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There's not a false move in this charming British comedy featuring Peter Sellers in multiple disguises, and Terry-Thomas in top form.

The script concerns a muckraker who's blackmailing several citizens by threatening to expose their dirty secrets in a new tabloid (which he assembles in a tacky houseboat on the Thames). Some of his victims decide to fight back, with humorous results, ending with a wacky scheme that ends with multiple twists.

The casting is perfect, including Peggy Mount, Kenneth Griffith, and a very young Joan Sims. And Michael Pertwee's script is ingenious and full of good lines. THE NAKED TRUTH (a/k/a YOUR PAST IS SHOWING) is a great example of the kind of film comedies that British studios were capable of turning out (seemingly effortlessly) in the 40s and 50s.

I'm a big Sellers fan and couldn't believe I'd never heard of this film (made shortly after SMALLEST SHOW ON EARTH). Track this one down and enjoy a fun evening with some real characters.

A genuinely funny British farce dealing with blackmail and murder and splendidly played by a great cast of British comic actors, (Terry-Thomas, Peter Sellers, Peggy Mount, Joan Sims and Dennis Price). Price is the blackmailer and Sellers, Terry-Thomas and Mount, together with model Shirley Eaton, (long before someone thought of painting her gold), are his victims who plan to murder him but, as with any good farce, things don't go quite according to plan. The underrated Mario Zampi directed from an original and highly ingenious script by Michael Pertwee. Perhaps you need a very British sense of humour to really appreciate this but if you are blessed with such a thing, it's a real treat.

Apparently released both as "The Naked Truth" and "Your Past Is Showing" (the name on the title card and title I remember in the U.S. run), this bustling little comedy about tabloid blackmailer is still jolly good fun going on 50 years later. Credit an amusing script and some fine casting that captures a gaggle of top-flight '50s British comedy talent in top form. Terry-Thomas and a young Peter Sellers (filmed here just before he gained fame with "The Mouse That Roared") are at the pinnacle of their Brit-comedy game and are ably abetted by the redoubtable Peggy Mount, luscious Shirley Eaton (a few years before her turn as the "golden girl" in "Goldfinger"), a caddish Dennis Price (as the oily blackmailer) and assorted classic British comedy stars, a number of whom seem to have had recurring bits in the "Carry On" series. The humor here is not as low and juicy as the "Carry On"s or as high and dry as the classic Ealing Studio Ealing comedies of the period - a pleasing mix. By contemporary standards, the film is a little slow - especially the set-up through the opening reels - but it all pays off very nicely with an avalanche of chuckles and a few great belly laughs. Keep a close eye on Sellers: although he plays a single character (a cheesy TV variety show emcee), he dons multiple disguises through the film, warming up for future roles in "Mouse" and "Dr. Strangelove" (where he played three parts in each) and those later "Pink Panther" comedies.

There are few films (these days) that make you laugh out loud and laugh hilariously. This film is one of them. "Pay my blackmail or I publish in a month" is the magazine publisher's standard line. The characters who react to this blackmail are varied, amusing and unique.We need this film to be available on video.

A particularly impressive and downright screwball Ealing farce. Not sure if it was made in Ealing, but it seems like it. It's such a shame that with the advent of "Kitchen Sink" gritty realism, beginning in the late '50s, Britain just seemed to stop making movies that were charming and fun. Our flair for droll comedy dried up in the '60s and give or take Mike Leigh's work, "Orphans" or "Withnail & I", hasn't returned. The characters are so well defined, with master character actor Peter Sellers again showing his virtuoso talents for adopting various persona. Terry-Thomas and the smooth Dennis Price are brilliantly assured with the material, but Sellers does steal the show, portraying a cynical yet whimsical celebrity perfectly. I love the bit where he does the Irish accent, and cliched talk and the Irishmen react with bemusement. This is only the second film I've seen with Sellers (Dr Strangelove being the illustrious other), but it seems few can match his acting range and comic touch. It would seem that "The Naked Truth" has been, to some extent, forgotten. A state of affairs as farcical as the film. Rating:- **** (out of *****)