PUNTUACIÓN EN IMDb
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TU PUNTUACIÓN
La compilación de Walt Disney de 10 cortos animados que utilizan el talento musical de artistas como Benny Goodman.La compilación de Walt Disney de 10 cortos animados que utilizan el talento musical de artistas como Benny Goodman.La compilación de Walt Disney de 10 cortos animados que utilizan el talento musical de artistas como Benny Goodman.
- Premios
- 1 premio y 1 nominación en total
Nelson Eddy
- Narrator
- (voz)
- …
Laverne Andrews
- Andrews Sisters
- (doblaje en canto)
- (as Andrews Sisters)
Maxene Andrews
- Andrews Sisters
- (doblaje en canto)
- (as Andrews Sisters)
Patty Andrews
- Andrews Sisters
- (doblaje en canto)
- (as Andrews Sisters)
Benny Goodman
- Bandleader
- (crédito solo)
Tatiana Riabouchinska
- Silhouetted Dancer
- (as Riabouchinska)
David Lichine
- Silhouetted Dancer
- (as Lichine)
Ken Darby
- The King's Men
- (doblaje en canto)
- (as King's Men)
- …
Jon Dodson
- The King's Men
- (doblaje en canto)
- (as King's Men)
Bud Linn
- The King's Men
- (doblaje en canto)
- (as King's Men)
Rad Robinson
- The King's Men
- (doblaje en canto)
- (as King's Men)
John Brown
- Umpire
- (voz)
- (sin acreditar)
Reseña destacada
"Make Mine Music" is a beautifully crafted binding of Disney shorts, and I think it is an improvement over "Melody Time". "Melody Time" did have some memorable parts especially "Once Upon a Wintertime", "Bumble Boogie" and "Johnny Appleseed", but what made "Make Mine Music" better was that it had a somewhat better variety of music and that it contains some of my all time favourite Disney moments. But like it is with "Melody Time" the success of the shorts is variable.
"The Martins and the Coys"(10/10)-Man I loved this! Probably the most underrated of all the shorts featured in this film. It mayn't be to everyone's tastes now, and it does stereotype the Appalachians, but what makes it so enormously entertaining is the fluid and colourful quality of the animation, the rollicking soundtrack and the vocals.
"Blue Bayou"(10/10)- I don't know where to begin praising "Blue Bayou". Whether it was the stunning animation, with the pristine and perfect blue backgrounds, the poetic lyrics and the lyrical, sensual melody of the song. And the music is sublimely sung.
"All the Cats Join In"(10/10)-One cool and jazzy cartoon. I am not always that fond of jazz admittedly, but the music courtesy of Benny Goodman and his orchestra is wonderful. Topped with clever and sophisticated animation and the story, even for a combination cartoon, works effectively.
"Without You"(9/10)- I liked this, the animation is gorgeous in this sequence and the song itself is sweet and memorable. Andy Russell does a good job with the singing. I will say though it doesn't rank as a favourite, and I can't put my finger on why, maybe it was to do with where it was placed in the film.
"Casey at the Bat"(8/10)-The pace is rushed here, but this cartoon is entertaining. I for one liked Jerry Colonna's mini-commentary-like vocals here, and I liked the animation too. "Casey at the Bat" is also very funny, certainly makes a game of baseball entertaining.
"Two Silhouettes"(8/10)-Don't get me wrong, I really liked this sequence. It is sentimental and sappy of course, but it looked beautiful, with graceful dancing, and the song was lovely, sensitively sung by Dinah Shore.
"Peter and the Wolf"(9.5/10)-Easily one of the better shorts of the film. Not my personal favourite by all means, but definitely memorable. The animation is beautiful here, the music is outstanding and the story is effective. Not to mention the characters are very well done, in fact the Wolf when my sister and I were little was so scary for us, my sister still refuses to see this cartoon, as she got nightmares from the Wolf and the French horn motif played to signify his entrance.
"After You've Gone"(8/10)- I do prefer "All the Cats Join In" but this is full of jazz and pizazz. It's running time though is disappointingly scant, and it is a tad rushed. The artwork is beautifully done though, and the music is wonderful. Another example of a combination cartoon, and works well at it.
"Johnnie Fedora and Alice Bluebonnet"(10/10)- I love how beautiful, simple and poignant this is. Coupled with nice animation, lovely music and beautifully blended vocals from the Andrews Sisters, this is a definite must.
"Willie the Operatic Whale"(or "The Whale Who Wanted to Sing At the Met")(10/10)-Save the best until last I'd say. Along with "Peter and the Wolf" this is the only other cartoon from the film I was familiar with before watching. This one is unforgettable, truly unforgettable with a truly special whale. The animation is gorgeous and charming, and the singing from undervalued Nelson Eddy is outstanding. What made this though was the opera music, it was wonderful to hear "Largo Al Factotum" from "Barber of Seville" and "Sextet" from "Lucia Di Lammermoor" to name a few. This was the cartoon that introduced me to the wonderful world of opera, that's why it is so special to be.
