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IMDbPro

Night Train to Terror

  • 1985
  • R
  • 1h 38min
VALUTAZIONE IMDb
4,2/10
3000
LA TUA VALUTAZIONE
Night Train to Terror (1985)
Horror mostruosoHorror soprannaturaleDrammaFantasiaMisteroOrroreThriller

Aggiungi una trama nella tua lingua"Night Train to Terror" is a 1985 horror anthology movie where God and Satan are on a train discussing the fate of three individuals."Night Train to Terror" is a 1985 horror anthology movie where God and Satan are on a train discussing the fate of three individuals."Night Train to Terror" is a 1985 horror anthology movie where God and Satan are on a train discussing the fate of three individuals.

  • Regia
    • John Carr
    • Phillip Marshak
    • Tom McGowan
  • Sceneggiatura
    • Philip Yordan
  • Star
    • Barbara Wyler
    • Jamie Scoggin
    • Stacey Lyons
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,2/10
    3000
    LA TUA VALUTAZIONE
    • Regia
      • John Carr
      • Phillip Marshak
      • Tom McGowan
    • Sceneggiatura
      • Philip Yordan
    • Star
      • Barbara Wyler
      • Jamie Scoggin
      • Stacey Lyons
    • 75Recensioni degli utenti
    • 56Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Trailer
    Trailer 2:39
    Trailer

    Foto64

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    Interpreti principali48

    Modifica
    Barbara Wyler
    • Woman at Window (segment "The Night Train")
    Jamie Scoggin
    • Man at Window (segment "The Night Train")
    Stacey Lyons
    • Dancer (segment "The Night Train")
    Linda Maderas
    • Dancer (segment "The Night Train")
    Melanie Montilla
    • Dancer (segment "The Night Train")
    Chantel Morogeus
    • Dancer (segment "The Night Train")
    Byron Yordan
    • Rock Singer…
    Richard Sanford
    • Bass (segment "The Night Train")
    Lori Bell
    • Drums (segment "The Night Train")
    Marlie Clark
    • Guitar (segment "The Night Train")
    Rick Arbuckle
    • Sax (segment "The Night Train")
    Angela Nicoletti
    • Singing Girl (segment "The Night Train")
    Dina Lee Russo
    • Singing Girl (segment "The Night Train")
    Earl Washington
    • Night Porter (segment "The Night Train")
    Gabriel Whitehouse
    Gabriel Whitehouse
    • Conductor (segment "The Night Train")
    Tony Giorgio
    Tony Giorgio
    • Satan (segment "The Night Train")
    • (as Lu Sifer)
    Ferdy Mayne
    Ferdy Mayne
    • God (segment "The Night Train")
    • (as God)
    John Phillip Law
    John Phillip Law
    • Harry Billings (segment "The Case of Harry Billings")
    • Regia
      • John Carr
      • Phillip Marshak
      • Tom McGowan
    • Sceneggiatura
      • Philip Yordan
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti75

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    Recensioni in evidenza

    8HumanoidOfFlesh

    Trippy and disjointed.

    I remember having seen "Night Train to Terror" on VHS twelve or thirteen year ago when I was a kid.This trippy and disjointed celluloid nightmare was sewn from condensed version of low-budget horror movies "Death Wish Club","Cataclysm" and an at-the-time unfinished 1982 film "Scream Your Head Off".The campy discussions between God and Satan takes place on a train known both as the Heavenly Express and Satan's Canonball since it carries unknowing souls to one or the other destination.In the first story "The Case of Harry Billings" a man is kidnapped and taken to an insane asylum were he is put under hypnosis and lures victims to become tortured and murdered as part of an organ-harvesting operation.The second story "The Case of Gretta Connors" entails two young lovers who become involved in a sinister cult of people fascinated with death.The final story "The Case of Claire Hansen" involves an apprentice to the Devil who is out to destroy mankind and a group of immortals who are out to stop him.Very amusing and and inept horror film perfect for the lovers of cinematic trash.8 out of 10.
    one4now4

    Talk about stimuli!

