NOTE IMDb
7,1/10
14 k
MA NOTE
Un tueur masqué oeuvrant dans l'ombre assassine brutalement les mannequins d'une maison de couture scandaleuse à Rome.Un tueur masqué oeuvrant dans l'ombre assassine brutalement les mannequins d'une maison de couture scandaleuse à Rome.Un tueur masqué oeuvrant dans l'ombre assassine brutalement les mannequins d'une maison de couture scandaleuse à Rome.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Dante DiPaolo
- Franco Scalo
- (as Dante Di Paolo)
Lea Lander
- Greta
- (as Lea Krugher)
Harriet Medin
- Clarissa
- (as Hariette White Medin)
Mary Carmen
- Una modella
- (as Mara Carmosino)
Avis à la une
Influential killer thriller from Italian horror master Mario Bava is a stylish genre landmark.
A faceless murderer is killing models associated with a fashion house. Who is the killer and what is their deadly vendetta?
Blood and Black Lace is one of the solid forerunners of the Italian giallo genre. It has all the classic elements of a classic giallo - a gloved killer, beautiful victims, a mystery plot, scandals etc. All of which is wrapped around Bava's lovely, colorful direction. The plot itself turns on a well written mystery that builds some good suspense and is dashed with an array of intense murder scenes. The jazzy, atmospheric music score is also a nice touch and the performances of the cast aren't bad.
Over all, an entertaining early giallo and one of Bava's best contributions to Italian horror. A must see for giallo fans.
*** out of ****
A faceless murderer is killing models associated with a fashion house. Who is the killer and what is their deadly vendetta?
Blood and Black Lace is one of the solid forerunners of the Italian giallo genre. It has all the classic elements of a classic giallo - a gloved killer, beautiful victims, a mystery plot, scandals etc. All of which is wrapped around Bava's lovely, colorful direction. The plot itself turns on a well written mystery that builds some good suspense and is dashed with an array of intense murder scenes. The jazzy, atmospheric music score is also a nice touch and the performances of the cast aren't bad.
Over all, an entertaining early giallo and one of Bava's best contributions to Italian horror. A must see for giallo fans.
*** out of ****
Somewhere at the intersection of stylish and camp, you'll find Mario Bava's 'Blood and Black Lace.' There is a sophisticated color palette and a certain panache in the string of murders we see committed, but it's put alongside uneven acting and overdubbed English which doesn't do it any favors. Maybe that's all a part of the charm. I loved the look of the mysterious killer, with that trench coat, fedora, and blank face, and the little twists towards the end were a nice touch. It got a little ponderous at times though, and the connective tissue between the big events was a little weak. A fun film overall, and doesn't overstay its welcome at 88 minutes.
My Rating : 7/10
'Blood and Black Lace' has all the spice and style I like in slashers/thrillers. Giallo filmmaking at its apex.
This is some damn fine atmospheric murder mystery filmed in true Mario Bava style.
Superb. Love this movie!
'Blood and Black Lace' has all the spice and style I like in slashers/thrillers. Giallo filmmaking at its apex.
This is some damn fine atmospheric murder mystery filmed in true Mario Bava style.
Superb. Love this movie!
The flick deals with a respected house of style (managed by Eva Bartok and Cameron Mitchell) where happens several bloody murders and gruesome executions . A diary seems to implicate about anybody fashion models are dying . Then the diary disappearing originates a real massacre of the remaining fashion girls . An inspector (Thomas Reiner) investigates the strange killings with numerous suspects (the usual baddies Franco Ressel and Luciano Pigozzi or Alan Colins , Massimo Righi , among others).
Bava's second great success (the first was ¨Black Sunday¨ or ¨Mask of Demon¨)is compellingly directed with startling visual content . This frightening movie is plenty of thrills, chills, high body-count and glimmer color in lurid pastel with phenomenal results . This is a classic slasher where the intrigue, tension, suspense appear threatening and lurking in every room, corridors and luxurious interior and exterior . This genuinely mysterious story is well photographed by Ubaldo Terzano and Mario Bava with magenta shades of ochre , translucently pale turquoises and deep orange-red .
