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6,4/10
21 mil
SUA AVALIAÇÃO
Um ladrão segura uma faca na garganta de Karen enquanto o marido não faz nada. O casal acaba fazendo amizade com o policial que aparece.Um ladrão segura uma faca na garganta de Karen enquanto o marido não faz nada. O casal acaba fazendo amizade com o policial que aparece.Um ladrão segura uma faca na garganta de Karen enquanto o marido não faz nada. O casal acaba fazendo amizade com o policial que aparece.
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Avaliações em destaque
Unlawful Entry is by no means a great film; not even by genre standards, but it still stands out as a more than adequate example of the genre, and aptly portrays the basic thriller tradition. Next to thrillers from the same period; films like Basic Instinct, Unlawful Entry may seem a little tame, but as it puts the focus on its trio of central characters, the film becomes more interesting than it would have if experienced director Jonathan Kaplan had tried for more action and sex scenes. The film portrays the frightening idea of someone 'above the law' abusing their power for their own means, and does this through police officer Pete Davis. The action centres on married couple Michael and Karen Carr, who call the police one night after a thief breaks in and holds the wife to knife point. However, it turns out that they've actually made things worse for themselves as the officer sent to the house takes a liking to Karen, and thus makes it his business to infiltrate their relationship and try to take Michael's wife for himself...
It has to be said that the film doesn't offer much in the way of surprises, as the plot is purely formulaic and can be likened to any number of similar films, but somehow the familiarity of the plot gives it something of a relaxed feel, and while experienced movie watchers will feel that they've seen it all before, the film is carried off with enough panache to see it through. Unlawful Entry relies a lot on its actors, and the three at the centre of the story manage to deliver worthwhile performances. Kurt Russell gets toned down in his role as the unlucky husband, while Madeleine Stowe doesn't get to do any heavyweight acting, but at least looks nice. The pair doesn't really have any chemistry together, which is a shame and brings the piece down - but this is offset by a conniving Ray Liotta, who manages to get under the skin despite looking a bit like David Hasselhoff. The film is always interested, but never really intriguing; although the plot does work well and the ending is fitting in context. Overall, this is not great or a must see film; but its decent enough and I don't regret watching it.
It has to be said that the film doesn't offer much in the way of surprises, as the plot is purely formulaic and can be likened to any number of similar films, but somehow the familiarity of the plot gives it something of a relaxed feel, and while experienced movie watchers will feel that they've seen it all before, the film is carried off with enough panache to see it through. Unlawful Entry relies a lot on its actors, and the three at the centre of the story manage to deliver worthwhile performances. Kurt Russell gets toned down in his role as the unlucky husband, while Madeleine Stowe doesn't get to do any heavyweight acting, but at least looks nice. The pair doesn't really have any chemistry together, which is a shame and brings the piece down - but this is offset by a conniving Ray Liotta, who manages to get under the skin despite looking a bit like David Hasselhoff. The film is always interested, but never really intriguing; although the plot does work well and the ending is fitting in context. Overall, this is not great or a must see film; but its decent enough and I don't regret watching it.
A couple are befriended by a police officer who answers their burglary call, but his attentions increase to a point of obsession and he beings to make their lives uncomfortably difficult pushing them both to breaking point.
Released the same year as spate of 1992 thrillers including Single White Female, Basic Instinct, Traces of Red, Consenting Adults and Final Analysis name a few Unlawful Entry is a tighter than the aforementioned. It's easy to knock a film in retrospect, as it's been done so many times since but at the time while not totally original it encompassed the best of the genre. Jonathan Kaplan delivers a very entertaining obsession flick and while borrowing elements from Pacific Heights (1990),Cape Fear (1991) & (1962) Lewis Colick's screenplay plays out interesting character developments and arcs especially as Kurt Russell's Michael Carr unravels and Ray Liotta's Pete Davis unveils.
