Une hache pour la lune de miel

Interesting, complex look at a man who must kill young brides in order to unlock the secret of who killed his own mother. With each hacked bride, the main character of Harrington sees more and more of his terrible childhood memory when he saw his own mother axed. The acting in this film is nothing terribly special, nor is the story, but Bava'a direction is a visual treasure to behold. As always, he makes the most he can with the camera lens. Some of the shots are inspiring as Bava directs our attention through small orifices sometimes like a small window. His use of a room with mannequins is very effective too. Bava even has fun with his little joke of having Harrington watching Bava's own Black Sabbath on television when having just killed his wife he is visited by the police. Style and visual artistry ripen all around only to be harvested by Bava's gluttonous camera lens. The plot, although missing huge pieces of coherence and logic, is fairly well-crafted. The acting is adequate. I particularly liked the actress that played Harrington's vitriolic wife and the character of the police inspector.The sense of the sixties and fanciful colours pervade almost every scene, and the soundtrack is very suitable to this material. For some horror fans, the film may seem somewhat slow, but it kept my interest throughout.

The man who brought you such successful chillers as "5 Dolls for an August Moon" , ¨Operazione Paura¨ ,¨Black Sabbath¨ , "Six Women for the Murderer" , ¨The Evil Eye¨ goes back in this nice film that packs great cinematography , impressive spectacle and well staged killings . It begins developing an elaborate animated collage for the film opening credits , being originally created by the great Mario Bava . The flick deals with a respected fashion mogul who runs a house of style where happens several bloody murders and gruesome executions . As a bridal design shop owner called John Harrington (Stephen Forsyth) kills various young brides-to-be (Femi Benussi) in an attempt to unlock a repressed childhood trauma that's causing him to commit murder . John contracts a new fashion model , that person ultimately being Helen Wood (Dagmar Lassander) , who eventually gets a little too close for his comfort . Harrington is facing further torment in the mutually unsatisfying marriage to Mildred (Laura Betti , originally the script didn't include the role , it was only after expressed interest in working with Bava that the director re-wrote the script so that Betti could have a suitable starring) who subsequently to return to haunt him as a ghost . Meanwhile , a police inspector named Russell (Jesus Puente) investigates the strange killings , being his prime suspect Harrington . When Russel enters Carrington's home , the latter tells the screams heard are caused by the television set (the TV show that Harrington refers to in an attempt to fool Inspector is a clip from Mario Bava's own Black Sabbath (1963) - specifically the "Wurdalak" sequence featuring Boris Karloff) .

Mario Bava strikes again in this mysterious and grisly picture with haunting atmosphere , colorful photography and strange musical score . Bava's great success (the first was ¨Black Sunday¨ or ¨Mask of Demon¨)is compellingly directed with startling visual content . This frightening movie is plenty of thrills , chills , high body-count and glimmer color in lurid pastel with phenomenal results . Interesting screenplay filled with twists , turns and rare situations by prolific Santiago Moncada , an usual playwright . This is a classic slasher where the intrigue , tension , suspense appear threatening and lurking in every room , corridors and luxurious interior and exterior . Nice as well as twisted acting by Stephen Forsyth as a psychotic killer who manages a model house . This genuinely mysterious story is well photographed by the same Mario Bava with magenta shades of ochre , translucently pale turquoises and deep orange-red . Filmed on location in Barcelona , Harrington's villa , Rome , Paris and studios Alfonso Balcazar . The Spanish villa that the majority of the film was shot at was formerly the touristic home of Spanish dictator Generalissimo Francisco Franco .

The movie well produced by Manuel Caño belongs to Italian Giallo genre , Bava (¨Planet of vampires¨, ¨House of exorcism¨) along with Riccardo Freda (¨Secret of Dr. Hitchcock¨ , ¨Il Vampiri¨) are the fundamental creators . In fact , both of whom collaborated deeply among them , as Bava finished two Fedra's films ¨Il Vampiri¨ and ¨Caltiki¨ . These Giallo movies are characterized by overblown use of color in shining red blood , usual zooms and utilization of images-shock . Later on , there appears Dario Argento (¨Deep red¨, ¨Suspiria¨,¨Inferno¨), another essential filmmaker of classic Latino terror films . Rating : Good, this is one more imaginative slasher pictures in which the camera stalks in sinister style throughout a story with magnificent visual skills.

It's sort of like Psycho, only not, and it's sort of like any number of other serial-killer movies, except you know who the bad guy is from literally the first scene. But we don't watch Mario Bava movies for the intricate plots or, as in this case, for the strong acting. We watch them for the grisly visuals! Man's a maestro of mayhem when it comes to presenting blood. Very stylish movie, very well shot. Forsyth is positively wooden, though.

In the late sixties Bava began reinventing the murder mystery formula he single-handedly created with films like THE GIRL WHO KNEW TOO MUCH and BLOOD AND BLACK LACE. In this film you know from the start who the killer is and so this film becomes a look into the crazed mind of a guy with childhood trauma who kills women. There's a great experimental score, cool fashions and a dance nightclub sequence for all you Sixties kitsch fans out there. Stephen Forsyth gives a great wide-eyed psycho performance and Bava forsakes his usual stylishly colored lighting for dreamy surreal imagery during the murder scenes. Bava even sticks in scenes from his earlier films on a TV as an in-joke for his fans.

Mario Bava giallo about a guy who runs a wedding dress design and manufacturing company in Paris - whilst having a sideline in murdering young brides whilst they're wearing their wedding dresses. That's not a spoiler; unlike most gialli, in this one we know who the killer is right from the start. The mystery is more involved with his motivation. We know that each killing helps him piece together some long-forgotten childhood trauma, and that he's compelled to keep killing until he's got the whole picture - but exactly what that trauma is we don't know until the end. Canadian actor Stephen Forsyth plays the killer, who in character feels like a cross between Norman Bates and Patrick Bateman, whilst looking like a cross between Clint Eastwood and Timothy Dalton (Forsyth only made 10 movies for some reason, of which this was his last). It's a bit lighter on blood than you'd expect from the title, and there aren't too many onscreen kills. But it does have a real switch-up halfway through when it becomes a ghost story! It's not as gripping as some of Bava's stuff, but it's still fun. 6.5/10.