Quando um filho de um tubarão é morto acidentalmente durante uma caça, sua presa e seu irmão vegetariano decidem usar o incidente em seu próprio benefício.Quando um filho de um tubarão é morto acidentalmente durante uma caça, sua presa e seu irmão vegetariano decidem usar o incidente em seu próprio benefício.Quando um filho de um tubarão é morto acidentalmente durante uma caça, sua presa e seu irmão vegetariano decidem usar o incidente em seu próprio benefício.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 3 vitórias e 16 indicações no total
- Oscar
- (narração)
- Don Lino
- (narração)
- Angie
- (narração)
- Lola
- (narração)
- Lenny
- (narração)
- Sykes
- (narração)
- Ernie
- (narração)
- Bernie
- (narração)
- Frankie
- (narração)
- Luca
- (narração)
- Don Feinberg
- (narração)
- Katie Current
- (narração)
- Shrimp
- (narração)
- …
- Crazy Joe
- (narração)
- Shortie #1
- (narração)
- Shortie #2
- (narração)
- Shortie #3
- (narração)
- Giuseppe
- (narração)
- …
Avaliações em destaque
Opening with a detailed dive into the city of the fish Shark Tale presents a world of sight gags and moderate puns. From the star fish walk of fame through the dolphin police, through to the shots of "the top of the reef", the sequence is a bustling hive of activity. At this point I would make one valid comparison with Nemo - the graphics. Shark Tale fails to really seem as if anything is happening underwater. Yes, there are fish in the shot and yes everything intellectually should be under the sea, but where Nemo oozed and flowed in a very fluid vista Shark Tale shows colour and spectacle, but without that organic ocean feeling. This is not to say Shark Tale's graphic work is bad, simply that it does not feel waterborne.
With that aside, the cartoon images in Shark Tale are well presented, with the anthropomorphic fish taking on the facial characteristics of their voice actors. Never has (or will) a fish ever look more like Wil Smith , or acted like him. This is Wil Smith in full Fresh Prince wise-cracking mode made piscine in Oscar. Renee Zellwegger is instantly recognisable in her fish counterpart Angie, as is the vampy Angela Jolie (Lola).
The story itself revolves around Oscar's passage from an unhappy, dreaming, nobody to a famous, unhappy, somebody to a happy nobody. It's a generic, oft-repeated tale, albeit set in a world full of mafioso sharks, vengeful shrimp, and whales with poor personal hygiene.
As such, the story itself is both predictable and can be safely ignored. You can feel each step of the way long before it hits the screen. It has no surprises, and so the movie resorts to banter and set pieces to amuse.
It doesn't often succeed with these. Of the set pieces the shark funeral is by far the best part of the movie. It is hilarious and somehow moving at the same time. Lenny (Jack Black) and Don Lino (Robert De Niro) make an amusing scene in a restaurant debating with the food. The remainder, including Oscar's big fight scene, are generally uninvolving unless you have an interest in keeping an ear and eye out for the multitude of pop references - many of which are simply thrown in for no reason other than that somebody thought they should be there. Oscar's non sequiturs at the end of the great shark fight are particularly pointless and unfunny.
Some in jokes and references do work - having Ziggy Marley solemnly tell Oscar (Smith) that he's singing reggae wrong is clever. Some gags also work - the pizza ordering Octopus is a gem.
But despite playing heavily on racial stereotypes the movie as a whole feels rather bland - as if it was designed by marketers and a committee rather than by people who had a funny tale they wanted to tell.
The actors supplying the voices vary in effectiveness. Wil Smith is effectively Wil Smith, love it or hate it. Zellwegger gives a decent, if shallow, performance as the love interest, and Jolie's Lola is barely on screen long enough for her to make an impact. De Niro makes the movie as Don Lino, shark godfather, and without his presence it would be fair to say that the movie would simply be too weak to sustain interest.
The music is very MTV, and the end song sequence is atrocious - though kids will probably love it, parents should bring ear plugs for the time when Oscar releases "Missy and Christina" until you leave the cinema.
Shark Tale offers an amusing hour and a half for the children but a rather predictable and only occasionally amusing time for adults. It lacks the magic, sparkle, and dare I say bite, that was so desperately needed.
Six starfish out of a possible 10.
