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6,3/10
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Adicionar um enredo no seu idiomaAfter two decades in prison for murder, a man is released on parole and returns to his hometown seeking redemption.After two decades in prison for murder, a man is released on parole and returns to his hometown seeking redemption.After two decades in prison for murder, a man is released on parole and returns to his hometown seeking redemption.
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A recently paroled convict, who as a teenager shot and killed a young convenience store worker, is left to find his way in society; he's offered a custodial job from a hot-tempered, streetwise pastor, and hopes to connect with the sister of his victim in order to complete the cycle of redemption--but he finds it isn't that easy. Billy Bob Thornton gives a controlled, emotional performance that comes from deep within. The film isn't quite in balance--and has some quirky, uncertain moments near the beginning that either don't ring true or just don't feel natural--but stick with it and you might find resonance in the extraordinary acting and the way the story arcs in just the right way. Terrific casting and performances, atmospheric production and locales, several amazing, emotional moments. *** from ****
Thorton stars as a man who is free after serving 23 years for killing a teenager during an attempted robbery. After nearly two decades of staring at his victim's face on a newspaper clipping in his cell, the paroled man attempts to find redemption, in the form of a mysterious minister (Freeman) and two needy women (Dunst and Hunter).
I saw this film in the 99 cents store. I looked at the cast, which are great. I looked at the price, which was also great. And I read the plot in the back of the VHS, which got me to buy this film. It looked interesting. So there I watched the movie and I loved it! It's one of the best films ever made.
It was well crafted, beautifully cast, with a great script. I was moved and gripped. For me, this is Billy Bob Thornton's best performance, yet, although I haven't watched Monster's Ball, yet. His performance was superb, like everyone else in the cast, including Morgan Freeman, Holly Hunter, and Kirsten Dunst.
This film is subtle on everything. It keeps your attention and it is a good moral film. I never have much to say about great films, and it's no different here. If you see this film on the shelf, I suggest you to go buy it because it is your money's worth, although I bought it for 99 cents.
I saw this film in the 99 cents store. I looked at the cast, which are great. I looked at the price, which was also great. And I read the plot in the back of the VHS, which got me to buy this film. It looked interesting. So there I watched the movie and I loved it! It's one of the best films ever made.
It was well crafted, beautifully cast, with a great script. I was moved and gripped. For me, this is Billy Bob Thornton's best performance, yet, although I haven't watched Monster's Ball, yet. His performance was superb, like everyone else in the cast, including Morgan Freeman, Holly Hunter, and Kirsten Dunst.
This film is subtle on everything. It keeps your attention and it is a good moral film. I never have much to say about great films, and it's no different here. If you see this film on the shelf, I suggest you to go buy it because it is your money's worth, although I bought it for 99 cents.
"Levity" (2003) Artfully melancholic. Real, perhaps even surreal as this story quietly, yet gracefully plumbs the depths between reality & perception, introspection, fate and (mis)fortune. Heart-wrenching in its sincerity.
The story revolves about a man freed from concrete walls and bars, but not of his conscious. What follows is a remarkable journey into the thought and life of a man seeking redemption. As his journey begins, he encounters the beginnings of a new life. Laid bare & unpretentious, the mood is set within the confines of what one may encounter upon re-entering society. The cinematography is excellent, appropriate and chillingly in-line with the theme of this movie. Top-notch actors in supporting roles make this film a "must see". This is, a great film.
The story revolves about a man freed from concrete walls and bars, but not of his conscious. What follows is a remarkable journey into the thought and life of a man seeking redemption. As his journey begins, he encounters the beginnings of a new life. Laid bare & unpretentious, the mood is set within the confines of what one may encounter upon re-entering society. The cinematography is excellent, appropriate and chillingly in-line with the theme of this movie. Top-notch actors in supporting roles make this film a "must see". This is, a great film.
Greetings again from the darkness. Simple story made interesting by the characters and environment. Billy Bob Thornton is our unconventional lead character. Very understated performance accurately captures the emotions of this repulsed, repentant killer. Sparkling Kirsten Dunst is unusually gritty in her sad portrayal of the pop star daughter putting up a false front. Morgan Freeman is effective as the community "reverend" with a secret. Best performance comes from Holly Hunter as frustrated mom/sister just trying to make sense of her world. Director Ed Solomon, known mostly for light weight writing, does a respectable job of capturing the pain of all the characters. Bleak world where each individual must furnish their own reason to keep going.
If there is a common theme running through Billy Bob Thornton's dramatic roles, it would have to be a man's search for redemption. It can be found in SLING BLADE, A SIMPLE PLAN, THE MAN WHO WASN'T THERE, MONSTER'S BALL, THE BADGE, and again in LEVITY, the film directorial debut of screenwriter Ed Solomon. Unlike more 'commercial' actors, who would prefer playing innocent victims framed for crimes (or would be 'heroic' in committing 'justifiable' deeds), Thornton's characters are guilty of their trespasses, and accept their punishment as deserved. This gives his performances a sense of reality that is always interesting to watch.
