O Braço Esquerdo da Lei

I have mixed feelings about Peter Sellers. I usually like the comedies in which he's part of a good ensemble, but really don't like much ofThe Pink Panther series. This is the former and probably the funniest of the bunch. Sellers leads a double life--a cultured retailer of ladies' fashion, and the head of a local gang (with appropriate accents for each). A new gang of Aussie's enter the scene, dressed as policemen, which enables them to steal from the stealers, and Sellers is furious that someone is leaking info to these outsiders (we learn very early who that is.).

He calls a gang meeting, in which they chat and watch 'instructional videos to become better crooks (their favorite is the film Rififi). Other local gangs are hit, so there is a group gang meeting (these meetings are hilarious, all very proper, there's even a booklet outlining 'gang laws') in which they decide to actually tell the police that there are phoney cops about - enter Lionel Jefferies. Jefferies is terrific as the bobby who's always passed over, and he sees his big chance to make a splash by joining forces with Sellers.

They do clash over gang-staffing (when Sellers wants to add a German to the gang, Jefferies bemoans the fact that it would look so much better if they used only 'local lads'). A big robbery is carefully worked out, and of course, nothing goes as planned as even the gang they're after has problems, but Sellers has an idea that he'll leave his gang buddies behind and keep all the cash in the heist for himself and his new partner-in-crime - does Jefferies want in on this? A funny, satisfying ending ties it all up neatly. Along with Sellers and Jeffries, Bernard Cribbins and Dennis Price are standout 'gang members'; the film is satirical, wacky, and just plain funny all the way through..a must for fans of British comedy.

This film is full of many wonderful characters from the mainstream 50's British cinematic comedy era. The film centres on the criminal gangs of London being double crossed in their criminal activities by a bunch of foreign criminal gang members who impersonate Metropolitan Police Officers.

They turn up at the scene of the crime and then disappear with the stolen goods leaving the criminals in limbo waiting to be arrested by the real police.

Arthur Mullard, Peter Sellers, Lionel Jeffries, Bernard Cribbens and many more make this a gem of a title to watch. Some of the film was produced around Teddington, South West London, the scene of the mass arrest at the railroad level crossing was filmed in a Teddington street called Fairfax Road.

The crossing was taken out of use many years ago but the building on which Peter Sellers and his cohorts sat observing the proceedings is still in place adjacent to the point where the crossing was.

The area where the Jaguar car driven by Mullard screams over the bridge is the railway road bridge at Strawberry Hill (not far from Teddington).

I humbly give this film 9 out of 10, but then maybe I'm biased as I just love old British comedies such as this. Produced by Romulus Films and distributed by British Lion Films, what could be better?

Peter Sellers comedies from before 1964 often come off to me as dingy, dated, and a bit twee. So "The Wrong Arm Of The Law" surprised me. I wasn't expecting to enjoy it as easily as I did.

The movie's title comes from a predicament mob boss Pearly Gates (Sellers) calls the "oldest bleeding con in the business": Dress up like coppers, catch other criminals in the act, steal their loot, and get away. After being stung eight times, Gates' own gang call on the real law for help.

It's easy to confuse this with "Two-Way Stretch", another caper comedy Sellers made three years before, with both Bernard Cribbins and Lionel Jeffries in key support roles. "Two-Way Stretch" is amusing but stale; this holds up both as a story and large-scale character piece.

By day, Gates sells high-end women's clothing with the help of a fake French accent, using his knowledge of the well-to-do to mastermind burglaries. Cribbins is a rival crime boss so non-threatening he shows off his family photos; Jeffries is inept police inspector "Nosey Parker", who suspects a buy-off attempt when Gates first appears in his office.

"I'm not trying to bribe you, mate," Gates replies. "I don't carry loose change."

Also on hand to bring considerably sex appeal is cat-eyed, slinky Nanette Newman, Pearly's girl. Watching her make out with Sellers' stomach in one scene is pretty erotic stuff; she is also cleverly integrated into the rest of the story.

Director Cliff Owen did mostly British TV work. He shows himself here an accomplished cinematic stylist. An opening credit sequence recalls "Catch Me If You Can". The ending is remarkably satisfying; all the story elements come together with surprising grace. You wish Sellers' later, bigger-budget comedies were as well crafted.

One caveat: There are no big laughs in "Wrong Arm", just many small ones and amusing asides that keep coming. There's a gentleness reminiscent of an Ealing comedy. When the different gangs discover they're all being had by the same outside interest, they call a meeting where parliamentary rules of order are carefully observed. A pickpocket demands to be heard as the "voice of the small man".

Jeffries is the best thing in the film. You know he's a wally, but you like him anyway, and feel a bit when he makes a mess of things with his superiors. "Why do they always pick on me?" he whines, not at all like the hard-case he played in "Two-Way Stretch". Sellers is very good as well, sliding effortlessly between his London and French accents.

People who generally avoid Sellers films before "Strangelove" are well advised to make at least this one exception. "Wrong Arm" is a smooth treat that still stands up well, right up there with "The Ladykillers" and "I'm All Right, Jack" in quality and lighter than either.

The Wrong Arm of the Law:A charming evocation of a kind of reassuring never-neverland, populated by loveable rogues and dimwitted but honest cops. Of course the crime underworld was never like this, but when the horrors of the modern world seem to crowd in on me, this is just the kind of amusing escapist whimsy I love to take solace in.

"The Wrong Arm of the Law" is a sort of comic British take on the famous German crime film, "M". In that Fritz Lang classic, the criminals and the police are both out to stop a murderer whose activities are making things difficult for both of them. However, where "M" was a serious crime thriller, "The Wrong Arm of the Law" is pure comedy.

And what a comedy it is, with a clever script and a first-rate cast, headed up by the superlative Peter Sellers. Known for the astounding range of the characters he could play, in this film Sellers slips effortlessly between portraying effete French couturier Charles Jules and cockney crime-boss "Pearly" Gates. In fact, Sellars slips between the two characters so effortlessly that it is easy to take for granted just how brilliant an actor he actually was. Sellers is an absolute treat to watch, and his performance should be required viewing by all aspiring actors as a lesson in how it should be done.