    This is a grab bag of a movie, with all sorts of things to offer as long as you don't expect to see a conventional film in any way, shape, or form. It has gore, nudity, bondage, humor, stupid stuff, smart stuff, and everything in between, AND MORE! I had to cut loose with this one, it's so much weird fun. I have to wonder what it would be like to watch this one on any kind of drugs. What we have is a train carrying a kitschy 1980s new wave band doing some hilariously dated vintage-MTV-style routines. Also on board are God and "Mr. Satan", who are engaged in competition for souls of some other people supposedly on the same train. (Of note also is the small role of the conductor, who has some cool, darkly humorous dialogue.) We get to see the cases of the people whose souls for which God and Satan are vying for, which, in actuality, are three different movies (the unfinished movie "Scream Your Head Off", "Death Wish Club", and "Cataclysm") cut down to size for your warped, brain-numbing enjoyment. Two of these entries feature Charles (a.k.a. Richard, or "Bull" from "Night Court") Moll! My favorite of all the stories is definitely the one that was culled from "Scream Your Head Off", which would've been a cool movie if they would have been able to complete it. What a shame! I swear Richard Moll makes for one memorable psycho in that one. Another thing I love is what God has to say about rock n' roll music! I tell you, if God were this cool, I'd be in church everyday! I dig this whole paste-up movie, as you can tell. It's this wild overload of stimuli, like they were just taking everything weird and off-the-wall they could think of and tossing it into one big, freaky mixing bowl. I admit the "Cataclysm" entry is more sluggish, but it's interesting in a lot of its own ways. (I love the on-air speech Moll gives: "What I'm about to say will cause you pain...") I am glad I was able to find this forgotten extravaganza of stylishly bad cinema for only two dollars, because it is loads of wacky fun.
    8pearceduncan

    A genuine classic

    Night Train To Terror is a genuine modern classic. It's a three-part horror anthology edited from three movies, two of which were released separately (Cataclysm and The Death Wish Club) and the third of which was never properly finished. It doesn't make any damn sense, although Richard Moll appears in two segments complete with hair.

    The stories are hosted by God (played by "Himself," really Ferdy Mayne) and Mr. Satan (played by "Lu Cipher," ha ha indeed) who sit on a train where a terrible breakdancing '80s band plays the same song over and over again. Highlights include, well pretty much everything. The first segment (the unfinished one) is the most extreme, featuring lots of sadistic violence and gratuitous nudity. The second, The Death Wish Club, is the weakest, although it's still basically a series of cheesy, fun death scenes. The third segment, Cataclysm, has been punched up with new footage of badly-animated stop motion monsters throwing dolls of the characters around.

    Not one of the three stories is coherent, but the whole thing is immensely entertaining for fans of strange bad movies. Sit down with some friends and some kind of intoxicating substance (by which I obviously mean beer or other alcohol, I wouldn't advise anyone to take anything illegal, no sir) and you'll have a whale of a time with this one.
    4S1rr34l

    Don't Ride The Night Train To Insanity. 1-2-Miss.

    Greetings And Salutations, and welcome to my review of Night Train To Terror; here's the breakdown of my ratings:

    Story: 0.75 Direction: 0.50 Pace: 0.75 Acting: 1.00 Enjoyment: 0.75

    TOTAL: 3.75 out of 10.00.

    There are two good elements to Night Train To Terror - One: The Video Cover. Two: The last few seconds of the end credits when you can see the light at the end of the tunnel and escape is near. But what surprises me most is that the damned film still makes it onto the steaming and terrestrial services. I believe it's on Amazon now, and a couple of years ago, I think I spotted it on Channel 5. You guys and gals know there are supremely better flicks you're failing to air for your audiences. I would be amazed if any appreciated you giving them this mess of a movie.

