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7,6/10
2,9 mil
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Adicionar um enredo no seu idiomaThis is the hard and shocking story of life in a British borstal for young offenders. The brutal regime made no attempt to reform or improve the inmates and actively encouraged a power strug... Ler tudoThis is the hard and shocking story of life in a British borstal for young offenders. The brutal regime made no attempt to reform or improve the inmates and actively encouraged a power struggle between the 'tough' new inmate and the 'old hands'.This is the hard and shocking story of life in a British borstal for young offenders. The brutal regime made no attempt to reform or improve the inmates and actively encouraged a power struggle between the 'tough' new inmate and the 'old hands'.
Ray Winstone
- Carlin
- (as Raymond Winstone)
Philip DaCosta
- Formby
- (as Philip Da Costa)
Avaliações em destaque
This film was to show the horrors of a typical British Reform School, complete with regular beatings, humiliations, and even a rape scene. Sadistic staff and a team of violent and intimidating "daddys" terrorize the weak and timid members of the roughly 100 detainees. Racism and hypocrisy are in full gear. This is the Jr. Version of "Glass House", only even more graphic.
This film is very difficult to watch and was actually banned by the BBC to ever be broadcast due to the extreme violence and shocking situations. Although I watched to the end, I just don't quite see the value (especuially for entertainment) in this fictional nightmare. Perhaps as a "Scared Straight" project it could deter at-risk children from a life of crime. Otherwise any slasher movie will do less emotional damage to an impressionable mind. I do not recommend this film
This film is very difficult to watch and was actually banned by the BBC to ever be broadcast due to the extreme violence and shocking situations. Although I watched to the end, I just don't quite see the value (especuially for entertainment) in this fictional nightmare. Perhaps as a "Scared Straight" project it could deter at-risk children from a life of crime. Otherwise any slasher movie will do less emotional damage to an impressionable mind. I do not recommend this film
This is the TV version of the film, which was made for 'Play For Today' but was never screened until 1991, as it was deemed too controversial. It isn't as good as the movie version, which unsurprisingly was free to be even more uncompromising, yet it is still very similar plot-wise. Still very much an excellent watch and interesting to compare.
Scum is a fabulously gritty borstal drama revolving around troublemaker Carlin (Winstone) and his campaign to do his time quietly. The menacing staff and inmates of the Borstal (young offenders prison) are frighteningly realistic and the whole film has the feel of a fly-on-the-wall documentary. Sporadic violence comes with no warning and the rape scene in the greenhouse is one of the most harrowing I have seen on film (may be cut in some versions). Full marks to Alan Clarke and Ray Minton for this beauty.
Alan Clarke's film introduced us to a powerful new talent in Ray Winstone. Undeniably brutal but an allegory on the worship of simple governance by power. This film, coupled with another film, "Made in Great Britain" with Tim Roth was an indictment of the Thatcher type anti-society policies. Ray Winstone builds his part slowly, gathering power and authority during his stay in the institution and is climaxed when he says "who's the daddy now?" It was such a powerful performance that I always wait with anticipation his next outing and have rarely been disappointed.
Scum (1977) was originally produced as part of the BBC's Play for Today series, but the result, shot in a gritty docu-drama style, was considered too harrowing for broadcast and was effectively banned. Two years later, director Alan Clarke remade his play as a film, which became one of the most talked about movies in British school playgrounds during the early 80s thanks to its unrelenting violence, racist language, and a particularly notorious rape scene.
So, how do the two versions compare? Well, barring one or two minor scenes, the original TV play and the 1979 film are almost identical to each other in terms of basic content and structure, with much of the same dialogue, many of the same cast members, and Clarke using the same set-ups and angles for his shots. However, the two versions do differ from each other in terms of performances: although the cast are more than adequate in the TV version, the play feels a bit like a dress rehearsal when compared with the movie, the cast seemingly still working out how best to tackle their roles. Two years down the line, and everybody absolutely nails it, but here there are one or two performances that fall a little flat.
That said, the play is still a fine piece of work, a powerful and highly controversial drama—one that, to this day, I find it hard to believe the BBC even contemplated showing in 1977.
So, how do the two versions compare? Well, barring one or two minor scenes, the original TV play and the 1979 film are almost identical to each other in terms of basic content and structure, with much of the same dialogue, many of the same cast members, and Clarke using the same set-ups and angles for his shots. However, the two versions do differ from each other in terms of performances: although the cast are more than adequate in the TV version, the play feels a bit like a dress rehearsal when compared with the movie, the cast seemingly still working out how best to tackle their roles. Two years down the line, and everybody absolutely nails it, but here there are one or two performances that fall a little flat.
That said, the play is still a fine piece of work, a powerful and highly controversial drama—one that, to this day, I find it hard to believe the BBC even contemplated showing in 1977.
Você sabia?
- CuriosidadesRoy Minton originally envisioned Carlin as a Glaswegian. He cast Ray Winstone because of the way he walked.
- Erros de gravaçãoThis film was actually released in 1991. The new dress code for the legal profession in England didn't come into effect until 2007. Judges and barristers still wear them for criminal cases. Archer's description of the magistrate would actually be factually correct.
- Versões alternativasThere are differences between the TV and the theatrical version:
- It is shown in 1.33:1 aspect ratio.
- Any punches, slaps or kickings are muffled.
- There is a scene with the 3 new arrivals having a bath in the TV version and not in the theatrical version. Davis complains about the water being too warm and gets slapped.
- No strong language was used in the TV version.
- Archer and Carlin talking to each other for the first time differs between the two versions. In the TV version, they talk to each other in the laundry whereas in the theatrical version, a changing room.
- Banks bullying Davis is slightly different. In the tv version Banks grabs Davis and slaps him and tells him that he is the daddy here and pays his dues like the rest. When Davis says he doesn't smokes, Banks slaps him again. In the theatrical version, he does something similar but kicks Davis as he stood up and shoves him back onto the bench.
- In the TV version, Davis getting bullied again. Richards pours hot tea on him and Mr. Sands shouts at Davis for being a slob.
- The TV version omits a scene with Archer talking to the Matron about vetos on books.
- In the TV version, Mr Greaves asks Carlin about his bruised face. The theatrical version is similar but Mr Sands asks Carlin about his face.
- The TV version omits Meakin asks the Matron when is she going to call them by their first names.
- Bank's beating by Carlin is similar in both versions. In the tv version, Carlin dunks Bank's head in the sink and hits him a few times and calmly declares himself the new daddy. He finally kicks kicks him once in the groin. The theatrical is similar but Carlin is more angrier.
- Baldy's beating by Carlin is fairly brief. The sound effect when Carlin beats him with the pipe is muffled.
- Toyne's suicide is deleted in the TV version.
- There is a brief scene with Archer painting "I am happy" on a wall. This is not in the TV version
- Carlin's homosexual relationship with another inmate is in the TV version.
- Davis' rape is brief and non graphic compared to the graphic and prolonged film version. His suicide is not as graphic as the theatrical version.
- After the riots, Carlin is taken to the punishment block and beaten up. The theatrical version is similar but more graphic.
- The credits has music unlike the theatrical version.
- ConexõesReferenced in Neverwhere (1996)
- Trilhas sonorasWide Boy
Written by Rick Lloyd
Performed by The Amazing Mike Kahn Band
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- £ 125.000 (estimativa)
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