Liotta is perfect as Davis an unbalanced police officer and Russell hams it up, debatably a little too much, as the aggravated husband. There's an overlooked supporting cast, including Ken Lerner and Madeleine Stowe in her heyday. James Horner's score is strong and of its time and it all adds up to an engaging thriller that would later be emulated in Lakeview Terrace (2008) and The Fan (1996).
Worth viewing if only for the underrated Liotta in one of his better roles.
Released the same year as spate of 1992 thrillers including Single White Female, Basic Instinct, Traces of Red, Consenting Adults and Final Analysis name a few Unlawful Entry is a tighter than the aforementioned. It's easy to knock a film in retrospect, as it's been done so many times since but at the time while not totally original it encompassed the best of the genre. Jonathan Kaplan delivers a very entertaining obsession flick and while borrowing elements from Pacific Heights (1990),Cape Fear (1991) & (1962) Lewis Colick's screenplay plays out interesting character developments and arcs especially as Kurt Russell's Michael Carr unravels and Ray Liotta's Pete Davis unveils.
Liotta is perfect as Davis an unbalanced police officer and Russell hams it up, debatably a little too much, as the aggravated husband. There's an overlooked supporting cast, including Ken Lerner and Madeleine Stowe in her heyday. James Horner's score is strong and of its time and it all adds up to an engaging thriller that would later be emulated in Lakeview Terrace (2008) and The Fan (1996).
Worth viewing if only for the underrated Liotta in one of his better roles.
I remember seeing this film in theaters in 1992 at the tender age of 12, and I can recall now how frightened I was. That just goes to show the professionalism involved in this first-rate thriller. When a cop is on your back, what are you gonna do? Call the cops? Hmmmm....Kurt Russell and Madeleine Stowe struggle to find that answer here. Ray Liotta has never been creepier. Kurt Russell shines yet again in a role balancing the everyman we can relate to and the hero we cheer for in the end. One of the best thrillers of the 1990s.
Unlawful Entry along with Breakdown is another Kurt Russell film which is excellent yet doesn't receive the highly acclaimed fanfare. Actually this movie has two main stars (Russell and Ray Liotta) who are pitted against each other, resulting in a very interesting and intense emotional roller coaster.
What makes this movie great is that it has 2 actors who are very good at portraying emotional characters. Russell and Liotta are rivaled by none in depicting characters of struggle, grit,intensity and emotion. The films script and directing by it's producer Jonathan Kaplan is perfect.
Without a doubt there is something about Liotta's eyes, when he speaks, they have emotion written all over them. After watching this movie you feel that even though Liotta's character of Officer Pete Davis was initially a functioning member of society, without a doubt this guy has some serious issues and probably isn't working with a full deck. The scene where he has sex in his police cruiser with the female he earlier stopped for a ticket is almost astonishing and very eerie. This is an indication of this films mood and tone.
Russell meanwhile excellently plays his role as a husband who is struggling dealing with a policeman who; going with his instincts, is a little "off". Madeleine Stowe comes off perfect as his sexy and sultry wife who innocently is unsuspecting in realizing officer Davis's true intentions.
Without a doubt Unlawful Entry is about Michael Carr(Russell)VS Pete Davis. They square off in various ways culminating with a memorable physical confrontation at the end. One scene of note is when Officer Davis responds to the Carrs home on a hoaxed security system call. Officer Davis walks into the couples bedroom holding a flashlight during a lovemaking session and Russell fires off to him "Get the bleep outta my house!!". Later he warns his wife that "this guy is sick and he's after you". Incredibly at the onset Madeleine (Mrs Carr) doesn't believe so.
If you like a fast moving suspenseful thriller then Unlawful Entry has a lot in store for you. Director Jonathan Kaplan treated me to a classic with this score. One of Kurt Russell and Ray Liotta's best films, and neither one are shabby actors. In fact both are 2 of my favorites because they have a way of bringing to life the characters they play. Check this film out.