Let me give you a Jamaican perspective. I'm not taking anything from Ziggy Marley (Ernie) & Doug E. Doug (Bernie); they both couldn't have done the 'Jellyfish Rastas Duo' roles better. But seriously now, both roles were controversially laced with cuss words taken from the Jamaican dialect (thankfully that most Americans don't understand). And so, I felt quite embarrassed listening to the context in how it was done. I'm proud of my Jamaican culture and dialect and that many people would love to learn & experience it. But the writers just can't incorporate cuss words into a kid's movie like that.
It might be funny to some, but it also sends a negative message to the younger audience about different cultures. I wouldn't be surprised if, people walk out on this one when this comes out in the Caribbean.
"Shark Tale" is good entertainment overall, with plenty of amusing character design, and a respectable amount of energy. The filmmakers do come up with a lot of chuckle-inducing jokes, both verbal and visual. But the real hook is in hearing various actors play animated sharks as mobsters. On one level, the movie is okay viewing for younger viewers (although it might be somewhat intense for the youngest of them), and on another level, it's savvy comedy for grownups, with references to well known mob movies of the past.
Smith is a real live wire as the fast talking Oscar, De Niro is a pleasure, and Renee Zellweger is appealing as Angie, Oscars' co-worker who's really in love with him. Angelina Jolie is just right as the self-serving, seductive fish who only attaches herself to Oscar when she thinks he's going places. Various other familiar voices here, too: Peter Falk, Michael Imperioli, Vincent Pastore, and Ziggy Marley and Doug E. Doug as a pair of Rastafarian jellyfish. It's a particular treat to hear the master filmmaker Martin Scorsese, who lends his voice to Sykes, a frequently flustered puffer fish.
The hip, catchy soundtrack also helps to make this an agreeable 90 minute long outing.
Seven out of 10.
Você sabia?
- CuriosidadesThe original title for the movie was "Sharkslayer", but it was changed to "Shark Tale" about a year before release, because Jeffrey Katzenberg thought the title might scare families away (the title still appears in some early promotional material). The change is clear in the movie, as in the song before the credits, the singers interlock between calling the movie "Sharkslayer" and "Shark Tale".
- Erros de gravaçãoLenny tells Frankie that he's cold because he's cold blooded. In fact, great white sharks are one of four types of shark that are warm blooded.
- Citações
Shrimp: [trying to sob his way out of being eaten] Its true, its true! And the other thing is, my sister had a baby and I took it over after she passed away and the baby lost all its legs and arms and now its just a stump but I take care of it with my wife and... and its growing and its fairly happy... and its difficult because I'm working a second shift at the factory to put food on the table but all the love that I see in that little guy's face it makes it worth it in the end. True story.
- Cenas durante ou pós-créditosThe DreamWorks logo has the fishing boy casts his fishing line into the ocean (with the worm on the hook encountering Lenny).
- Versões alternativasFor each international release, the role of the news reporter "Katie Current" was recast to a prominent female news anchor of that country: In the Australian version it is Tracy Grimshaw, former co-anchor of the Australian Today (1982) show; in the UK version it is 'Fiona Phillips', presenter of GMTV (1993); and in the Italian version it is Cristina Parodi, anchor-woman of Verissimo (1996).
- ConexõesFeatured in Christina Aguilera Feat. Missy Elliott: Car Wash (2004)
- Trilhas sonorasCar Wash (Shark Tale Mix)
Written by Norman Whitfield
Contains additional lyrics by Missy Elliott (as Missy Elliott)
Performed by Christina Aguilera featuring Missy Elliott (as Missy Elliott)
Produced by Missy Elliott (as Missy Elliott) and Ron Fair
Christina Aguilera appears courtesy of The RCA Records Label
Missy Elliott appearts courtesy of The Gold Mind/Elektra Records
Contains a sample of "Car Wash"
Performed by Rose Royce
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Principais escolhas
- How long is Shark Tale?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- El espanta tiburones
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 75.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 160.861.908
- Fim de semana de estreia nos EUA e Canadá
- US$ 47.604.606
- 3 de out. de 2004
- Faturamento bruto mundial
- US$ 374.583.879
- Tempo de duração1 hora 30 minutos
- Cor
- Mixagem de som