Le fantôme d'un noble sadique tente de raviver sa romance avec son ancienne amante terrorisée et masochiste, qui est fiancée malgré elle à son frère.Le fantôme d'un noble sadique tente de raviver sa romance avec son ancienne amante terrorisée et masochiste, qui est fiancée malgré elle à son frère.Le fantôme d'un noble sadique tente de raviver sa romance avec son ancienne amante terrorisée et masochiste, qui est fiancée malgré elle à son frère.
- Réalisation
- Scénario
- Casting principal
Harriet Medin
- Giorgia
- (as Harriet White)
Gustavo De Nardo
- Count Vladimir Menliff
- (as Dean Ardow)
Luciano Pigozzi
- Losat
- (as Alan Collins)
Avis à la une
Whip and the Body, The (1963)
** 1/2 (out of 4)
Christopher Lee plays a sadistic nobleman who returns home to terrorize his family after leaving home years earlier after forcing his girlfriend to commit suicide. Soon he is found dead with his throat slit and soon after he ghost begins to appear as more bodies start to pile up. All the praise thrown on director Bava is certainly needed because it's obvious he could take some mud and make it look wonderful but that doesn't mean all his films turn out great. I think the biggest flaw with this film is the rather weak story, which doesn't really contain any shocks and it's fairly simple to figure out what's going on so in the end, when the climax happens, there's no real shocks. Christopher Lee turns in a terrific performance, even though, for some reason, his voice is dubbed in the English language version. That fantastic look that Lee brings says all we need to know about his character. The supporting cast isn't as impressive but they fit their roles just fine. The cinematography is top notch and the use of lighting is also what makes this film stand apart from others in this era.
** 1/2 (out of 4)
Christopher Lee plays a sadistic nobleman who returns home to terrorize his family after leaving home years earlier after forcing his girlfriend to commit suicide. Soon he is found dead with his throat slit and soon after he ghost begins to appear as more bodies start to pile up. All the praise thrown on director Bava is certainly needed because it's obvious he could take some mud and make it look wonderful but that doesn't mean all his films turn out great. I think the biggest flaw with this film is the rather weak story, which doesn't really contain any shocks and it's fairly simple to figure out what's going on so in the end, when the climax happens, there's no real shocks. Christopher Lee turns in a terrific performance, even though, for some reason, his voice is dubbed in the English language version. That fantastic look that Lee brings says all we need to know about his character. The supporting cast isn't as impressive but they fit their roles just fine. The cinematography is top notch and the use of lighting is also what makes this film stand apart from others in this era.
After the announcement of the servant Losat (Alan Collins), the nobleman Kurt Menliff (Christopher Lee) returns to the castle of his family at the seaside to congratulate his brother Christian Menliff (Tony Kendall) for his marriage with his former lover Nevenka (Daliah Lavi). Kurt feels the hatred and the fear of his father Count Menliff (Dean Ardow) and the servant Giorgia (Harriet White), who blames him for seducing and killing her daughter, and indifference from his cousin Katia (Isli Oberon). On the next afternoon, the sadistic Kurt meets Nevenka riding a horse alone on the beach and whips the masochistic woman and makes love with her. Late night, Nevenka is missing and everybody is seeking her while Kurt is stabbed in the neck with the same dagger that Giorgia's daughter was murdered. On the next days, the members of the family suspects of each other while Nevenka is haunted by the ghost of Kurt.
"The Whip and the Body" is a stylish and one of the best features of Mario Bava that uses a magnificent cinematography, lighting and shadows and a classy soundtrack. The acting is great and the only problem is that the Ámerican DVD is awfully dubbed in English, without the synchrony of the movements of the lips with the speech. However, I have just watched this movie again in a Brazilian DVD spoken in Italian. The truth about the supernatural story is not difficult to be guessed what is happening by an attentive viewer. My vote is eight.
Title (Brazil): "O Chicote e o Corpo" ("The Whip and the Body")
Note: On 01 October 2014 I saw this movie again.
"The Whip and the Body" is a stylish and one of the best features of Mario Bava that uses a magnificent cinematography, lighting and shadows and a classy soundtrack. The acting is great and the only problem is that the Ámerican DVD is awfully dubbed in English, without the synchrony of the movements of the lips with the speech. However, I have just watched this movie again in a Brazilian DVD spoken in Italian. The truth about the supernatural story is not difficult to be guessed what is happening by an attentive viewer. My vote is eight.