The movie belongs to Italian Giallo genre , Bava (¨Planet of vampires¨, ¨House of exorcism¨) along with Riccardo Freda (¨Secret of Dr. Hitchcock¨ , ¨Il Vampiri¨) are the fundamental creators . In fact , both of whom collaborated deeply among them , as Bava finished two Fedra's films ¨Il Vampiri¨ and ¨Caltiki¨ . These Giallo movies are characterized by overblown use of color in shining red blood , usual zooms and utilization of images-shock . Later on , there appears Dario Argento (¨Deep red¨, ¨Suspiria¨,¨Inferno¨), another essential filmmaker of classic Latino terror films . Rating : Good, this is one more imaginative slasher pictures in which the camera stalks in sinister style throughout a story with magnificent visual skills.
Bava's second great success (the first was ¨Black Sunday¨ or ¨Mask of Demon¨)is compellingly directed with startling visual content . This frightening movie is plenty of thrills, chills, high body-count and glimmer color in lurid pastel with phenomenal results . This is a classic slasher where the intrigue, tension, suspense appear threatening and lurking in every room, corridors and luxurious interior and exterior . This genuinely mysterious story is well photographed by Ubaldo Terzano and Mario Bava with magenta shades of ochre , translucently pale turquoises and deep orange-red .
The movie belongs to Italian Giallo genre , Bava (¨Planet of vampires¨, ¨House of exorcism¨) along with Riccardo Freda (¨Secret of Dr. Hitchcock¨ , ¨Il Vampiri¨) are the fundamental creators . In fact , both of whom collaborated deeply among them , as Bava finished two Fedra's films ¨Il Vampiri¨ and ¨Caltiki¨ . These Giallo movies are characterized by overblown use of color in shining red blood , usual zooms and utilization of images-shock . Later on , there appears Dario Argento (¨Deep red¨, ¨Suspiria¨,¨Inferno¨), another essential filmmaker of classic Latino terror films . Rating : Good, this is one more imaginative slasher pictures in which the camera stalks in sinister style throughout a story with magnificent visual skills.
Made in 1966 but holding up today this is a textbook example of how to do a giallo. Carlo Rustichelli's film score, Ubaldo Terzano's cinematography, a good troupe of actors and Mario Bava's tense direction add up to a thrilling film. A good giallo is not just about the kills but the mystery narrative that contains them and this does both excellently. It's a darn fine movie.
Le saviez-vous
- AnecdotesMost of the male characters were dubbed by Paul Frees for the American release of this film, including Cameron Mitchell. Evidently the Woolner Brothers couldn't be bothered to bring him in to loop his own lines.
- GaffesIn one English-dubbed print and the original Italian one, the handwritten message of the killer is in German.
- Citations
Inspector Sylvester: Perhaps the sight of beauty makes him lose control of himself, so he kills.
- Versions alternativesThe original European version opened with a title sequence in which the camera focuses on each cast member as their name appears on the screen. The US distributors, Lawrence Woolner and Bernard Woolner, hired Filmation Studios to create a new title sequence featuring a montage of mannequins and skulls. The original title sequence has been restored on VCI Home Video's DVD release. The original US release removed a shot of the bathwater turning blood red in Claude Dantes' death scene. This shot was seen in the montage of scenes used in Matador (1986), and has been restored on VCI Home Video's DVD release.
- ConnexionsFeatured in Matador (1986)
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- How long is Blood and Black Lace?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- 6 femmes pour l'assassin
- Lieux de tournage
- Villa Sciarra, Rome, Lazio, Italie(villa and garden)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 141 755 000 ₤IT (estimé)
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What is the Japanese language plot outline for Six femmes pour l'assassin (1964)?
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