Too Many Crooks

A wonderful British caper comedy from 1959, this film, along with School for Scoundrels (made the same year), probably stands as the most perfect vehicle for the caddish comic talent of Terry-Thomas. He plays wide boy entrepreneur Billy Gordon, who is targeted by the incompetent Fingers, or 'Mr X' (George Cole) and his criminal gang. When robbing the safe at Gordon's office proves unsuccessful, Fingers instead decides to kidnap Gordon's daughter, but things don't go according to plan... Too Many Crooks is a hilarious film, stylishly directed by Mario Zampi and featuring a wonderful script from Michael Pertwee. But it is the performances that really make it work, none more so than Terry-Thomas, who is a full-on tornado of one-liners, indignant snorts, impatient outbursts, and caddish cackles. Cole is also brilliant as a sort of proto-Arthur Daley, a bumbling no-mark with a taste for the lifestyle of a criminal mastermind, but almost no idea how to make it a reality. Further down the cast list, Bernard Bresslaw is memorably gormless as ex-wrestler Snowdrop (I love his Spike Milligan-style line 'I never heard of anything more precious than money. Except dollars.'), whilst Sidney James (a year away from achieving leading-man status with his first Carry On film) is as good as always as the frustrated professional crook fed up with Cole's fiascos; as is usual with James, his character is of course called Sid. The stunning Vera Day (who also appeared with Sidney James in the classic thriller Hell Drivers and Hammer's movie adaptation of the TV serial Quatermass II) plays Fingers' moll (or his 'nice little bit of X-certificate'), whilst such familiar faces as John Le Mesurier, Sidney Tafler, and Terry Scott have very funny cameos. About the only performance that doesn't quite work is that of Brenda De Banzie as Gordon's wife; a actress more noted for her dramatic turns in films like Hobson's Choice and The Entertainer, De Banzie does a good job as the meek housewife in the early scenes, but quite fails to convince as the re-invented crime boss and glamour puss later on; she plays these later scenes totally straight, and oddly, the script doesn't give her a single funny line. My favourite scene in the film has to be the one in which Fingers and Sid go to Gordon's office in the guise of police officers, which includes Cole's truly insane comic line 'A nod's as good as a wink to a blind horse. That's an old Latin quotation and it means 'is this your old woman's nightie?'', as well as Gordon's incandescent rage when the real police subsequently turn up and Gordon accuses the entire force of trying to blackmail him. The film is full of such wonderful episodes (the first attempted robbery and Gordon's appearance in court are also stand-outs), and it is a great reminder of a time when Britain used to make better comedy movies than any other country in the world.

The look and feel - and the influence, no doubt - at the start of this crime-caper could easily have Bogart and Cagney concocting a devious plan, such is the lighting and sinister mood of this film, part of the Terry-Thomas Collection.

However, as soon as the Cor-Blimey's emanate from these London cockney's the illusion is shattered and we feel reassured that this is going to be a who-who of British acting talent, mostly being really rather funny, or stupid. The caper itself is a devilish affair, a sort of film-noir since Brenda de Banzie gets kidnapped but her millionaire wheeler-dealer hubby Terry Thomas refuses to pay up as he's glad to be rid of her!

She then sets out get her own back on him and steal the ransom for herself, by persuading the crooks holding her that they'll each receive a share. In some ways, the plot matters little; it's scenes such as the Courtroom, with the always great John Le Messieur as magistrate, totally unable to control his subjects and of course, Terry Thomas himself, who is the epitome of OTT, rather vulgar and haughty - and sneering, mustn't forget sneering - sort of braggart that we know him so well for.

Production values, from Italian director Mario Zampi are well up on any Carry On's and probably on-par with the best Ealings, but slicker, which oddly doesn't suit rough-and-tumble comedy that well. That said, a minor but enjoyable British comedy, which mainly remains wholly watchable through our fondness for its many so-familiar stars.

For any fans of British comedy films of the 50's/60's, this is one of the best. It has a calvacade of British comic character actors, who all turn in well-honed performances, with the icing on the cake provided by Terry-Thomas, at the top of his form. His rapid fire delivery, clever mugging and sheer enthusiasm in the lead role is a joy to behold. I can't think of any other actor who could have carried off this characterisation half as well. The whole film simply bristles with that unique joie-de-vivre that was inherent in the very best of the British comedies at that time. An undoubted treat for all comedy-loving film buffs.

A mix of future Carry-On regulars (Sid James, Bernard Bresslaw, a moment of Terry Scott) and greats of the Ealing scene (Terry-Thomas, George Cole, John Le Mesurier) get down to some serious fun in this typically good British comedy. Crime is always the best setting for Ealing comedy and this one features all the necessary bits ? Thomas' cad-about-town, Cole's bungling would-be criminal mastermind, James' surly crook, even a bit part for a young Nicholas Parsons as Thomas' daughter's suspicious taxman fiance. As usual, our cast get themselves caught up in some shenanigans trying to rob Thomas of his dodgy cash and get themselves sorted in the end through a mix of ingenuity and outrageous fortune, stopping to pile on the laughs at regular intervals. I loved it, but then I'd be quite happy just watching Terry-Thomas grinning for two hours. Fun.

I definitely do not agree that this film is a bit of a let down (as another commenter suggested).

Although this is considered to be a "B-movie", it possibly contains Bernard Bresslaw's finest ever performance. He is absolutely brilliant as Snowdrop. Another class act is John Le Mesurier as the judge when Billy Gordon (Terry-Thomas) goes to court. On top of that you've got Sid James being one of his best known characters (i.e. the down at heel crook he played in Hancock's Half Hour on radio and TV and in the film Father Brown), George Cole as an early Arthur Daley, but a bit more on the wrong side of the law than Arfur ever was, and a supporting cast containing the likes of Nicholas Parsons (a great B-movie actor, unfortunately now better known as a game show host), Brenda de Banzie,Vera Day and Joe Melia. The plot was later used to provide the basis for the American film Ruthless People. As usual, a British B-movie shows incredible attention to detail (the "Keep Death Off The Road" gag and the van they finally arrive at St Albans with Gordon's kidnapped wife spring to mind). The scene where Gordon's wife returns is worth watching the rest of the film for, even if you aren't too keen on it (although I personally think this is one of the best films ever made, so I know I'm biased!).