Adicionar um enredo no seu idiomaDetective Kyle Bodine falls for Rachel Munro who is trapped in a violent marriage. After shooting her husband, Kyle reluctantly agrees to help hide the body, but Kyle's partner is showing an... Ler tudoDetective Kyle Bodine falls for Rachel Munro who is trapped in a violent marriage. After shooting her husband, Kyle reluctantly agrees to help hide the body, but Kyle's partner is showing an unusual flair for finding clues.Detective Kyle Bodine falls for Rachel Munro who is trapped in a violent marriage. After shooting her husband, Kyle reluctantly agrees to help hide the body, but Kyle's partner is showing an unusual flair for finding clues.
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Avaliações em destaque
It also goes to show that you do not necessary need to have awesome special effects, elaborate sets or costumes to make a movie captivating. Just a good story plot (keeping in mind that the audience are not morons or idiots) and a few good actors/actress is just enough to keep people glued to their seats.
It is really rare to find such movies lately. Really hope to see such movies that will keep people thinking what will come next, as the saying goes, its the story that counts and not blow-your-mind-but-forgot-about-it special effects or actors/actress or is that cardboards walking down the aisle with pretty clothes trying to act etc, etc.
Just intelligent story telling which people will still talked about it when they leave the threaters.
Critique: Nifty little thriller borrows from the film-noir tradition. The solid screenplay by Roy Karlson introduces many elements of the genre. There's the honest cop who falls for the habitual 'femme-fetal', and the violent husband as 'middle-man' who ends up dead. But just when you think things are headed into conventional plotting, there's a twist.
Good direction by first-timer John Bailey elicits excellent acting all around. Ed Harris gives another powerhouse performance, Madeline Stowe plays the would-be 'femme fatale' role beautifully, as well as an array of solid supporting actors including Benicio del Toro (who reminded me of James Dean in his younger days). Great ending too.
QUOTE: Kyle: "You were just fV@*!ng me weren't you?! I was loving you and you were fV#!ing me!"
There are enough twists and turns to keep you off-balance, but without the story confusion that often accompanies that kind of plot complexity. A surprise final scene provides a satisfying closure. The murder and resulting forensics are on the bloody side, but it's not out of place in the story line. Harris and Stowe turn in believable performances, making for an overall rating of 7 out of 10 stars.
Você sabia?
- CuriosidadesFilmed in 1990-91, it was thrown into limbo when production company Orion filed for bankruptcy in late 1991. After a reorganization, the film finally had its theatrical debut in 1994.
- Erros de gravaçãoRachel states that she has an unregistered gun. It is against FL Statute to require gun registration.
Saying that she has an unregistered gun is not against FL Statute though.
- Citações
Kyle Bodine: I don't much like holidays.
Rachel Munro: Poor baby. Are you an orphan?
Kyle Bodine: Yeah. I'm an orphan of destiny.
- Trilhas sonorasWell, Well, Well, Baby-La
Written by Rose Marie McCoy and Charles Singleton
Used by permission of Screen Gems-EMI Music Inc.
Performed by Anson Funderburgh & The Rockets Featuring Sam Myers
Courtesy of Black Top Records
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 3.038.499
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.183.843
- 6 de mar. de 1994
- Faturamento bruto mundial
- US$ 3.038.499
- Tempo de duração1 hora 39 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1