Title (Brazil): "O Chicote e o Corpo" ("The Whip and the Body")
Note: On 01 October 2014 I saw this movie again.
Sadistic scoundrel Kurt (Christopher lee), black sheep of the family, returns home to find that absence hasn't exactly made the heart grow fonder: his father (Gustavo De Nardo), brother Christian (Tony Kendall), ex-lover Nevenka (Daliah Lavi) and housemaid Giorgia (Harriet Medin) still find him utterly loathsome. Unsurprisingly, Kurt winds up being murdered, but even death cannot stop his cruelty...
In keeping with its Sadean theme, The Whip and the Body is both a pleasure to behold and a pain to endure: aesthetically, the film cannot be rivalled, with excellent costume and set design, and exquisite direction from Mario Bava, whose camera glides gracefully through pools of coloured light and ominous swathes of shadow to great effect; the story, however, is less impressive, a trite exercise in Gothic cliché, replete with a creepy cliff-top castle continually battered by strong winds and thunderstorms, a raft of morbid characters, all of whom harbour dark secrets, loads of tiresome symbolism, and some ridiculous psychological claptrap.
The sado-masochistic nature of the central relationship between Kurt and Navenka (which is surprisingly way ahead of its time) prevents the film from attaining coma-inducing levels, but with extremely long periods where nothing much of interest happens, the film is far from the perfect perverted and poetic love story that its ardent supporters claim it to be.
8 out of 10 for the lovely imagery, but 4/10 for the story—so that's an average rating of 6/10.
In keeping with its Sadean theme, The Whip and the Body is both a pleasure to behold and a pain to endure: aesthetically, the film cannot be rivalled, with excellent costume and set design, and exquisite direction from Mario Bava, whose camera glides gracefully through pools of coloured light and ominous swathes of shadow to great effect; the story, however, is less impressive, a trite exercise in Gothic cliché, replete with a creepy cliff-top castle continually battered by strong winds and thunderstorms, a raft of morbid characters, all of whom harbour dark secrets, loads of tiresome symbolism, and some ridiculous psychological claptrap.
The sado-masochistic nature of the central relationship between Kurt and Navenka (which is surprisingly way ahead of its time) prevents the film from attaining coma-inducing levels, but with extremely long periods where nothing much of interest happens, the film is far from the perfect perverted and poetic love story that its ardent supporters claim it to be.
8 out of 10 for the lovely imagery, but 4/10 for the story—so that's an average rating of 6/10.
This unrelentingly-creepy tale of obsession and perversion plays like a more-horrific version of _Wuthering Heights_: cobwebbed crypts, dark castles with secret passages, rotting bodies, muddy footprints, pale faces scowling through windows, love-hate relationships that continue beyond the grave, sea cliffs, turbulent ocean, sunsets, and a very haunting music score. The sets are rich and the direction is moody, with lots of brilliantly-composed photography and a convincingly-cruel performance by Christopher Lee. This one does require some patience, but it's one of Bava's greatest masterpieces and deserves to be saved from obscurity.
Set in 19th Century, an aristocrat called Kurt : Christopher Lee goes back to his seafront castle house many years later he left it . There he finds again his nobleman father : Gustavo de Nardo , his younger brother Christian : Tony Kendall newly married to Kurt's cousin, and previous sweetheart, Nevenka : Dalilah Lavi. Then the Count decides his son Christian to inherit the luxurious mansion . Along the way, a spectrum appearing here and there haunting the inhabitants of the castle and wanting to exact a relentless vendetta. Evil Horror!. The most deliciously romantic terror movie ever made! . Horror beyond the bounds of Hell!. What body lay in the coffin? What is her terrifying secret?. What secret haunted the castle dungeon? What thing walked in the night?
Terrifying and mysterious horror movie with thrills, chills , haunting castles, ghost appearances and intensely chromatic photography. Nice and thrilling Italian Gothic with a cost about 66.000 dollars, packing an interesting and twisted script with surprising finale by prolific Ernesto Gastaldi, Ugo Guerra and Luciano Martino . Main and support cast are frankly well. Christopher Lee as the sadistic and ruthless nobleman with fetish obsession and sinister purports , Dalilah Lavi as the masochistic wife, she really remembers to the great scream queen Barabara Steele . Alongside Tony Kendall as the spineless brother , Evelyn Stewart who uses often pseudonym Ida Galli, Gustavo de Nardi as the deranged father , Jacques Herlin as a priest, Harriet White as an old maid and Luciano Pigozzi or Allan Collins, considered to be the Italian Peter Lorre.
