Le fantôme d'un noble sadique tente de raviver sa romance avec son ancienne amante terrorisée et masochiste, qui est fiancée malgré elle à son frère.Le fantôme d'un noble sadique tente de raviver sa romance avec son ancienne amante terrorisée et masochiste, qui est fiancée malgré elle à son frère.Le fantôme d'un noble sadique tente de raviver sa romance avec son ancienne amante terrorisée et masochiste, qui est fiancée malgré elle à son frère.
- Réalisation
- Scénario
- Casting principal
Harriet Medin
- Giorgia
- (as Harriet White)
Gustavo De Nardo
- Count Vladimir Menliff
- (as Dean Ardow)
Luciano Pigozzi
- Losat
- (as Alan Collins)
Avis à la une
This unrelentingly-creepy tale of obsession and perversion plays like a more-horrific version of _Wuthering Heights_: cobwebbed crypts, dark castles with secret passages, rotting bodies, muddy footprints, pale faces scowling through windows, love-hate relationships that continue beyond the grave, sea cliffs, turbulent ocean, sunsets, and a very haunting music score. The sets are rich and the direction is moody, with lots of brilliantly-composed photography and a convincingly-cruel performance by Christopher Lee. This one does require some patience, but it's one of Bava's greatest masterpieces and deserves to be saved from obscurity.
A Gothic tale of depravity and horror with some exquisite scenery to enjoy along with perfectly selected music.
Kurt Menliff (Cristopher Lee) has been banished from home, and when he returns, fear sets in everywhere. As it should, given that his fiancé (Daliah Lavi) married his brother (Tony Kendall) and is sleeping with his father (Gustavo De Nardo). He has some unusual sexual tastes and preferences, which Nevenka (Lavi) shares.
A classic ghost story in a spooky setting with some very good performances. An expected ending did not diminish the enjoyment of the film one bit.
Kurt Menliff (Cristopher Lee) has been banished from home, and when he returns, fear sets in everywhere. As it should, given that his fiancé (Daliah Lavi) married his brother (Tony Kendall) and is sleeping with his father (Gustavo De Nardo). He has some unusual sexual tastes and preferences, which Nevenka (Lavi) shares.
A classic ghost story in a spooky setting with some very good performances. An expected ending did not diminish the enjoyment of the film one bit.
"The Whip and the Body" is an amazingly kinky film--and it surprised me a bit in this regard. It has scenes of sado-masochism, as a female character in the film likes to be beaten before having sex. Because of this you MIGHT wanna think twice before showing this to your kids or grandma.
This is a Gothic horror film with a nice ambiance and excellent music--though the same tune is overused a bit through the course of the film. The fun begins when the long-disgraced older son (Christopher Lee) arrives after a long absence. Exactly what he'd done isn't spelled out all that clearly, but you know it resulted in the death of a servant and that he's been disinherited. Soon, Lee is off having fun, beating a member of the family and making love to her...and she likes it! Now you THINK Lee has returned to get some sort of revenge on his family, so I was surprised he took out time for this kinky tryst. And, surprise, surprise, before he can start his plans of revenge, he's stabbed to death! But, through the course of the film, it seems as if he's returned from the dead, and very bad things start to happen...along with some more kinky whippings.
The payoff for this tale is pretty good and it's a good film with a nice print. But, it's also a bit uncomfortable watching the kinky stuff, so I certainly can't recommend it without some reservations.
By the way, the DVD for this Italian film is dubbed, not subtitled. And, oddly, although you can tell that Lee was speaking English, it's NOT his voice--it, along with the rest, have been dubbed. As for me, I always prefer subtitled.
This is a Gothic horror film with a nice ambiance and excellent music--though the same tune is overused a bit through the course of the film. The fun begins when the long-disgraced older son (Christopher Lee) arrives after a long absence. Exactly what he'd done isn't spelled out all that clearly, but you know it resulted in the death of a servant and that he's been disinherited. Soon, Lee is off having fun, beating a member of the family and making love to her...and she likes it! Now you THINK Lee has returned to get some sort of revenge on his family, so I was surprised he took out time for this kinky tryst. And, surprise, surprise, before he can start his plans of revenge, he's stabbed to death! But, through the course of the film, it seems as if he's returned from the dead, and very bad things start to happen...along with some more kinky whippings.
The payoff for this tale is pretty good and it's a good film with a nice print. But, it's also a bit uncomfortable watching the kinky stuff, so I certainly can't recommend it without some reservations.
By the way, the DVD for this Italian film is dubbed, not subtitled. And, oddly, although you can tell that Lee was speaking English, it's NOT his voice--it, along with the rest, have been dubbed. As for me, I always prefer subtitled.