    Philip Yordan penned the screenplay for this trilogy of short stories. And while each is terrible, the last tale is the best. Story one is about an asylum who's found a novel way to earn extra cash. Sell the body parts. So what happens when you run out of inmates? Easy; you brainwash a stranger to grab some lovely ladies for you to chop up. Sadly, what should've been a nicely terrifying story becomes nothing more than a way to get boobies onto your screens. And the story becomes more nonexistent with every bosom revealed: It becomes a case of Thanks For The Mammaries (sorry, I couldn't resist - because we all know resistance is futile). However, in the poorly scribed tale, the lunatics appear to have taken over the asylum. But their insanity could just be reflections of the dire dialogue Yordan has them speak. The second story introduces us to a loving couple who, to ease the boredom of being together, join a Death Club. The club members take turns to devise a bizarre demise, which will kill at least one member. Sadly, it's the poor writing and dialogue that once again hinders the power of this tale. Handled correctly, it possessed all the elements for it to engage the viewer. Unfortunately, it's merely a dull dross. Whereas with story number three, Yordan appears to have taken a creative writing course or three. The story of a never-ageing Nazi is intriguing and a tad complex compared to the previous tales. These convolutions make it the most enjoyable watch of the compilation. And had it been merely about the three stories, the scores may have been different. However, Yordan binds the three tales with God and Satan, vying for their souls. I can see what he's trying to accomplish, but it doesn't work because he's forgotten about the logic of their process. Example: In story one, beautiful girls get slaughtered for spare parts. I'd guess that not all the topless beauties are without sin. But we never hear a peep about their souls. So what makes the chosen soul so special? So these little segues have holes of their own. And let's not forget about the breakdancing rock band that plays pop music and only knows one tune. WTF? So, terrible characterisations, poor structuring, horrid dialogue, and unrealistic and unbelievable situations. Well, let's hope the directors are better.

    Sorry! They're not. In fact, they make the story segments worse. Not one of them knew how to handle the pacing. John Carr, who directed the first two, even uses some awful stock footage - in a different aspect ratio. The guy couldn't crop it to the correct sizing - he merely spliced it in. I'll say this for the directors of the third segment, Philip Marshack and Tom McGowan, they attempted to make the extended story more engaging. They employed better lighting and colour techniques. And there are a few nicely composed shots, especially the villains' last walk down the hospital's corridors. However, they still suffer from too mundane a pace. This story deserved more excitement and tension in its atmosphere. Another disappointment came from the special effects. Though there's one decently filmed electrocution showing a bloke who's frying tonight, there are also two monstrously obnoxious stop-motion sequences. One shows a flying bug, and the other gives us a lousy rendition of a demon in hell. Both bug and demon are poorly constructed. They would've done better handing out plasticine to a group of kindergarteners and then used their creations. As for the stop-motion itself, well, the FX people are not Harryhausen. These are some of the most unrealistic animations you'll see. It looks as though they got bored and reduced the number of frames for each movement.

    The acting between the stories varies immensely. The psycho's selling body parts is the worst. Even Richard Moll does little to save this travesty, though he's a lot better in the Immortal Nazi story. Luckily for the audience, the performers in the death club are average, which helps to level out the story a tad. Though, it is a case of saving the best for last. Not only was the story and its direction better than the previous tales, but the Immortal Nazi also offered a stronger cast.

    Had the first two tales been as well written, filmed, and acted as the third, I'd recommend Night Train to Terror for one watch - had you completed your watchlist. However, they're not that good, and then you have that damned band and their dancers. All of which drops the movie into the 1-2-Miss pile.

    Tickets Please; Tickets Please. Next stop, Hell and Damnation. Half an hour before Hell and Damnation: So you have time to read my IMDb lists - Absolute Horror and The Final Frontier to see where I rated Night Train To Terror before we pull into your final terminus, where you and the train will terminate.

    Take Care & Stay Well.
    2Skutter-2

    A cheesy oddity.

    Night Train to Terror is a crazy mess of a movie. The framing story for this anthology involves God and Satan sitting on a train together discussing various cases, each of which form the different segments of the movie. As far as set ups for these kind of anthologies go it's not too bad a premise. Needless to say it is done in an at times jaw-droppingly cheesy manner. It wasn't long into it that I began to suspect the truth about the nature of this anthology. Namely, that the makers had grabbed a bunch of old movies and edited them down to 20-30 minutes and used them as segments of this anthology. The wraparound material is as cheesy as all hell and the three movies, each wacky, sleazy or goofy in their own right become concentrated slices of nonsensical shlock in their truncated forms. There seems to be no logic to their inclusion in the anthology in their current states. The three movies from which they are apparently culled- Scream Your Head Off, Death Wish Club and Shivers (Aka. Cataclysm, Satan's Supper or The Nightmare Never Ends) are connected by writer Philip Yordan, who scripted all three, although Director John Carr was responsible also for the first two segments. Presumably they needed to make a quick buck of their own material (The movie from which the first segment was taken apparently never got a proper release other than a bootleg copy years after) and quickly put together the wraparound material. As it is none of the movies seems particularly well suited to being truncated in the form they are, with far too much going on. As such, none of the segments makes too much sense even with the clumsy narration to smooth over the plot holes and each is dementedly paced and edited. They don't even fit very well with the wraparound material. The supposedly main characters whose deeds are meant to be judged by God and Satan have increasingly little to do in each segment, with more time spent on the other characters in each story. The makers did make sure it seems to include all the gore, violence, sleaze and wacky SFX shots that they could from each movie though in favour of having a movie with any coherence.

