AVALIAÇÃO DA IMDb
6,2/10
8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA writer for a greeting card company discovers the struggles and tribulations of living alone after breaking up with his unfaithful girlfriend.A writer for a greeting card company discovers the struggles and tribulations of living alone after breaking up with his unfaithful girlfriend.A writer for a greeting card company discovers the struggles and tribulations of living alone after breaking up with his unfaithful girlfriend.
- Direção
- Roteiristas
- Artistas
Joyce Brothers
- Joyce Brothers
- (as Dr. Joyce Brothers)
Dan Hannafin
- Park Guard
- (as Daniel P. Hannafin)
Avaliações em destaque
The Lonely Guy is often quite funny but unfortunately sometimes dreadfully dull. Like Jim Abrahams and later Mel Brooks movies, this is classic Neil Simon where he throws rapid-fire jokes at you. Some hit and some miss, but you don't have to wait long for the next one. The scene where he dines alone in a fancy restaurant was one of the funniest. Somebody else seemed to think so, too, as it was copied almost verbatim for an Australian TV commercial two years later. Imitation must be the sincerest form of flattery.
As a New Yorker, I liked seeing the city in this movie. It's a somewhat dirtier but more variegated New York than in movies like "Ghost" or "When Harry Met Sally," which spent too much time in tony neighborhoods like Tribeca, the Village and Midtown.
Unfortunately, the definitive home video version does not exist and probably never will. The laserdisc is marred by a bad transfer and excessive, very objectionable video and audio noise. This may be the dreaded laser rot in action or just bad production. The DVD is beautiful, with a crisp transfer and no noticeable noise. But its 1.85:1 widescreen presentation is in the form of matting/masking the 1.33:1 Academy Frame, so instead of showing more picture, it actually shows less than the cassette and the laserdisc. The matting makes the "widescreen" frame feel distractingly cramped, with characters' heads continually butting up against the top. One joke in particular suffers badly: When Larry is laying on a bed talking to a woman, he's bare-chested in his fantasy to imply they're in bed together. But the widescreen version shows only his head, so the joke is weakened. Too bad a full-frame DVD will probably never be made as this is one of the few times when a full-frame presentation would have been preferable.
As a New Yorker, I liked seeing the city in this movie. It's a somewhat dirtier but more variegated New York than in movies like "Ghost" or "When Harry Met Sally," which spent too much time in tony neighborhoods like Tribeca, the Village and Midtown.
Unfortunately, the definitive home video version does not exist and probably never will. The laserdisc is marred by a bad transfer and excessive, very objectionable video and audio noise. This may be the dreaded laser rot in action or just bad production. The DVD is beautiful, with a crisp transfer and no noticeable noise. But its 1.85:1 widescreen presentation is in the form of matting/masking the 1.33:1 Academy Frame, so instead of showing more picture, it actually shows less than the cassette and the laserdisc. The matting makes the "widescreen" frame feel distractingly cramped, with characters' heads continually butting up against the top. One joke in particular suffers badly: When Larry is laying on a bed talking to a woman, he's bare-chested in his fantasy to imply they're in bed together. But the widescreen version shows only his head, so the joke is weakened. Too bad a full-frame DVD will probably never be made as this is one of the few times when a full-frame presentation would have been preferable.
Recently dumped by his girlfriend, struggling novelist and greeting card writer Steve Martin becomes one of New York City's Lonely Guys: unattached fellows who dine alone, sleep alone, take care of their ferns and occasionally jump off the Manhattan Bridge. Neil Simon's adaptation of Bruce Jay Friedman's book "The Lonely Guy's Book of Life", scripted by Stan Daniels and Ed. Weinberger, isn't full of great jokes, but does have enough of them to sustain enjoyment for about an hour. Once Martin becomes a success--writing a handbook for the Lonely Guys of the world--the picture has no place left to go and dies. Director Arthur Hiller probably didn't understand episodic comedy--his linking device between skits, conversations between Martin and lonesome cohort Charles Grodin, is occasionally more amusing and potentially more interesting than the main narrative--but Steve Martin is working at the peak of his charms and some of the gags have a low-key spark of genius. ** from ****
Larry (Steve Martin) comes home from his greeting card writing job to find his GF in bed with another man like only Steve Martin can. Once she spells it out for him that she no longer wants him he instantly joins the ranks of the lonely guys. How will he ever survive as a lonely guy? Warren (Charles Grodin), the monotone impassionate lonely guy veteran steps in to help Larry in this new stage of his life.
But Larry can't stay lonely forever can he? It's so sad, so depressing, so... so... so... lonely.
This movie isn't a laugh-a-minute but it always stays on the plus side of humor. It doesn't fall into somberness or seriousness and it doesn't go haywire either for cheap laughs. It's an enjoyable comedy about dealing with heartache, love, and the fear of the latter causing the former.
But Larry can't stay lonely forever can he? It's so sad, so depressing, so... so... so... lonely.
This movie isn't a laugh-a-minute but it always stays on the plus side of humor. It doesn't fall into somberness or seriousness and it doesn't go haywire either for cheap laughs. It's an enjoyable comedy about dealing with heartache, love, and the fear of the latter causing the former.
I'd call this a small masterpiece.
I usually watch just ten minutes of a movie, find it boring, then discard it. Or, I fast forward through great big sections of a film and get satisfaction from the leftover bits and pieces. With this one I never once reached for the fast forward button. It is charming, touching, lovely, hilarious and satisfying. One cares deeply for the characters played by Martin and Grodin and wants happiness to come their way.
