Dama por Vontade

May Robson and Carole Lombard are both excellent as something like mother and daughter in this fast moving and enjoyable comedy.

Robson is the likable but down-and-out hard drinker who winds up before judge Walter Connolly for starting a riot in a bar; it's her seventh or eighth time up on charges, and he finally sends her off to a home for old ladies.

Meanwhile, fan dancer Lombard is brought into the same courtroom for a morals code violation—actually a failed publicity stunt arranged by her agent.

Setting out to find some good publicity, Lombard hits on the idea of "adopting" a mother. Discovering Robson in the old ladies' home, Lombard takes her home, dresses her up, calls up some reporters, and has some pictures taken. The plan is to quickly pay off the old lady and get her to scram; however, the two women begin to get acquainted….

The rest of the plot is hardly surprising; Lombard sums it up nicely at one point: "I did it for a publicity gag. But she got under my skin."

Roger Pryor is fine as the lawyer who has an old family connection with Robson, and takes an interest in Lombard. Walter Connolly is excellent as usual as the judge—though he puts on many faces (stern, concerned, exasperated) he is of course at heart an old softie.

No huge surprises but quite satisfying overall; the plot and script are no great shakes but it's all made more than worthwhile by top efforts from Lombard and Robson.

Carole Lombard plays a Sally Rand type fan dancer and May Robson does her Apple Annie role again in Lady By Choice, a nice comedy from Columbia with overtones of Frank Capra in the making. At Columbia seeing Frank had come up with a winning formula, Harry Cohn was looking to copy it wherever he could. Who knows he might have put Capra's name on it for the foreign market like he did with If You Only Could Cook and Capra never found out.

In Lady By Choice, Lombard's press agent, Raymond Walburn, gets an idea for Mother's Day for Lombard to adopt a little old lady. So she goes to a senior citizens home and picks out May Robson, a gin guzzling old woman in the tradition of Apple Annie. Robson comes not only with her gin, but with a young attorney from a wealthy family, Roger Pryor who's been charged by his late father to serve as some kind of guardian angel for her when she gets tanked up and rowdy. Robson's in need of a lawyer especially when she's in court in front of Judge Walter Connolly.

It's not Lombard's greatest role, but she does well with it. May Robson is merely starting where she left off in her Academy Award nominated Lady For A Day that was directed by Frank Capra. The only weakness in the film is Roger Pryor who's a rather insipid type in a role that called for someone like Joel McCrea. A nice choice by TCM to run for Mother's Day.

Carole Lombard plays a fan dancer (working under the moniker "Alabam, the Human Heat Wave") who hooks up with a haggardly, dice rolling, beer guzzler named Patsy when she adopts her out of the "old ladies home" as her new mother, a publicity stunt for Mother's Day. Moving in with Alabam into her swanky apartment, the two women soon bond over shots of straight whiskey, Alabam buys the old lady a new wardrobe, then both try to reform the other of their bad ways. And yes indeed, there is a male love interest for Lombard, a character who fits somewhat loosely into this whole plot.

Interesting film, the first half better than the second, I thought, but I do like the interaction between Carole Lombard and May Robson who plays Patsy - they come across as pretty chummy, which works well for this story. Lombard appears in a number of gorgeous outfits here, everything from glamorous, fur-sleeved dress to satin rompers (how 'bout that ragged old hat with the dead bird hanging off it that Patsy wears in the beginning?!). Worth seeing.

May Robson plays a boozier and meaner version of Apple Annie from her prior film, LADY FOR A DAY (directed by Frank Capra), though it is essentially the same character with a different name. My assumption is that the studio head (Harry Cohn) just couldn't resist reprising the character since she went over so well the year before in the Capra film.

Robson's character, Patsy, has already been arrested seven times this year for being drunk and disorderly and by now the judge has had enough and forces her to go to an old folks home. However, Patsy isn't the type to retire and when she sees a chance to escape, she does. That's because publicity seeking fan dancer, Carole Lombard, decides to do a publicity stunt and adopt a sweet old lady (complete with the press and photographers on hand to get the story). However, while it originally was done on a lark, Lombard likes the idea of doing this for real and so she keeps Robson on hand to try and reform her and give her life purpose.

However, despite her intentions, it ends up that Patsy is Lombard's benefactress. After winning a lot of dough gambling, she pays to give Lombard singing, acting and dancing lessons. When this doesn't pay off, she sets her sights to helping Lombard get control of her life. But, when Lombard sets out to snag a rich lawyer just because he was rich, Robson and Lombard have a falling out and you'll just have to see the rest of the film to find out what happens next.

The film has some excellent acting and is a nice breezy film. It's neither as deep or satisfying as LADY FOR A DAY, but is still well worth seeing. A nice romantic fantasy film.

Fan dancer Carole Lombard is retired by order of judge Walter Connolly. When publicity man Raymond Walburn comes up with the idea that she adopt a mother, she chooses May Robson, a rowdy drunk she met in Connolly's court. It as if Apple Annie were adopted by Sally Rand. But Robson takes her duties as a mother seriously.

The first half of this movie is an unrelieved delight, with Robson basically doing the role she had performed a month earlier for Capra, and which would gain her an Oscar nomination. Miss Lombard is hilarious and crude and sexy, and the comedy is nicely balanced with sentiment as the two women take to each other. However, in the second half, when te efforts to fix Miss Lombard fail, the money runs out, and a marriage with Roger Pryor becomes the main plot, everything falls apart. The humor vanishes, people change their minds to suit the exigencies of the plot, and I lost interest. Everyone continues to offer fine performances. These are all seasoned professionals. But the story telling collapses, as does the efforts at comedy.