Special mention for the brilliant cinematography in gaudy colour from Ubaldo Tezano and Mario Bava himself. Shot on location in coast of Tor Caldera and Elios studios . Charming musical score with attractive leitmotiv, adding a concert for piano, Concert for Windsor, composed by Carlo Rustichelli, under pseudonym Jim Murphy. This La Frusta e Il Corpo or The Whip and the Body has other titles as What in US, and Night is the phantom in England where was heavily cut its lashing scenes. This poetic motion picture was competently directed by Mario Bava, giving a romantic, frightening and dramatic work . He was an excellent cameraman , FX expert and filmmaker who made lots of films in all kinds genres with penchant for horror and Giallo such as : Mask of Demon, Black Sabbath, The girl who knew too much, Blood and Black Lace, Lisa and the Devil, A hatchet fot the honeymoon, Bay of Blood, Schock . Although he also directed other genres as Spaghetti Western : Roy Colt and Winchester Jack, Ringo of Nebraska. Thrillers : Diabolik, Five dolls for an August Moon . Monster movie : Calchiki. Sci-fi : Terror in space. Adventures : Knives of the avenger, Fury of Vikings. Peplum : Battle of Marathon, Hercules and the haunted world, among others. Rating 7/10. Better than average. Worthwhile watching.
Terrifying and mysterious horror movie with thrills, chills , haunting castles, ghost appearances and intensely chromatic photography. Nice and thrilling Italian Gothic with a cost about 66.000 dollars, packing an interesting and twisted script with surprising finale by prolific Ernesto Gastaldi, Ugo Guerra and Luciano Martino . Main and support cast are frankly well. Christopher Lee as the sadistic and ruthless nobleman with fetish obsession and sinister purports , Dalilah Lavi as the masochistic wife, she really remembers to the great scream queen Barabara Steele . Alongside Tony Kendall as the spineless brother , Evelyn Stewart who uses often pseudonym Ida Galli, Gustavo de Nardi as the deranged father , Jacques Herlin as a priest, Harriet White as an old maid and Luciano Pigozzi or Allan Collins, considered to be the Italian Peter Lorre.
Special mention for the brilliant cinematography in gaudy colour from Ubaldo Tezano and Mario Bava himself. Shot on location in coast of Tor Caldera and Elios studios . Charming musical score with attractive leitmotiv, adding a concert for piano, Concert for Windsor, composed by Carlo Rustichelli, under pseudonym Jim Murphy. This La Frusta e Il Corpo or The Whip and the Body has other titles as What in US, and Night is the phantom in England where was heavily cut its lashing scenes. This poetic motion picture was competently directed by Mario Bava, giving a romantic, frightening and dramatic work . He was an excellent cameraman , FX expert and filmmaker who made lots of films in all kinds genres with penchant for horror and Giallo such as : Mask of Demon, Black Sabbath, The girl who knew too much, Blood and Black Lace, Lisa and the Devil, A hatchet fot the honeymoon, Bay of Blood, Schock . Although he also directed other genres as Spaghetti Western : Roy Colt and Winchester Jack, Ringo of Nebraska. Thrillers : Diabolik, Five dolls for an August Moon . Monster movie : Calchiki. Sci-fi : Terror in space. Adventures : Knives of the avenger, Fury of Vikings. Peplum : Battle of Marathon, Hercules and the haunted world, among others. Rating 7/10. Better than average. Worthwhile watching.
Le saviez-vous
- AnecdotesThis is one of the few European movies that Sir Christopher Lee made without providing his voice for any of its language tracks, as he had returned home to Switzerland by the time shooting wrapped (as a result, he is dubbed in the English version by William Kiehl). He would quickly regret not dubbing his voice for this movie, as he considered it to be the best of his European movies, and ensured that he provided his voice for at least the English versions of all of of his later movies.
- GaffesWhen the corpse is set on fire, the legs are moving for some reason but nobody reacts to it.
- Citations
Kurt Menliff: [to Nevenka] You haven't changed, I see. You've always loved violence.
- Versions alternativesThe version on the US DVD 2000 release from VCI Home Video does not include 2 brief shots:
- A shot of Christopher Lee riding his horse along the beach at the beginning of the film.
- A fade to black following Nevenka's journey to a window and her scare from hearing a vine snap against the window.
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Détails
Box-office
- Budget
- 66 500 $US (estimé)
- Durée1 heure 25 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Le Corps et le Fouet (1963) officially released in India in English?
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