Alley Cat

The lead's exceptional karate skills are the reason to see this. That and her shapely, well-worked out body--obviously martial arts training has served her well in more than just strength-building. And she's not the only one. All the meat here is choice, and even the guys, even the bad ones, are good-looking. Otherwise it's a cheapo grrl-power revenge flick. YouTube lists it as "Fighting Karate Lady Alley Cat Film". Says it all.

Cheapshot little actioner is a swell ride for fans of films about chicks who kick ass. A winsome girlie has a confrontation with a couple of small-time car thieves...she beats the crap out of them, bruising their little egos. They enlist the aid of their scar-faced gang leader in a nasty vengeance plot, but this little lady has more mean-streets machismo than they bargained for! Before long, she's on a karate-chopping revenge rampage of her own. This flick is admittedly pretty small beans, but there's enough sleazy action and jiggly feminine exposures to keep most trash film lovers pleasantly amused.

Production quality...pretty low. Performances...kinda stale. Just overlook the obvious flaws here, and you may find yourself having some mindless fun with ALLEY CAT.

5/10

One of those el cheapo action adventures of the early 1980s that used to fill video rental stores solely to be taken out by adolescent boys in the hope of a cheap thrill.

Woeful down market attempt to cash in on the Death Wish phenomenon by substituting a moderately attractive woman for the visually challenging Bronson. Acting is terrible, sets are cheap, the baddies are, well, bad. Identification with any of the characters is unlikely.

Only redeeming feature is modest amount of gratuitous female nudity, a smattering of which is full frontal. Other than that, you can leave it...

Despite a very low budget, which shows in the bad acting, dialog and poor photography (some scenes are too dark), this has the energy of the best exploitation pics and is surprisingly entertaining. The lead character (Mani) is a tough karate fighter and repeatedly kicks in the faces of several gang members throughout the movie. She doesn't hesitate to speak her mind, even in court where it gets her into trouble, and is an early example of the tough heroine in films, still rare today. There's also an abundance of female skin revealed, including inside a women's prison; this picture has all the right ingredients for this type of picture. This is pretty much a version of "Death Wish"(74) with a female instead of Charles Bronson. Justice is shown to be blind, as far as the law & the court system, and this 'cat-fighter' has to make her own rules. There's also a fight scene between two cops which, while it has you chuckling at the lame dialog, is still exciting. Most of the gang members, grimy & scummy, are also funny, in that stupid fashion.

The amusing "Alley Cat" is a watchable low budget variation on the time honoured "Death Wish" premise with a female lead. It never really catches fire, but it remains a mild diversion anyway - a crude, formulaic, sleazy, cheesy diversion that does deliver some of the requirements of the exploitation genre.

Karin Mani stars as Billie, a young woman living with her grandparents who works herself into a righteous fury when the old folk are targeted by criminal scum. The grandmother is fatally stabbed during a mugging and Billie becomes consumed with the idea of revenge. She meets cute with a nice guy cop named Johnny (Robert Torti) who indulges in some of his own vigilante tactics.

Mani's clearly got what it takes when it comes to the ass kicking department, but in general isn't terribly appealing; Torti scores more strongly in terms of likability. (However, Mani looks so good sans clothes that it's doubtful many people are going to care that much.) Much of the acting is amateurish yet entertaining. Lovely Britt Helfer has a memorable bit as a hooker whom Johnny intimidates into giving up information. Both Jon Greene and Michael Wayne have fun roles as a jerk cop and the prime antagonist of the piece, respectively. Wayne, who sports a scar and is thus named "Scarface", is actually named Krug in the movie, which will amuse any fan of "The Last House on the Left".

There's enough nudity to keep people happy as well as the required shower scene since a plot twist has Billie sent to prison (there's a message in here about the complete unfairness of an incompetent judicial system). One of the cons also makes lesbian overtures towards Billie. The fight scenes aren't the most slickly staged but are basically enjoyable. And the silly music score is just icing on this cake.

It's easy to see why this might be somewhat obscure for its genre but if you're a die hard addict of trash cinema you could certainly do a lot worse.

Seven out of 10.