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I was really interested in seeing this movie, because I like film noir and I like Steve Martin. And you know what, this is a very clever and affectionate homage. My complaints are that the story is disappointingly convoluted so it is sometimes very hard to keep up with what is going on and one or two of the jokes don't quite work. But overall it is very funny, and seems to have held up well over the years. The script is clever and sophisticated enough, and Carl Reiner directs with precision and acts his part of Field Marshall VonKluck very well. The cinematography is smooth and crisp, and I thought the performances were excellent. Steve Martin is great here, not only do I think Dead Men Don't Wear Plaid is underrated but this is one of his roles where Martin deserves a lot more credit. Rachel Ward looks lovely as Juliet Forrest and is terrific acting wise. The real joy is watching the archive footage of all those wonderful actors and actresses in those timeless masterpieces. Spotting stars such as Humphrey Bogart, Cary Grant, Bette Davis, Ray Milland, Vincent Price and Ingrid Bergman all but to name a few was a delight in itself. Also the finale while silly is great fun. All in all, Dead Men Don't Wear Plaid is well worth the look. 8/10 Bethany Cox

Rigby Reardon, private eye, runs the gauntlet of hoods, femmes fatales and crazed Nazis as he investigates the death of beautiful Juliet Forrest's father. Who are the mysterious "Friends of Carlotta"? And why does Rigby keep dressing in women's clothes? And where did Juliet learn to do that trick with her lips? This celebration of the black and white movies of the 1940's and 50's is a very clever and very amusing film. Extracts from celluloid classics are skilfully spliced into the action (check out the architectural detail on the doorframe in the Alan Ladd sequence). The film is a vehicle for Martin's comic talent and he carries it off beautifully. Rachel Ward as Juliet is terrific: she can hold her own with the screen goddesses who so liberally populate the film (Bergman, Davis, Turner and Crawford all make inserted appearances). A project like this could easily have come a cropper, but thanks to the brisk direction of Carl Reiner (who has a great cameo) and Steve Martin's ability to dominate the screen, the movie is a resounding success. It's also very funny.

The b&w flick's a "can't miss" for fans of 40's noir and crime. It's like a big re-union for the gritty stars of that memorable time, from Bogart to Stanwyck to Ladd, the list goes on. (Be sure to check either the epilogue or IMDB for a full list, as they make their appearances in unpredictable fashion). Martin's quite humorous as the story-connecting detective trying to solve the narrative's bloated mystery, along with the delectable Ward as his suspicious foil. But who really cares about the main story since it's just a long thread to let the classic celebrities tie into. Inserting those many old film excerpts into the new scenes with Martin must have been an editor's and set designers' field day or nightmare. Still and all, they do blend well. Anyhow, it's a heckuva chance to see those greats of old together in one flick, even if only briefly. So here's my big salute to the great, underrated Fred MacMurray. Now if his Walter Neff can just resist Stanwyck's rolling up her hosiery, he might re-earn bossman Keyes' respect. Good luck, Mr. Double Indemnity.

I had to watch this a second time to appreciate it. The story is not the most impressive; but the concept is. Steve Martin plays a detective in a parody of classic film noir. The movie features actual scenes cut from several films and blended with precision. These skillful splices feature some of the great names from old time Hollywood. Names like Cagney, Douglas, Davis, Crawford and Bergman.

Martin really shows his talent and ability to make a scene imitate reality. His comedic wit is sharp as a switchblade. His co-star is Rachel Ward, who can vamp or play coy with the best of them. Along with directing, Carl Reiner has a cameo part.

Swift directing, with superb lighting and shading made this black and white crime comedy shine.

Carl Reiner, the multi-talented director of this film, is the only one that could have pulled it off. Working with George Gipe, and Steve Martin in the screen play that serves as the basis of the movie, Mr. Reiner has done the impossible with "Dead Men Don't Wear Plaid".

Of course, this film is blessed with the magnificent editing by Bud Malin, who meshed the present images against those film noir masterpieces we see, blending the characters of this movie with the stars of the past, in what seems to be a seamless product. It also helps that Miklos Rozsa was the man composing the music, as everything shows a cohesiveness that is hard to distinguished in what was shot in 1982 and the old movies.

This spoof to the film noir genre is a pure delight. The main character, Rigby Reardon is the P.I. from hell, but thanks to the creators of this movie, he is perfect as the man at the center of the action.

Not being a Steve Martin fan, one has to recognize that when this actor is inspired, he can do excellent work. It would appear that with a director like Carl Reiner, he would have gone off the top, but instead, Mr. Martin gives a good reading of Rigby. Rachel Ward, as the typical woman of those films, is charming. Reni Santoni, Georege Gaynes and the rest of the supporting cast do wonders under Carl Reiner's orders.

The film brought back memories of those timeless masterpieces of the past and the stars that shone in them. We get to see Humphrey Bogart, Ava Gardner, Ingrid Bergman, Vincent Price, Alan Ladd, Veronica Lake, Barbara Stanwyck, Fred McMurray, Edward G. Robinson, and the others at the height of their fame playing against the present cast and making the viewer happy watching all the antics which Mr. Reiner and his team have created for our amusement.

This is a funny look at the old movies!