The sadness never overwhelms because the lighthearted scenes make for a perfect balance.
You could go through a whole row at Blockbuster and not find a gem like this one. If you have even just a touch of a tender heart, by all means rent this one.
I usually watch just ten minutes of a movie, find it boring, then discard it. Or, I fast forward through great big sections of a film and get satisfaction from the leftover bits and pieces. With this one I never once reached for the fast forward button. It is charming, touching, lovely, hilarious and satisfying. One cares deeply for the characters played by Martin and Grodin and wants happiness to come their way.
The sadness never overwhelms because the lighthearted scenes make for a perfect balance.
You could go through a whole row at Blockbuster and not find a gem like this one. If you have even just a touch of a tender heart, by all means rent this one.
The Lonely Guy (1984)
Director: Arthur Hiller
Watched: 12/26/19
Rating: 3/5
"I don't like to take naps. I don't like to wake up more than once a day. 'Cause when I first wake up I get that shock of who I am and everything. I... I really don't like to do that more than once a day."
A favorite quote, which shows how this film managed to be funny although it did at times go maybe too far in minimizing or making light of suicide (other examples include the nonchalant freak show of falling bodies on the Manhattan Bridge, suicides reported casually on the radio after the weather announcements). But this is a black comedy after all and Steve Martin makes up for this with his hilarious shenanigans. Favorite shticks included: spotlight activated for a single diner; psychiatrist via apartment call box; automated chess machine friend; ferns as friends; fake sweat for possible running meet-cute; party cutouts from "The Lonely Guy Store"; renting a guy to talk to your girlfriend or wife so she won't wait for you alone in a bar; donating blood in order to lay in bed with a woman; and man on foot "pulled over" by a police officer who then"escorts" him on foot, all along regular traffic on the move!
Steve Martin is certainly in his element and is slowed down only by the subpar writing. Which makes sense as to why he usually writes and directs the films he stars in. I have no doubt that "The Lonely Guy" would have been much better received if this were the case. The first 45 minutes of this film were outstanding- Hubbard is a newly minted Lonely Guy, does his best to cope and find a new girl, and his antics keep us engaged and laughing. But the story quickly runs out of steam after he gets inexplicably hooked on Iris and the writing loses its wittiness.
Cameos by Merv Griffin and Doctor Joyce Brothers were a nice touch but not quite enough to save the latter half of the film.
#cameo #comedy #dog #loneliness #NewYork #meta #narration #onaboat #pagetoscreen #publishingindustry #romanticcomedy #rooftopscene #subway #suicide #wedding
"I don't like to take naps. I don't like to wake up more than once a day. 'Cause when I first wake up I get that shock of who I am and everything. I... I really don't like to do that more than once a day."
A favorite quote, which shows how this film managed to be funny although it did at times go maybe too far in minimizing or making light of suicide (other examples include the nonchalant freak show of falling bodies on the Manhattan Bridge, suicides reported casually on the radio after the weather announcements). But this is a black comedy after all and Steve Martin makes up for this with his hilarious shenanigans. Favorite shticks included: spotlight activated for a single diner; psychiatrist via apartment call box; automated chess machine friend; ferns as friends; fake sweat for possible running meet-cute; party cutouts from "The Lonely Guy Store"; renting a guy to talk to your girlfriend or wife so she won't wait for you alone in a bar; donating blood in order to lay in bed with a woman; and man on foot "pulled over" by a police officer who then"escorts" him on foot, all along regular traffic on the move!
Steve Martin is certainly in his element and is slowed down only by the subpar writing. Which makes sense as to why he usually writes and directs the films he stars in. I have no doubt that "The Lonely Guy" would have been much better received if this were the case. The first 45 minutes of this film were outstanding- Hubbard is a newly minted Lonely Guy, does his best to cope and find a new girl, and his antics keep us engaged and laughing. But the story quickly runs out of steam after he gets inexplicably hooked on Iris and the writing loses its wittiness.
Cameos by Merv Griffin and Doctor Joyce Brothers were a nice touch but not quite enough to save the latter half of the film.
#cameo #comedy #dog #loneliness #NewYork #meta #narration #onaboat #pagetoscreen #publishingindustry #romanticcomedy #rooftopscene #subway #suicide #wedding
Você sabia?
- CuriosidadesSteve Martin claims that he and Charles Grodin improvised 30% of their dialogue.
- Erros de gravaçãoThe mechanical chess game moves its rook and says, "Queen Rook to Queen Seven," taking Warren's queen, then says "Checkmate." The space it moves the rook to is King 7, not Queen 7. It is also not checkmate because there is no piece guarding the rook. Warren could have taken the rook with his king.
- Citações
Warren Evans: I don't like to take naps. I don't like to wake up more than once a day. 'Cause when I first wake up I get that shock of who I am and everything. I... I really don't like to do that more than once a day.
Larry Hubbard: Ya.
- ConexõesFeatured in At the Movies: Special Show: At the Cassette Store, Part 3 (1986)
- Trilhas sonorasLove Comes Without Warning
Performed by America
Music by Jerry Goldsmith
Lyrics by John Bettis
Produced by Matt McCauley
Courtesy of Capitol Records
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- How long is The Lonely Guy?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 5.718.573
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.072.130
- 29 de jan. de 1984
- Faturamento bruto mundial
- US$ 5.718.573
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