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6,1/10
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Adicionar um enredo no seu idiomaThe story of three wildly neurotic characters: A facially disfigured girl, a homosexual paraplegic and an introvert epileptic who, after leaving the hospital, set up housekeeping together in... Ler tudoThe story of three wildly neurotic characters: A facially disfigured girl, a homosexual paraplegic and an introvert epileptic who, after leaving the hospital, set up housekeeping together in a cottage where they support each other.The story of three wildly neurotic characters: A facially disfigured girl, a homosexual paraplegic and an introvert epileptic who, after leaving the hospital, set up housekeeping together in a cottage where they support each other.
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- 1 vitória e 2 indicações no total
Avaliações em destaque
I never got to see the end and have been looking for this movie ever since. I am a BIG Liza fan. How can I let Paramount know that I would buy this if available on video? I recall it as sad and funny, with very quirky characters.
Junie Moon is an interesting friendship movie. Great unusual characters that band together and help each other. Junie becomes terribly disfigured from a mean man. She finds herself relying on other people with there own special problems. The characters will grow on you. Good acting, directing, and decent sets. It has been years since I saw it at the theater. I still have never forgot it because of the types of people and how they dealt with their personal problems. I would definitely buy it if it was available on DVD. Not appropriate for young children. Some adult situations. To bad it isn't out on video of any kind. Until it is check out "The Station Manager", another great unusual friendship movie.
Three hurting people -- facially disfigured Liza Minnelli, paraplegic Robert Moore, and epileptic Ken Howard in his movie debut -- set up housekeeping.
Otto Preminger's well-meaning movie suffers from the same problems that afflicted his other late movies: a bit bloated, a bit clumsily edited (Kay Thompson shows up early, has an interesting couple of scenes, then disappears; Pete Seeger intermittently wanders around redwood trees singing "Old Devil Time"). Like D. W. Griffith and Cecil B. Demille before him, Preminger was not about to make small, intimate pictures -- not that he seemed to have any taste for those -- and that appears to be what Marjorie Kellogg's source novel called for. Instead, the audience is confronted with perfectly executed sequences that offer a cold, impatient and dispirited view of these three.
Otto Preminger's well-meaning movie suffers from the same problems that afflicted his other late movies: a bit bloated, a bit clumsily edited (Kay Thompson shows up early, has an interesting couple of scenes, then disappears; Pete Seeger intermittently wanders around redwood trees singing "Old Devil Time"). Like D. W. Griffith and Cecil B. Demille before him, Preminger was not about to make small, intimate pictures -- not that he seemed to have any taste for those -- and that appears to be what Marjorie Kellogg's source novel called for. Instead, the audience is confronted with perfectly executed sequences that offer a cold, impatient and dispirited view of these three.
This offbeat drama uses quirkiness to offset the horrifically depressing storyline. If the audience couldn't chuckle every once in a while, they might leave the theater or turn the movie off. In Tell Me That You Love Me, Junie Moon, three misfits rent a house together and try to get a fresh start in life. While they all have outer handicaps, their insides are even more vulnerable and need nurturing the most. Liza Minnelli used to be a confident party girl, but a one-night stand went terribly wrong and the man threw battery acid on her face. Ken Howard has debilitating epileptic fits, and Robert Moore is in a wheelchair. They all meet while recovering in the hospital, and decide that, since they probably can't make it on their own, they'll keep house together. Can anything be more depressing?
Actually, yes. As the movie continues, you'll see just how much of a downer it can be. Trust me, folks. This is a very sad movie. If you just think it's another Liza Minnelli kooky character who will end up singing "Cabaret" to wild applause, think again. It was very tough to award the Best Actress trophy to someone else that year at the Hot Toasty Rag awards, as Liza couldn't have been any better in this movie. But before you start writing angry letters to the members of the board, rent Sunflower first to see why Sophia Loren won.
Kiddy Warning: Obviously, you have control over your own children. However, due to violence, I wouldn't let my kids watch it. In fact, if you want to fast forward the battery acid scene, it might be a good idea for the adults, too.
Actually, yes. As the movie continues, you'll see just how much of a downer it can be. Trust me, folks. This is a very sad movie. If you just think it's another Liza Minnelli kooky character who will end up singing "Cabaret" to wild applause, think again. It was very tough to award the Best Actress trophy to someone else that year at the Hot Toasty Rag awards, as Liza couldn't have been any better in this movie. But before you start writing angry letters to the members of the board, rent Sunflower first to see why Sophia Loren won.
Kiddy Warning: Obviously, you have control over your own children. However, due to violence, I wouldn't let my kids watch it. In fact, if you want to fast forward the battery acid scene, it might be a good idea for the adults, too.
Three patients live together after leaving the hospital. Junie Moon (Liza Minnelli) is disfigured after her date burns her with acid. Arthur (Ken Howard) is epileptic. Warren (Robert Moore) is a gay paraplegic.
Arthur's dream/flashback sequence is too weird to be intercut with the real world. His epileptic fits look a bit fake. I don't know what he has. I get that director Otto Preminger is trying put the audience into Arthur's shoes but it could be done better. The movie meanders around and has some questionable scenes. The climax has real problems. Despite all that, I like the actors, the characters, and their friendships. To me, that's half the battle. It's a more enjoyable experience if the characters are enjoyable.
Arthur's dream/flashback sequence is too weird to be intercut with the real world. His epileptic fits look a bit fake. I don't know what he has. I get that director Otto Preminger is trying put the audience into Arthur's shoes but it could be done better. The movie meanders around and has some questionable scenes. The climax has real problems. Despite all that, I like the actors, the characters, and their friendships. To me, that's half the battle. It's a more enjoyable experience if the characters are enjoyable.
Você sabia?
- CuriosidadesWhen shooting wrapped, Liza Minnelli declared publicly (and in tears) that she would never again work with the "tyrannical" director Otto Preminger. When she was working on the film, her mother, Judy Garland, had died and Liza Minnelli suffered a period of mourning. Most critics cited this reason as the source of her highly emotional performance in the film.
- Erros de gravaçãoWhen the trio sets out for their shore vacation in Mario's truck, Junie cannot keep her hat on because the windshield of the vehicle has been obviously removed for filming.
- Cenas durante ou pós-créditosThe opening and closing credits roll over folk singer Pete Seeger walking through the woods with his guitar and singing the film's theme song, "Old Devil Time".
- ConexõesFeatured in Preminger: Anatomy of a Filmmaker (1991)
- Trilhas sonorasOld Devil Time
Written and Performed by Pete Seeger
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Tell Me That You Love Me, Junie Moon
- Locações de filme
- Fort Myers Beach, Flórida, EUA(exterior scenes)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 393.483
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