In LEVITY, Thornton is Manual Jordan, a 'lifer' who has spent over twenty years in prison for shooting and killing a kid during a convenience store robbery, as a youth. The act was not a crime of passion, it was simply an involuntary reaction to a quizzical 'look' the kid gave him, an expression that would bond the two of them for years to come.
When a parole board decides to commute Jordan's sentence ("Why?" he asks, stunned by the decision after saying he was content to remain in prison), the middle-aged man finds himself alone in an alien, indifferent world, with only the kid's 'ghost' as company.
Jordan decides to try and help the victim's sister, Adele (the ageless Holly Hunter), without revealing his identity ("If you're trying to 'hit' on me," she quips, "I have to warn you, over the years, my standards have lowered..."). She has her hands full with a wild teenaged son, and can't quite figure out this taciturn, long-haired vagrant!
Answering a ringing pay phone, Jordan finds his way to a jaded lay minister (Morgan Freeman, excellent, as always), who, recognizing him as an ex-con, provides him with a place to stay, and a job, cleaning and directing teens from a dance club into the broken-down mission he runs, next door. When Jordan tells the old preacher that he doesn't believe in God, the old man snaps, "I'm not asking you to! I'm asking you to work!" One of the rowdy 'club' teens (Kirsten Dunst), the daughter of a 'one-hit wonder' singer on the skids, finds herself drawn to Jordan, despite his obvious disapproval of her lifestyle.
As with all the best 'indies', there is a richness of character in LEVITY, with each actor in top form. Subtly building to a surprising revelation and an emotional climax, the film may not appeal to audiences who prefer pyrotechnics to plot, but if you like movies with believable characters, and an involving story that unfolds at it's own pace, you may find it to be a very rewarding experience!
In LEVITY, Thornton is Manual Jordan, a 'lifer' who has spent over twenty years in prison for shooting and killing a kid during a convenience store robbery, as a youth. The act was not a crime of passion, it was simply an involuntary reaction to a quizzical 'look' the kid gave him, an expression that would bond the two of them for years to come.
When a parole board decides to commute Jordan's sentence ("Why?" he asks, stunned by the decision after saying he was content to remain in prison), the middle-aged man finds himself alone in an alien, indifferent world, with only the kid's 'ghost' as company.
Jordan decides to try and help the victim's sister, Adele (the ageless Holly Hunter), without revealing his identity ("If you're trying to 'hit' on me," she quips, "I have to warn you, over the years, my standards have lowered..."). She has her hands full with a wild teenaged son, and can't quite figure out this taciturn, long-haired vagrant!
Answering a ringing pay phone, Jordan finds his way to a jaded lay minister (Morgan Freeman, excellent, as always), who, recognizing him as an ex-con, provides him with a place to stay, and a job, cleaning and directing teens from a dance club into the broken-down mission he runs, next door. When Jordan tells the old preacher that he doesn't believe in God, the old man snaps, "I'm not asking you to! I'm asking you to work!" One of the rowdy 'club' teens (Kirsten Dunst), the daughter of a 'one-hit wonder' singer on the skids, finds herself drawn to Jordan, despite his obvious disapproval of her lifestyle.
As with all the best 'indies', there is a richness of character in LEVITY, with each actor in top form. Subtly building to a surprising revelation and an emotional climax, the film may not appeal to audiences who prefer pyrotechnics to plot, but if you like movies with believable characters, and an involving story that unfolds at it's own pace, you may find it to be a very rewarding experience!
Você sabia?
- CuriosidadesEd Solomon wrote the screenplay over twenty years.
- Erros de gravaçãoDuring a scene at the soup kitchen, Miles wants help serving the soup and shoots a slice of bread at Manual to get his attention. The bread lands on Manual's tray next to his soup bowl. In the next shot, the slice of bread has disappeared.
- Citações
Miles Evans: For pay, I got a room at a hundred dollars a month, which you can work down to nothing if you'll help with cleaning.
Manuel Jordan: What makes you think I need a room?
Miles Evans: God told me. You're carrying your damn suitcase, man.
- Cenas durante ou pós-créditosThanks to ... Terry & Siobhan ... Cynthia, Evan and Olivia ...
- ConexõesReferenced in The Dialogue: An Interview with Screenwriter Ed Solomon (2007)
- Trilhas sonorasCool for Miles
Performed by Johnny Hawksworth (as Johnny Hawksworth)
Courtesy of DeWolfe Music
By arrangement with Media Creature Music
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- How long is Levity?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Levity
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 7.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 209.695
- Fim de semana de estreia nos EUA e Canadá
- US$ 30.599
- 6 de abr. de 2003
- Faturamento bruto mundial
- US$ 723.040
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was O 5º Passo (2003) officially released in Canada in English?
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