What makes this movie great is that it has 2 actors who are very good at portraying emotional characters. Russell and Liotta are rivaled by none in depicting characters of struggle, grit,intensity and emotion. The films script and directing by it's producer Jonathan Kaplan is perfect.
Without a doubt there is something about Liotta's eyes, when he speaks, they have emotion written all over them. After watching this movie you feel that even though Liotta's character of Officer Pete Davis was initially a functioning member of society, without a doubt this guy has some serious issues and probably isn't working with a full deck. The scene where he has sex in his police cruiser with the female he earlier stopped for a ticket is almost astonishing and very eerie. This is an indication of this films mood and tone.
Russell meanwhile excellently plays his role as a husband who is struggling dealing with a policeman who; going with his instincts, is a little "off". Madeleine Stowe comes off perfect as his sexy and sultry wife who innocently is unsuspecting in realizing officer Davis's true intentions.
Without a doubt Unlawful Entry is about Michael Carr(Russell)VS Pete Davis. They square off in various ways culminating with a memorable physical confrontation at the end. One scene of note is when Officer Davis responds to the Carrs home on a hoaxed security system call. Officer Davis walks into the couples bedroom holding a flashlight during a lovemaking session and Russell fires off to him "Get the bleep outta my house!!". Later he warns his wife that "this guy is sick and he's after you". Incredibly at the onset Madeleine (Mrs Carr) doesn't believe so.
If you like a fast moving suspenseful thriller then Unlawful Entry has a lot in store for you. Director Jonathan Kaplan treated me to a classic with this score. One of Kurt Russell and Ray Liotta's best films, and neither one are shabby actors. In fact both are 2 of my favorites because they have a way of bringing to life the characters they play. Check this film out.
When I first watched this film, I could not help but marvel at how brilliant Ray Liotta was at his role. Even though Kurt Russell and Madeleine Stowe both gave very good performances, it is Ray Liotta that stands out the most. I found that the transition that Liotta made between playing a nice guy to an obsessed and jealous psycho was absolutely outstanding.I believe he deserved an award for his exceptional performance. Not many actors could pull off a performance like Liotta did. Overall I felt that this film was a well thought out thriller, and was well cast. It definitely deserves the credit it gets. I would thoroughly recommend this film to anyone who enjoys a good thriller.
Você sabia?
- CuriosidadesKurt Russell and Madeleine Stowe refused to use body doubles for their sex scene.
- Erros de gravaçãoWhen Michael is speeding home in his lawyer's car, a motorcycle cop starts chasing him, and follows him all the way home. So why didn't he pursue him straight into the house? Presumably, the lawyer must have explained what was going on, but it took an unrealistically long time for the cops to show up.
- Citações
Officer Pete Davis: [after giving the wrong answer to the security company] What's the password, Michael?
Michael Carr: Figure it out yourself, asshole. Seven letters.
[Chuckles]
Michael Carr: Fuck you.
- Versões alternativasThe Indian theatrical version made cuts by the CBFC to remove...
- Reduce by 50% the visuals of love making in car by the police officer and the prostitute especially deleting the visuals of bare breasts and movements (Length Retained: 22.00 ft).
- Reduce by 50% the visuals of love making by couple in the bathroom by deleting the visuals of lifting of gown and putting his head on belly (Length Retained: 18.00 ft.)
- Reduce by 50% the visuals of love making by couples especially deleting the total nudity and copulation (Length Retained: 20.00 ft.) ...for an 'A' (restricted to adults) certificate.
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- How long is Unlawful Entry?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Obsesión fatal
- Locações de filme
- 546 Wilcox Avenue, Los Angeles, Califórnia, EUA(Carr Residence)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 57.138.719
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.067.609
- 28 de jun. de 1992
- Faturamento bruto mundial
- US$ 57.138.719
- Tempo de duração1 hora 51 minutos
- Cor
- Proporção
- 1.85 : 1
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