As Mulheres Ganham Sempre

On top of being a huge fan of classic film for goodness knows how long, my main reason for seeing 'Brief Moment' was Carole Lombard. A lovely and always well worth watching actress who died tragically, in one of the worst and most tragic ways to die, far too young with so much more to give. It is always interesting too to see older drama films, whether romantic or melodrama, and those dealing with society/class differences.

'Brief Moment' may not be my definition of a great film and some film-goers today may find a fair deal to criticise it. It however was a very pleasant film that kept me most of the time engaged and entertained, a nice way to pass the time. One of those films that does a lot right but one does wish there could have been more. Just be prepared that there is very little challenging here (which for some actually is a good thing) and one should not demand too much.

It is perhaps unexceptional from a story standpoint, it's pretty thin and sometimes it lacks momentum from moments of static direction and where it feels like a stage play that doesn't always properly open up.

Excepting Monroe Owsley, wringing every ounce of juice out of the most interesting supporting character in the film, the supporting cast are a little bland in fairly sketchy roles. It also feels far too short.

Visually on the other hand, 'Brief Moment' looks beautiful. The cinematography clearly loved Lombard, who looks absolutely radiant in the film, and it is very elegantly produced. "Say What You Mean..." is a lovely heartfelt song that does provide heart. While with little challenging and a little safe at times, the script has wit and class with thought-providing and well-meaning moments.

The story may not be exceptional, but it is amiable, engaging and at least clearly knew what it wanted to be and who to aim it at. Owsley is great fun, but it's the leads that 'Brief Moment' is worth seeing for. Especially Lombard, by far the best thing about the film, a very classy and sensitive performance and one cannot take their eyes off her. Gene Raymond is a likeable leading man and their chemistry makes one believe in their love.

Summing up, a very pleasant watch. 7/10 Bethany Cox

In the time-old tale of a rich boy falling for a poor girl, Gene Raymond falls for Carole Lombard in Brief Moment, much to his family's disappointment. He threatens to marry her, and they cut him off and out. They marry, but in a twist, his father still writes him checks on the side.

The meat of this story is the dissolution of the marriage. After the beginning, Gene's family practically disappears. Gene and Carole learn quickly that love doesn't conquer all. He drinks and gambles, and Carole's heart breaks with each ruined night. I've seen a lot of these types of movies, and this one isn't the best. It's rather stereotypical, boiling down a troubled marriage to a day at the races and too many martinis. But if you like the leads, you can rent it.

Brief Moment is a moralistic melodrama, starring Carole Lombard and Gene Raymond.

Instead of the bar singer, a gold-digger, who hunts down a millionaire to live in leisure and abundance for the rest of her life, we have a young, idealistic and passionate woman who intends, through marriage and love, devoted to her husband, to transform an alcoholic and idle playboy into a modest worker, proud to earn his living by his own means.

As a script it is weak and unconvincing. American moralism, which makes Lombard a guardian angel, hidden in the vicious night of the city, to save a young millionaire from himself, from bad companies and from the vices of abundance and a frivolous life.

A role reversal that would have pleased some audiences in the 1930s, but today, honestly, doesn't convince anyone.

A bearable film, just for the pleasure that it is, always, to see Carole Lombard fill the screen with her charm and elegant beauty.

So one cliché, the greedy gold digger, is subverted and replaced by another one, the spoiled heir redeemed through real hard work. This is a one-idea morality tale, and probably not a particularly original one at that. Yet Carole Lombard and Gene Raymond are very fine, dialogues are brisk and the tempo lively. Some of the supporting actors are also worth a mention - Arthur Hohl as the torch singer's caring boss, friend and wishful would-be husband, Herbert Evans who has a very funny scene as a butler with some useful experience of dealing with his master's hangovers - he looks and sounds like a twin brother of Edward Everett Horton of Lubitsch's fame. That's quite enough to make this simple-minded, unambitious story quite worth watching.

Visually, I would have to give this little number a solid 10.

Carol Lombard is at her exquisite best, and one could look at Gene Raymond for a long time without blinking. The cinematography (by Ted Tetzlaff) is absolutely wonderful, and the Columbia design studios provided visuals that are eminently worth recording.

The night club where Lombard preforms is decorated with life-size bronze deer, cast after a model dug up at Pompeii. When Carol/Abby is taken to meet her stuffy potential in-laws, the famous Lombard nipples are pointing directly at her fiancée's mother (covered of course by a little something whipped up by the great costumier Travis Banton).

There is a great scene where the newly-weds are standing at the rail of a big ocean liner, an iconic 30's image with Carol wearing a marvelous hat as only she can. The apartment that Gene/Rodney brings his wife home to is swellegant. (This is an actual 30s expression, as I found it in a catalogue of Warren McArthur furniture published c. 1934!)

Mind you, it's not a "great" film, but it is very entertaining visually--the quintessence of the early 1930s. The original play was by S.N. Berman, so it certainly has good bones.

And ANYTHING with Carol Lombard is well worth watching! Not only was she staggeringly beautiful, but her acting is exquisitely nuanced to well capture a broad range of emotions, whatever her role.