Lootera

Neither "Pakhi"(Sonakshi) nor "Varun"(Ranveer) are the main character of this film. Now if you think that i am joking then you should watch it. For me the main character of this movie is SILENCE and it is something awkward for a Hindi movie nowadays but that's true. The whole movie is show through silence , eyes , facial expression , visuals, surroundings and last but most important background score. This movie is not going to create the kind of magic that "Udaan" did but its a different genre movie and very real. Now if you love to see a story not by dialogues but through expression then this is something you must watch and for other people just find two n half hour a real silence of their life.

This is my first review in IMDb.

I went to this movie without any expectation and because of my wife. I was completely blown away by the class of this movie. Direction, music, cinematography and acting by all the actors were top class.

I was not a fan of Ranvir Kapoor and Sonakshi Sinha. However after watching this movie, I've changed my mind. I believe this is their best performance.

Arif Zakaria, Pakhi's father and Adil Hussain impresses in supporting role.

Do not miss this movie. I'll rate this 8.5 out of 10.

Lootera is a beautiful art of its own kind. Its light,expressive,warm,kind of romance drawn on a huge canvas. A love tale of two people following a new age period cantata. Roughly based on short story "The Last Leaf" by 'O.Henry'. The movie follows a slow yet powerful romance. The movie has comparatively less dialogues and more of creating an beautiful aura around with its expressions. Vikramaditya Motwane (Udaan Fame) has painted a beautiful canvas to show the world that simplicity is more powerful than anything subject. Sonakshi Sinha as Pakhi is top-notch, she is the heart and soul of the movie. Ranveer singh (Varun) is great, he lacks punch in 1or2 odd scenes but overall an actor to look out for.

Very rare comes an art film which handles a potential of standing tall for any commercial cinema.Lootera is an "MASTERPIECE", yes the movie has its flaws to an minimal margin but proves very powerful overall. Amit Trivedi add the perfect tune to make it delightful. Cinematographer Mahendra Shetty is the real hero to captures and portray each and every expression to its perfection.

Watch Lootera for sure. Cheers !!!

If you love someone, saying with words is not necessary, when your eyes and your expressions can say it.. Loved it totally, Feel like watching another time, everything was perfect, eyes, expressions, smiles, weather, locations!!! What a movie!! Its totally different from Motwaane's Udaan, but has the similar gripping power over the audience. One thing i didn't like about it was that it was a bit overstretched.The last leaf concept doesn't look hokey and fits well with the script. The music is awesome and blends perfectly with the situations in the movie. Soulful concoction of sensitivity and sensuality without a bit of vulgarity is what is Lootera !!!

In Genesis 37:9 the following statement is made: "And he dreamed yet another dream, and told it his brethren, and said, Behold, I have dreamed a dream more; and, behold, the sun and the moon and the eleven stars made obeisance to me." Vikramaditya Motwane had stunned the critics with his poignant coming of age story 'Udaan'. He does that yet again in Lootera, justifying the feature length body to the soul of O Henry's petite plot. Loooera is like Van Gogh's "Starry Night" that is Picturesque and poignant at the same time. It takes a simple O Henry story – The Last Leaf, and adapts it to a period setting in Bengal and North East India. Somewhere the short story has decent potential for a short film. But Vikramaditya Motwane is one filmmaker who knows how to extract maximum gratification out of minimalism. It's a work of art - slow, deliberate and introspective. It's one of the best films you'll watch this year. It's a triumph of its director's vision, resulting in a win for the performances of its lead actors.

There's a sense of subliminal aesthetic familiarity when "Lootera" opens in the newly partitioned India of 1953. The unhurried ambiance of the olden days, the sureness of the camera's frame, the undiluted subtlety of the narrative – and decisively – the itching gut feel that it's not going to work out well in the end. The story is of an archaeologist Varun (Ranveer Singh) who comes for an excavation expedition on a piece of land that belongs to Pakhi's (Sonakshi Sinha) family. Love blooms over Dev Anand's enchanting songs and painting lessons where the teacher ends up turning into a student. The vintage Chevrolet cars, heritage haveli and fading royalty add to the aura. The chemistry between Sonakshi Sinha and Ranveer Singh is delicate, pristine yet searing.

Evidently Pakhi falls for the charming visitor only to face betrayal subsequently. Almost a year later, they chance upon each other and are stranded in a cottage amidst snowfall. Now Pakhi is taken over by mixed emotions towards the man while Varun seeks redemption. The director clearly strikes the right chord with the audience and the sublime and surreal shade that he imparts to the story gives it a fairy-tale touch. The tragic end is quite evident all through yet there is that ray of hope which clings on the last leaf.

Lootera uses silence and stillness wonderfully well. In such moments of repose, one can hear footsteps on a hilly pathway or a piece of paper being crumpled, and that is such a rarity in a Hindi film.

The two halves of Lootera are distinct chapters: the gold, russet and green of the Bengal landscape gives way to the pale, snowy, hilly heights of north India. Each is captured in muted hues by cinematographer Mahendra Shetty, whose contribution to the overall impact of the work is enormous.

Every actor in Lootera, irrespective of the footage he or she gets, makes an unmistakable presence. Coming to Sonakshi Sinha's performance, iIf you know her as the 100-crore girl who shakes and swings at the drop of a hat you're in for a surprise. Her nuanced act tugs at your tear glands. A good compliment to Sonakshi's anchoring performance is Ranveer Singh's underplay. He proves he's an actor to reckon with. And he does so despite having a character in shadow of Sonakshi's Pakhi. Supporting performances by Barun Chanda (playing Sonakshi's Zamindar father), Vikrant Massey (Ranveer's best friend) and Adil Hussain (the tough as nails cop) are all top notch too. Arif Zakaria, Dibyendu Bhattacharya and Shirin Guha make brief appearances but lasting impressions.

Lootera celebrates the past, mourns the demise of love, life and things of joy and beauty, but in the end affirms the primacy of the human spirit and the power of art to tide over the blows of fate.

Now the big question: why a film like Lootera is not working at the box office? The question is irrelevant. It wouldn't matter, at least from the critical point of view, even if it were to fail to get its point across to an audience captivated on Dabangg, Rowdy Rathore, Son of Sardar and suchlike. This is a "film". Appreciate it without the tags of commercialism (or lack of), or art, or new Bollywood. It's a beautiful poetry which is being recited, you either relive and resonate the spirit or, you don't.