and it passed the time well enough. It's just fairly shallow and stupid.

Truth is though that I can't totally resist a story about a party going terribly wrong, and I guess this is basically what we have here. It's pretty much an exploitation homage, and after the eponymous "donkey punch" episode, it goes exactly as you think it will. The characters, even the girls, are pretty thinly sketched and it's hard to imagine them doing anything outside of the story they are in, but nevertheless, the acting seems solid all across the board and everyone in the production did a commendable job. Still, the film doesn't exactly have any dialogue triumphs, and its climax (ha hah) is in fact the wild intercutting of the sex that rises to a fever pitch and then goes horribly awry. It was pretty hot stuff, and then turned to a genuine "oh crap!" moment, and I appreciated that.

Unfortunately what followed didn't give me anything that I didn't learn from 1970s exploitation movies, and those are a hard act to follow. I understand Dead Calm was an inspiration or at least an influence, but i still haven't seen that one. it's probably better than this was. The film didn't piss me off exactly but it didn't leave me with much feeling of any kind, either, and that's bad. The second half is supposed to be tense and psychologically frought, but it's oddly lifeless. It's all a bit vapid and everyone is pretty and stupid. There's a death that reminded me a little of I Spit on Your Grave. Some of the music was fun. Where'd those young boys get that yacht anyway? if they ever said, I missed it; this is not the sort of movie you'll remember a word from, either.