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"Fire Down Below" involves a rather silly storyline with interesting scenery.Shot on location in the island of Tobago-complete with native Caribbean festivals and rituals-this film reveals more of the direction of Rita Hayworth's life-that of an aging glamourgirl fighting for survival despite her weakness for men and alcohol!At 37 Rita still has the sparkle of her earlier films.But here she's clearly older,heavier and depressed at the lack of fulfillment in her life! Much like what was really going on at that particular time in Rita's life!Her character Irena travels illegally from place to place-living off the willingness of those who wish to use her!She's jaded and unable to give or receive anything meaningful! Fire Down Below remains one of Rita Hayworth's last movies as a sexpot.Knowing that her next 10 years would involve a downward spiral into alcoholism,obscurity and eventual mental deterioration from Alzheimers disease leaves viewers feeling very sorry for her!It is a sad yet true insight into the life of a once beautiful and hopeful woman!

No-one would ever accuse "Fire Down Below" of being a good film but photographed in Cinemascope and Technicolour on location in the Caribbean it's certainly a handsome one, Throw in Robert Mitchum, Rita Hayworth and Jack Lemmon and it becomes a film with star quality as well. The plot is as old as the hills as pals Mitchum and Lemmon fall out over Hayworth, the woman they are transporting 'from nowhere to nowhere'. The film generates a little excitement, (though not much), when Lemmon gets trapped in a ship that is about to blow up. The terrible dialogue is courtesy of Irwin Shaw from a book by Max Catto and director Robert Parrish was hardly the man to turn a pig's ear into a silk purse.

Rita Hayworth was 40 at the time this film was made. Rather interesting. She still looked lovely. Robert Mitchum and Jack Lemmon are both vying for her attention; Mitchum wins out momentarily.

Toward the end the story shifts as Lemmon is trapped in a ship, there is a fire, and Lemmon becomes a more sympathetic character. Mitchum and Hayworth feel guilty. This story would seem ripe for a re-make; it is a good story; rather a curiosity.

The Technicolor oranges and greens are prevalent; it is always interesting to watch films from this period. It would seem the stars themselves were fabricated to coordinate with the surroundings. The scenes at the carnival event are colorful and wild. Worth seeing as a commentary on the times.

This film was quite enjoyable but I think it could have been immeasurably improved if the director and editor had included more scenes between Robert Mitchum and Rita Hayworth. The episode where Jack Lemmon's character is trapped on the ship is far too drawn out. His crisis should've been shortened and they should've actually shown Rita Hayworth turning to Robert Mitchum because they are kindred spirits, instead of just explaining this occurance later on. Mitchum and Hayworth were off-screen far too long. That major complaint aside, I found the film very entertaining. Mitchum is perfect with the weary, cynical, and intense combination. Hayworth has more depth than usual as the mysterious foreign woman. And Lemmon in a rare dramatic turn is very convincing as the naive and lovestruck young man. Here's an interesting tidbit: the film was executive produced by Cubby Broccoli, the long time producer of the Bond movies, and Bernard Lee, who would play M in the Bond films, has a supporting role in Fire Down Below. 7/10.

Rita Hayworth, Robert Mitchum, and Jack Lemmon star in "Fire Down Below," a 1957 film.

Hayworth plays Irena, a woman with a mysterious European past and no passport. Mitchum and Lemmon are Felix and Tony, who run a ferry boat in the Caribbean. They are paid to take Irena to another island.

Felix (Mitchum) knows she's trouble and worse than that, he's attracted to her. Tony (Lemmon) falls for Irena and, when she leaves the ferry, he accompanies her.

The film takes an odd turn here - Tony wants to marry Irena, so he takes a job transporting illegal goods to get some money together. But someone has tipped off the police. Tony and his associate escape, and Tony ends up on a Greek ship. The ship has an accident, and Tony is trapped in the hold.

This film starts out as one thing - a love triangle, a mysterious woman with a checkered past, two friends who become enemies - and becomes the story of a man facing death in the cargo hold of a ship.

That part goes on too long, and we don't see the happenings on dry land. We are told about them toward the end of the film. It just felt like something was missing.

There are suspenseful moments and good acting. Mitchum plays the sardonic Felix well, and Lemmon is, as always, likable as Tony and handles both the light and dramatic scenes very well.

I do think for this role his casting was somewhat strange. I think like Hayworth he was trying to fulfill contractual obligations to Columbia.

Hayworth is a long way from her Gilda days, but a striking woman. Her hard life, like the life of the character, has caught up with her. She doesn't display a lot of range in the role but has a knockout dance number during Mardi Gras that is very much the old Rita.

Interesting for the cast.