The Hound of the Baskervilles

We love Tom Baker, but the quality of the direction and supporting cast makes a mockery of the very concept of dramatic performance. As a lifelong Sherlock Holmes fan, born in the cradle of Dartmoor's misty tors, this production betrays both its fictional and historical roots, and is merely a hollow imitation of its source, which was served far more ably by the incomparable Jeremy Brett. Baker mistakes adult fiction for a serious performance and would have been better served by allowing the eccentricity of the 'doctor' to come to the fore. What this production badly needed was for someone, either in front or behind the camera, to take control and allow the multi-faceted nature of Holmes' character to drive events. A wasted opportunity that contributes nothing to the genre. It only contributed to putting the final nails in Baker's career.

Big bag o' thrash.

Tom Baker's performance as Holmes displays mannerisms that could only be called idiosyncratic, and, for me at least, were displeasing. The basic story is well covered, though, and collectors of Holmesiana might like to have a view or a tape if it should come available. The Basil Rathbone film is miles ahead so far as Holmes atmosphere is concerned.

This was like watching a high school senior play in which the teenaged actors were directed by a bored drama teacher to employ every stereotype they had ever seen (or heard) of Holmes and Watson. It's completely understandable that Tom Baker would later apologize for his portrayal. Even by 1982 standards, the production quality was sorely lacking.

Peter Duguid can be proud of the efforts he made in adapting this classic to the small screen.

Tom Baker and Terrence Rigby are outstanding as Holmes and Watson, and for once Watson is not the buffoon as portrayed by Nigel Bruce. Baker gives a down to earth portrayal of the great detective, he comes across keen and intelligent, but not so dismissive and patronizing as Jeremy Brett often was in the same role for television.

Woodeson is fine as Sir Henry and Ravenscroft is perfect as the conniving and murderous Stapleton. The doctor, who is a part time archaeologist and collector of skulls, is ably portrayed by Knightley. His apparent willingness to believe in the supernatural dog is offset by his own keen observation and grasp of human nature.

The production values are excellent - typical of a BBC production. THe costumes and sets are very period, as they should be. THe modernized WW II era Holmes portrayed by Rathbone always left me feeling a little unsatisfied. All told, this version is excellent and does not deserve any of the trivial criticism heaped upon it by some. I heartily recommend this film if you can get it on video. I was fortunate to tape it in 1984 and still enjoy it twenty two years later.

I remember this adaptation, made for the BBC's Sunday Classic Serial slot. Tom Baker had just left 'Doctor Who' where he was 'fantastic' (of course!) I think this was the first time he had played the sleuth (he starred as Holmes on stage in 'The Mask of Moriarty' in 1985) but do not remember his performance here! I do remember Terence Rigby as Watson turned in another in a long line of Nigel Bruce impressions.

Thank goodness we soon had David Burke to set a new example for Edward Hardwicke and Ian Hart! What I do remember favourably is Carl Davis' haunting theme music and the animated titles. The music was very much in the vein of Davis' sombre theme for 'Winston Churchill - The Wilderness Years.' The animated titles (following the Hound's shadow from rock to rock over a bleak, dark-skied Dartmoor) would have served well as a storyboard for part of the never yet correctly filmed 'legend of the Hound!' Oh well - we can dream!