After the announcement of the servant Losat (Alan Collins), the nobleman Kurt Menliff (Christopher Lee) returns to the castle of his family at the seaside to congratulate his brother Christian Menliff (Tony Kendall) for his marriage with his former lover Nevenka (Daliah Lavi). Kurt feels the hatred and the fear of his father Count Menliff (Dean Ardow) and the servant Giorgia (Harriet White), who blames him for seducing and killing her daughter, and indifference from his cousin Katia (Isli Oberon). On the next afternoon, the sadistic Kurt meets Nevenka riding a horse alone on the beach and whips the masochistic woman and makes love with her. Late night, Nevenka is missing and everybody is seeking her while Kurt is stabbed in the neck with the same dagger that Giorgia's daughter was murdered. On the next days, the members of the family suspects of each other while Nevenka is haunted by the ghost of Kurt.
"The Whip and the Body" is a stylish and one of the best features of Mario Bava that uses a magnificent cinematography, lighting and shadows and a classy soundtrack. The acting is great and the only problem is that the Ámerican DVD is awfully dubbed in English, without the synchrony of the movements of the lips with the speech. However, I have just watched this movie again in a Brazilian DVD spoken in Italian. The truth about the supernatural story is not difficult to be guessed what is happening by an attentive viewer. My vote is eight.
Title (Brazil): "O Chicote e o Corpo" ("The Whip and the Body")
Note: On 01 October 2014 I saw this movie again.
"The Whip and the Body" is a stylish and one of the best features of Mario Bava that uses a magnificent cinematography, lighting and shadows and a classy soundtrack. The acting is great and the only problem is that the Ámerican DVD is awfully dubbed in English, without the synchrony of the movements of the lips with the speech. However, I have just watched this movie again in a Brazilian DVD spoken in Italian. The truth about the supernatural story is not difficult to be guessed what is happening by an attentive viewer. My vote is eight.
Title (Brazil): "O Chicote e o Corpo" ("The Whip and the Body")
Note: On 01 October 2014 I saw this movie again.
Irresistible and genuine Gothic scares, combined with atmospheric camera-work and breath-taking scenery
Welcome to yet another visual masterpiece directed by the greatest horror genius of all time: Mario Bava! "The Whip and the Body" isn't the man's most mentioned achievement, it's not even in my personal Bava-top 3 and yet I still rated it a solid 9 out of 10. That should give you somewhat an idea of how excellent his total repertoire in fact is. "The Whip and the Body" is a unique film in many ways, but particularly because of the controversial substance it dared to bring forward. Don't forget that the year of release was 1963 and Mario Bava unscrupulously introduces characters with taboo-fetishes like S & M. The story is terrifically set in the 19th century, where Kurt Menliff returns to his eminent family after being banished for several years. The family's hate towards Kurt's vile behavior is only surpassed by their fear and only the gorgeous Nevenka has a secret desire towards his wicked sexual preferences. In a particularly astonishing sequence, he whips her repeatedly (and roughly...) before continuing with making love. Terror overcomes the Menliff family when Kurt is found murdered in his room and when the tormented Nevenka begins to see his appearance in nearly every chamber of the castle. As it usually is the case in Bava's films, the plot contains quite a few holes and illogical moments, but they're totally forgivable if you acknowledge the intensity and power of the wholesome. Especially praiseworthy is Mario Bava's unequaled talent to turn totally natural things into terrifying atmosphere-elements
Blowing wind, pouring rain, footprints covered in mud...all these ordinary things turn into suspicious omens in the hands of this masterful filmmaker. With his skilled cinematographic eye, Bava perfectly knows how to raise an unbearable tension that grabs you by the neck immediately and it doesn't let go until the very last scene fades away. All the other typical Bava-trademarks are clearly present as well, namely an authentically creepy score, a minimum of stylish gore (burning, rotting corpses!!) and last but not least a stunning use of color shades. Mario plays with colors like he invented them and this emphasizes the spook-effect even more. "The Whip and the Body" is a more than just a shocking horror film. It's an offbeat love-story, a Gothic poem AND an unsettling horror tale all in one! If you love beautiful cinema, don't miss "The Whip and the Body".
Le saviez-vous
- AnecdotesThis is one of the few European movies that Sir Christopher Lee made without providing his voice for any of its language tracks, as he had returned home to Switzerland by the time shooting wrapped (as a result, he is dubbed in the English version by William Kiehl). He would quickly regret not dubbing his voice for this movie, as he considered it to be the best of his European movies, and ensured that he provided his voice for at least the English versions of all of of his later movies.
- GaffesWhen the corpse is set on fire, the legs are moving for some reason but nobody reacts to it.
- Citations
Kurt Menliff: [to Nevenka] You haven't changed, I see. You've always loved violence.
- Versions alternativesThe version on the US DVD 2000 release from VCI Home Video does not include 2 brief shots:
- A shot of Christopher Lee riding his horse along the beach at the beginning of the film.
- A fade to black following Nevenka's journey to a window and her scare from hearing a vine snap against the window.
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- How long is The Whip and the Body?Alimenté par Alexa
Détails
Box-office
- Budget
- 66 500 $US (estimé)
- Durée1 heure 25 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Le Corps et le Fouet (1963) officially released in India in English?
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