Os Anos Verdes

This is one of the few films I've seen in which every shot represents the theme and overall feeling of the film. No matter whether Minnelli's Pookie and Burton's Jerry are together as a couple, in a crowd, or completely alone, a sense of loneliness pervades the situation. To achieve this Pakula uses several long shots of the characters, or, during the party scene, he has Pookie and Jerry on separate levels of the staircase, staring up or down at each other from a distance. From the very first shot we see this, with Pookie and her father walking to a bench and then sitting there waiting, in an extremely long take that spans the entire opening credits. In representing the awkwardness of a first sexual experience, another extremely long take is used, in which Jerry disrobes Pookie, take off each piece of clothing one by one, hanging them up in the closet or folding them properly, then doing the same for himself, and within this the loneliness is established in Pookie's great enthusiasm to "get in the sack" and Jerry's calculated attempts at making the experience romantic, which are completely unromantic. Even McIntire's small role as Charlie plays an important part in the representation of the loneliness, as he assumes that Jerry is a virgin, like he is, thinking he confide this is in Jerry because they have it in common, which they don't. Minnelli's acting in this excellent, probably on the same par as her role in Bob Fosse's "Cabaret." This is also one of the few films I have actually not just felt sad about, but actually did cry at. I believe this is a very well-made film, and it deserves a higher rating than it has on here. The subjects it deals with are not trivial in the least, they are an important part of life, and the ending is perfect in proving this. It is very realistic in the psychological portrayal of its characters, which is a very difficult thing to pull off. I have not read the book, but I am sure the characters are established just as well in this film adaptation. Although it is a sad film to watch, Pakula hooks us right away with Pookie's outrageous personality, and although, like Jerry, we feel she is annoying person, even if she is friendly, we cannot stop listening to her and watching her, and when she is not in a scene we feel something is lacking. So, rather quickly, we begin to enjoy her character and what it brings to the film, just as Jerry begins to enjoy her company and she helps him learn to enjoy his life and be more outgoing, even though, in the end, this works against Pookie. I feel this film has been highly overlooked, and I definitely recommend it, even with the sad ending it brings. By the end of the film I had fallen in love with Pookie, and this is what makes it such a strong film.

I saw it in 1992 (well past puppy love age) and wrote in my diary:

A heavenly movie! What a visual and aural delight! The plot didn't matter much (love of shy college boy and girl). But then, no good movie puts plot above everything else. Good movies have great atmospheres. They are pleasing to the eye, as well as the ear. This one was blissfully free from cliches, melodrama, formulas, phony excitement. It was pure warmth, charm, prettiness, spontaneity. There were almost no close-ups. The scenery was breathtaking, the pacing calm and gentle. There were whispers! Whispering is so charming, so intimate. Liza Minelli was never better. This film gave me a great boost, making me feel connected with fellow humans.

College can be lonely, or it can be fun. Fitting in is always a must even though you don't want to. In "The Sterile Cuckoo", it all points out to that. Taking place in Upstate New York, it makes a very great Fall setting there. Here you have Jerry(Wendell Burton), a shy college man who happens to meet Mary Ann "Pookie" Adams(Liza Minelli) who happens to be socially inept. She doesn't fit in with anyone around her, she calls them "Wierdos". She too is smart, but she only wants to be around Jerry, instead. They happen to have a good time where ever they go, even going to a graveyard where she really acts up. The hotel scene is really classic. The request she gave out was very unusual. "Peel the Tomato" seems to be a new one on me. The strip scene was short but nice to watch. No insecurity about that! But in life, we need to leave our comfort zone behind sometimes, because not meeting new people can create problems. But that's anybody's guess. This movie is a real gem, and I enjoyed it very much. 5 stars!

For years, I put off watching this film, and when I finally did turn it on, the title and everything I'd read about it led me to think that I was going to be seeing a classic late sixties type comedy on the general level of THE TIGER MAKES OUT, THE HEARTBREAK KID and GOODBYE COLUMBUS. Instead, I was treated to a moving, somber, slow paced but intriguing story of two very ordinary and very real people. There are few genuine laughs, but even fewer false notes in this obscure little gem that probably would have been totally forgotten, if not for Liza Minelli.

In recent years, Liza's talents seem to have gotten all but lost in all the hype and scandal around her. People remember that she's her mother's daughter, they remember that she was in rehab, they remember her reputation for marrying gay men and beating them up, and they remember cartoon like portrayals of her in places like the recent Broadway show, THE BOY FROM OZ. What they don't remember is that, besides being a great singer, Liza is truly a sensational actress.

Film work is far more eternal than any other kind, in entertainment, especially these days when everything is on video, and there are hundreds of premium movie stations available. But while Judy Garland might have done more movies before she was twenty than her daughter did, in her entire life up to this point, I'm not sure if Judy ever gave a performance that was as real, as sensitive and as genuine as Liza's performance here.

If you ever think that Liza's success was due to her mother, remember that Judy had two other children who tried, but didn't quite succeed in the forever fickle entertainment industry. Then watch this film, that a relatively inexperienced Liza did when she was in her early twenties, and ask yourself if she deserves her success.

Liza Minnelli...That name conjures up so many images: Her mother, Judy, elegance, beauty, humor, and sometimes pain. Well, she sheds all of them except the last 2. In this role as the odd Pookie Adams, a girl who is afraid of "weirdos" but who in a sense really is, Liza Minnelli has to pull together a wonderful (Academy Award Nominating) part that will tug at your heart and look at the world through HER eyes. Pookie meets Jerry Payne (Wendell Burton) and goes through a couple of sly tricks to make sure that he never forgets her. Jerry falls in love with this strange but lovable girl. That is until her fear of him leaving makes her over-protective and a little pushy. It begins to drive him away. But what movie on teenage lovers is really convincing? Well, these two sure are convincing. Sometimes you just want to strangle Pookie and other times you just want to jump into the screen and hold her close and say "It's gonna be all right". I rated this a 7 because there was something missing and I felt it. But otherwise, Liza Minnelli fans, this is way worth it!