    In the first segment, the case of Harry Billings, the pacing of the story makes it seem more like an extended trailer than an actual movie. The plot, which is far too much for a short anthology segments whizzes through at a demented, frenetic pace and most scenes don't last for more than about thirty seconds to a minute. There are numerous and repetitive sequences of Harry picking and drugging women, them being strapped down and chopped up at the clinic which last for about 40 seconds each. There are also a whole bunch of subplots that hurdled through at breakneck speed. As it is the movie these parts are taken from seems to be a dodgy exploitive piece mostly centering around the death and dismemberment of young woman.

    The second segment, the case of Gretta Connors is probably even goofier involving a young man who falls in love with a porn star getting forced into joining 'death-wish club',a group of decadent types who like to put themselves in outlandish dangerous situations involving elaborate death traps and killer insects. Effectively elaborate games of Russian roulette, whch they get a kick out of. This segment is even more disjointed than the last with even more of the plot being explained by the narrator, who in fact talks over characters at various points in the story. It is probably the most interesting of the segments with the elaborate death traps and the wacky premise.

    The third and final segment is the case of Claire Hansen. It was watching this segment it was confirmed for me that Night Train to Terror was using condensed versions of existing shlock films as I had actually seen the full version of the film in question before. The plot is too messy and sprawling, with too many threads to go into much detail. I seem to recall that was the case with the full-length version and it is even more choppy and all over the place in its truncated form. Even in its shortened form this last segment drags a bit, despite the wacky nature of the story but there are some good aspects such as the the demonic villain Olivier, the Claymation demons and the over the top finale which involves a bloody open heart surgery.

    For some reason the discussions of God and Satan are inter-cut with music clips from a very eighties pop group who are performing in another part of the train. Apparently the train is going to crash at dawn and God and Satan are discussing who will get the souls of the performers when it happens- the segments they watch in-between are apparently just a way for them to kill time. The music clips are incredibly cheesy and involves all that you would expect from bad eighties pop- big hair, leg warmers, halter tops, synthesisers, shoulder pads, mullets, headbands, gratuitous break-dancing and deeply cheesy and nonsensical lyrics.

    On the whole, a weird little curiosity.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The first part (or in some versions, the third part) of this anthology horror film, "Case of Harry Billings" starring Richard Moll, was edited from an unfinished, unreleased 1981 horror film titled, "Scream Your Head Off" (although copies of it are reported to be available). That film was written by Philip Yordan and directed by John Carr (both were also credited as the writer and director of this film).
    • Blooper
      It's an obvious toy train shown running off the train tracks at the end of the movie, followed by stock footage of an explosion and burning building.
    • Citazioni

      Some guy: Like, I really wish our bus hadn't broken down, ya know?

      Dancer: No way! I think this train is coooool!

      Rock singer: From the top!

      [then the band starts playing again]

    • Curiosità sui crediti
      Satan is played by "Lu Cifer" and God by "Himself".
    • Versioni alternative
      The old UK video version suffered 4 minutes 17 secs of heavy cuts which removed shots of a topless woman tied to a table, a graphic decapitation scene, shots of dismembered bodies and closeups of human organs during the operation scene.
    • Connessioni
      Edited from La forza invisibile (1968)
    • Colonne sonore
      Everybody But You
      Music and Lyrics by Charlene Brown

      Arrangement by Robert O'Connor

      Vocals by Joe Turano

      Additional vocals by Terry Wood and Beth Anderson

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    Dettagli

    Modifica
    • Data di uscita
      • 22 febbraio 1985 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Shiver
    • Luoghi delle riprese
      • La Jolla, San Diego, California, Stati Uniti
    • Azienda produttrice
      • Visto International Inc.
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 38min(98 min)
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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