Quadrophenia

I'm not from Brighton or London but understand a little about the culture. This is an honest and necessarily messy film of a specific place and time. Overall a good film and worth watching. Cool to see Sting in it if unaware (like I was) of his role. Kind of odd ending since it's obvious what happened and... not?

A feast of future C-list celebs and also rans remind us why Punk was so vital in resuscitating the corpse of British music and why that cadaver needs more help than ever today; Quadrophenia demonstrates the absolute misery created by the fascist regime, that left the youths of the day with no future, with little to look forward to once they'd outgrown their primitive street gang days, and an underground movement that left them in a bit of a Jam.

Ultimately a culture destroyed by technology, as the Vespa riders, and just about all alternative identifiers of the day have chosen to play in the abstract digital world. A forgotten adolescent mainstream dispersed and scattered to the margins like so many other traditions and cultures of yesteryear. A classic British film - bring on the Bank Holiday!

From the creator of Masterchef, here is something Franc Roddam made earlier.

A film about being young in the 1960s, being part of the Mod subculture and alienation and angst with some good tunes. There are a lot of future cast members of Eastenders and The Bill.

Phil Daniels gives a career defining performance that should had got an Oscar nomination as Jimmy who has a mundane job, boring home life with parents who do not understand him. Jimmy lives for the weekend clubbing with friends, popping pills and getting into scrapes with his mates.

Jimmy and his friends go off to a bank holiday weekend in Brighton, he wants to get close with girlfriend Steph (Lesley Ash.) He is in awe of cool dude Ace Face (Sting) and gets in a rumble with Greasers.

However Jimmy gets more disillusioned losing his job, friends and family. Seeing Ace face as just an ordinary bell boy sends him to the edge.

The film quickly became a cult classic, This Who produced film led to the revival of the late 1970s & early 1980s mod scene.

It has some cool tracks, a lot of humour, earthy language and a cast of now familiar actors. In a sense it's like a British version of Saturday Night Fever.

Director Franc Roddam gives this drama a sense of rawness and some vitality when you see the action scenes in Brighton.

I hated this film when I saw it as a teenager back in 1979. The reason was the movie was realistic--too realistic! I identified (in some respects) with the main character Jimmy, and his life was bleak and depressing. Seeing it over 20 years later, I love it! It's a superb mix of the 1960s British "Angry Young Men" films, the Who's great album and 1979 sensibilities. It's about Jimmy (excellent performance by Phil Daniels) and his friends. It takes place in 1964 London and there are constant battles between the Mods (Jimmy and friends) and the Rockers. The film is full of violence, sex, VERY strong language (good luck with the accents), anger, alienation...the works. However, there is a strong sense of humor (a break in at a drug store is hilarious) and it does have a (sort of) happy ending. But it is very dark and depressing.

The music score is excellent. It's not just the Who, but other 1960s groups are used also. The direction by Franc Roddam is wonderful--it perfectly merges the music, imagery and story (especially with "Love, Reign Over Me"). My only real complaint--why not use the whole album "Quadrophenia"? Only about 1/8 of the two record set is used! Also interesting to see Sting in his first movie. Don't miss this one!

One of the main criticisms at the time "Quadrophenia" came out was that it was noisy and violent rubbish. Quite how this opinion was ever formed is puzzling because the film I saw was a brilliant realistic portrayal of a mod in the 60's. The film has directorial flair, an excellent soundtrack and some underrated scripting and performances. It perfectly captures the angst and disillusionment of its protaganist to a level that has never been seen on film before or since.