Overall, while there are one or two sequences that aren't as good as others, "Make Mine Music" is beautifully crafted, and I would recommend it. 8/10 Bethany Cox
"The Martins and the Coys"(10/10)-Man I loved this! Probably the most underrated of all the shorts featured in this film. It mayn't be to everyone's tastes now, and it does stereotype the Appalachians, but what makes it so enormously entertaining is the fluid and colourful quality of the animation, the rollicking soundtrack and the vocals.
"Blue Bayou"(10/10)- I don't know where to begin praising "Blue Bayou". Whether it was the stunning animation, with the pristine and perfect blue backgrounds, the poetic lyrics and the lyrical, sensual melody of the song. And the music is sublimely sung.
"All the Cats Join In"(10/10)-One cool and jazzy cartoon. I am not always that fond of jazz admittedly, but the music courtesy of Benny Goodman and his orchestra is wonderful. Topped with clever and sophisticated animation and the story, even for a combination cartoon, works effectively.
"Without You"(9/10)- I liked this, the animation is gorgeous in this sequence and the song itself is sweet and memorable. Andy Russell does a good job with the singing. I will say though it doesn't rank as a favourite, and I can't put my finger on why, maybe it was to do with where it was placed in the film.
"Casey at the Bat"(8/10)-The pace is rushed here, but this cartoon is entertaining. I for one liked Jerry Colonna's mini-commentary-like vocals here, and I liked the animation too. "Casey at the Bat" is also very funny, certainly makes a game of baseball entertaining.
"Two Silhouettes"(8/10)-Don't get me wrong, I really liked this sequence. It is sentimental and sappy of course, but it looked beautiful, with graceful dancing, and the song was lovely, sensitively sung by Dinah Shore.
"Peter and the Wolf"(9.5/10)-Easily one of the better shorts of the film. Not my personal favourite by all means, but definitely memorable. The animation is beautiful here, the music is outstanding and the story is effective. Not to mention the characters are very well done, in fact the Wolf when my sister and I were little was so scary for us, my sister still refuses to see this cartoon, as she got nightmares from the Wolf and the French horn motif played to signify his entrance.
"After You've Gone"(8/10)- I do prefer "All the Cats Join In" but this is full of jazz and pizazz. It's running time though is disappointingly scant, and it is a tad rushed. The artwork is beautifully done though, and the music is wonderful. Another example of a combination cartoon, and works well at it.
"Johnnie Fedora and Alice Bluebonnet"(10/10)- I love how beautiful, simple and poignant this is. Coupled with nice animation, lovely music and beautifully blended vocals from the Andrews Sisters, this is a definite must.
"Willie the Operatic Whale"(or "The Whale Who Wanted to Sing At the Met")(10/10)-Save the best until last I'd say. Along with "Peter and the Wolf" this is the only other cartoon from the film I was familiar with before watching. This one is unforgettable, truly unforgettable with a truly special whale. The animation is gorgeous and charming, and the singing from undervalued Nelson Eddy is outstanding. What made this though was the opera music, it was wonderful to hear "Largo Al Factotum" from "Barber of Seville" and "Sextet" from "Lucia Di Lammermoor" to name a few. This was the cartoon that introduced me to the wonderful world of opera, that's why it is so special to be.
Overall, while there are one or two sequences that aren't as good as others, "Make Mine Music" is beautifully crafted, and I would recommend it. 8/10 Bethany Cox
- TheLittleSongbird
- 1 mar 2010
- Enlace permanente
Argumento
¿Sabías que...?
- CuriosidadesPedro y el lobo (1946) has an explicitly Russian setting and Russian characters who are portrayed sympathetically. It is an example of the period it was produced. For much of World War II, the United States and the Soviet Union were allies. Pro-Russian/Soviet works such as the film La estrella del norte (1943) were regularly produced by American creators. By 1946, when "Make Mine Music" came out, the War had recently ended and the two countries were still nominally allied. The tensions that would lead to the Cold War were already present, but major actions of hostility did not take place until 1947. It was only then than Anti-Soviet sentiment became the norm in the United States.
- PifiasIn All the Cats Join In (1946), when the blonde teenage boy and brunette teenage girl in their car pick up their first passenger, a brown haired teenage hitchhiker boy, their car is speeding so fast that his shoes fall off when he is picked up. Yet in the next shot of the car, the hitchhiker boy can be seen in the back seat of the car with his feet propped up and his shoes are back on his feet.
- Versiones alternativasIn 2000 Disney cut the entire "Martins & Coys" sequence from the film due to the comic gunplay which they feared could be confused with reality by children.
- ConexionesEdited from Without You (1946)
- Banda sonoraMake Mine Music
(1946) (uncredited)
Music and Lyrics by Ken Darby and Eliot Daniel
Sung by an offscreen chorus during the opening credits
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- How long is Make Mine Music?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Make Mine Music
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 15 minutos
- Relación de aspecto
- 1.37 : 1
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What is the Japanese language plot outline for Música, maestro (1946)?
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